Frost/Nixon

The sole reason I did not watch this in the cinema two years ago was that I could not find a theater near me that played it, and I was, as I am now, a busy student. That caused me to have to take breaks in my viewing of it, and I have to say, it was not easy to do so. It is, simply put, immensely gripping, and the ending is pitch perfect. I haven't seen the play, but I understand that this expands upon the people around the two who were engaged in the verbal boxing match, especially Cushing. The two leads are the same, and I can get behind getting them to do both versions. They are immensely talented(they had the material so committed to memory that they only flubbed once each), and Sheen is an absolute chameleon, disappearing entirely into what he portrays(I can just barely believe that he played Lucian in the Underworld trilogy... great job in those, by the way). The cast is fantastic, and everyone really delves into their credible and swiftly developed characters. This manages to not paint anyone as a one-note good or bad guy, and I have to admit, I did not feel any sympathy for the former president before this film. The acting is amazing. Dialog is excellent. A little of it was improvised; so was most of the camera-work, and it helps make it feel dynamic and natural. This builds tension rather well. The drama is compelling. There is a short sequence of disturbing content, infrequent strong language and brief nudity in this. The DVD comes with an informational commentary track by Howard, a well-done 23 minute behind-the-scenes production, 22 and a half minutes of deleted scenes, and two well-made featurettes of 7 and a half minutes(about the real interview) and six minutes(about the Nixon library), respectively. I recommend this to anyone interested in the subject. 8/10

Ron Howard's competent film adaptation of Peter Morgan's play (who also scripted and co-produced here) dramatizes the famous Frost/Nixon interviews from 1977. At one point in the film, Kevin Bacon's character explains to Frank Langella's Nixon that a portion of the interview will focus on "Nixon the man". To which Nixon retorted, "As opposed to what? Nixon the horse?" Of course what was on everyone's mind at the time was Watergate and how American was never able to give Nixon the trial they so desperately wanted. Through the unlikely Frost interviews, the American people finally heard the truth behind the scandal--straight from the horse's mouth.

Morgan's source material translates smoothly onto film. Much as he did with "The Queen", he mixes a behind the scenes look at the immediate time period leading up to the historical event and closes with an almost word-for-word dramatization of said event. Also, like "The Queen", we have the excellent Michael Sheen on board, who after playing Tony Blair now takes on the mannerisms of the legendary British talk-show host and man-about-town David Frost. Director Ron Howard nicely interweaves archival news footage, faux-post interviews with the secondary players, and the dramatic reenactments of the actual Frost/Nixon interviews. Howard's studied but pedestrian style of direction lends itself well to this type of docudrama as he allows the actual events to speak for themselves and the fine performances to shine on their own. Though it takes quite awhile to get where it's going, the final interview where Frost takes Nixon head-on about the Watergate cover-up is a payoff well worth the wait.

Of course the most fascinating aspect of the film is Frank Langella's portrayal of a shamed and swollen Richard Nixon. He plays him as a fallen man desperate for an act of contrition but still in too deep with his old trickery and slick ways. His performance, and the way it connects with the audience, is wonderfully layered. On one level, we have an aged actor thought to be well past his prime firing back on all cylinders in a renaissance role that will likely lead to a showering of award nominations. The way the film reduces his performance to that one lingering close-up after being steamrolled by Frost on the last day of the interview leaves a lasting impression. But it also works on another level as it is meant to represent the reduction of Nixon's political life to that one lingering close-up on the television monitor when he realized it's all over for him. The audience members who remember watching the interviews and can picture the actual close-up they saw on their TV screens are now allowed to share a communion with the audience members who weren't even born yet and now only have a memory of Langella's face on the silver screen. In that sense, Langella truly became Nixon, and his performance will not soon be forgotten.

I had the pleasure of watching this gripping movie at the opening night of the British Film festival. Ron Howard's direction and story telling ability are in top form with this effort. From the very first scene a carefully crafted and very credible 70s's atmosphere sets a solid stage for the superbly cast film and quickly transports the viewer into the political jungle that was "Tricky Dickey's" playground.

The acting duo of Frank Langella & Micheal Sheen (Nixon & Frost) are set on a collision course that finds two deeply passionate personalities at the mercy of their insatiable desires. Both actor's portrayals are a study of affectation and body language, pleasurably accurate and yet not simply an impersonation. Indeed, the film never strays from the distinct Howard format that breathes so much life (read intimacy) into this familiar and yet mysterious relationship that exists for so many people who lived through the exceptional event.

Make no mistake, this is by no means a two man show, quite the contrary. In fact, the wealth of supporting roles is perhaps the finest feature of this production. Bacon's devoted and stalwart marine practically glints of gun metal and polished shoe leather. The trio of Gould, Platt and Rockwell portray effortlessly the roles of the men who, brick by brick, constructed the platform from which Frost so successfully and serendipitously elicited one of the greatest unspoken confessions of all time. Rebecca Hall is delicious and demure, constantly filling scenes with her elegant presence.

Perhaps the richest praise should be reserved for Peter Morgan, who has, without question, penned a truly captivating and insightful story that delivers not only a satisfying comprehension of a complex time in US history, but captures a generation's struggle to come to terms with the frailty of leadership that still echoes today.

Not to be missed, this film can be enjoyed on multiple levels and will undoubtedly be regarded as seminal for it's engrossing insight and expert depiction.

Frank Langella's performance as Nixon is truly moving in this remarkable film by Ron Howard, which gripped me for its entirety. As someone who grew up during the Watergate hearings, and who reviled Nixon as the embodiment not just of corruption but of the worst kind of interventionist, even genocidal, American politics, this film gives substance to a man who, in later years (especially the GW Bush years, which make Nixon look like a political and intellectual colossus), achieved something of a place in history beyond the scandal of Watergate.

But what Frost/Nixon - and in particular Langella - does is give humanity to the man. We see his arrogance, his love of power, his need to win (hinted at wonderfully in a moment when he is jogging in his San Clemente home to rousing music), but we also see his inner conflicts, his regrets, the fact that perhaps more than simply his crimes regarding Watergate haunted him - that the impact of his decisions on South East Asia were not entirely remote from him, either. And in a sequence that I will not reveal, to avoid spoiling the plot, we also see a hint of his madness, for it is that, I think, rather than senility. (You have to see it to understand this.)

Ron Howard and playwright/screenwriter Peter Morgan have achieved a remarkable feat in adapting the stage play, which sadly I did not see. Not for a moment does this feel stage bound; instead it is a compelling human portrait of two men - for Frost is fascinating, too, and Michael Sheen captures both his much criticized (at the time) surface gloss and also his deeper fears - but above all of the impact that each of our decisions, large and small, and not least if you are leader of the "Free World," have on us all.

FIRST: Let us FOCUS on the Title's Content and Context.....

Truly... An Historic Encounter of 2 great personaliies... Presented with panache and gripping dramatic flare!

The morning after the Watergate break-in, I brought the newspaper to my university, showing the brief article to everyone who would look. "Tricky Dick is at the bottom of this" I insisted..."NO! He wouldn't be that Stupid!" most of them replied.

In Nixon/Frost we get an insightful look at a gifted, multi-faceted, conflicted personality in all its haunting glory. Nixon was many things. Stupid was not one of them. A Ron Howard Movie about a TV interview? I was very skeptical, to say the least. One single viewing made me a true believer.

Ron Howard has crafted an instant Classic masterpiece. Ripe with couched metaphors and subtle tripwire dialogue, the film's power flows from Ron Howard's ability to present us with the cinematic equivalent of a 100 minute TV close-up of its title characters. Frost/Nixon turns a microscope on both Nixon's strengths and a shopping list of inner demons. Simultaneously vindictive, petty, rancorous, insecure and ever ready to play the victim, more than anything else, Frank Langella's uncanny performance evokes not any hatred, but great pathos.

History is replete with flawed geniuses. But only during the past half century or so... has there been a media obsessed with exposing them for the entire world to see. Michael Sheen is inspired as David Frost, undergoing a great onscreen catharsis. And the re-creation of the interviews is sublime! Cleverly and convincingly Presented as two deftly talented sparring partners, Frost/Nixon is an immensely entertaining/informative slice of history that should satisfy even the most discerning cinematic gourmet.

ENJOY! / DISFRUTELA! 9*********