A Casa ao Lado

THE HOUSE NEXT DOOR is one dull TV movie. It's a simple story about a suburban housewife who lives next door to what might be the ultimate haunted house. A series of her neighbours living in this evil abode are subject to all manner of ill fortune and even death, and it's all something to do with the sinister architect who built it.

Apparently this film was based on a novel so I can only imagine how horrendous that is. The main problem here is that the focus of the story isn't on the main characters at all but on the supporting characters who live next door. Thus the attempts at drama and human conflict are subdued. There's no real sense of resolution here, not even a real beginning, middle, or end, just continued nonsense.

Frozen-faced Lara Flynn Boyle was a vibrant and even volatile screen presence in the 1990s so it's sad to see her hidden behind copious plastic surgery and reduced to starring in this kind of insipid TV movie fare that I thought they'd stopped making in the 1990s.

After too many years of waiting, Anne Rivers Siddons' noted 1979 book "The House Next Door" has finally been filmed. The result veers a bit from the novel which, especially in the first story of the trilogy is understandable if unsatisfying as it's a TV film, the whole of which is absorbing and actually very good, just not as great as the book, one of Stephen King's favorites and one of mine as well.

With more running time and fewer constraints as a theatrical release, all the richness inherent in the original three-part story of the ominous ultramodern house could have been explored and nurtured, especially the climactic revelation near the very end.

Still, the whole cast does well in this thoughtful tale of mindless malevolence. There are a few unnecessary cheap shocks but the growing atmosphere of dread is well developed. Actually, one of the most disturbing scenes involves an abstract painting of the house by its next-door amateur-artist neighbor who is trying to visualize its corruption on canvas.

Be sure to read the great novel.

Happily married Lara Flynn Boyle and Colin Ferguson (as Colquitt "Col" and Walker Kennedy) live in a beautiful country home. They are okay being childless – although Ms. Boyle pouts, in the opening, some awareness about her "eggs" getting old at age thirty-four. There is a faint subplot about children which could have been more haunting. Boyle (as narrator) tells us a haunted house was built next door. Due to some unexplained incidents, Boyle and Mr. Ferguson have decided to have a showdown in "The House Next Door" – even though it may end their lives… Eighteen months earlier, we watch the events which slowly lead up to the opening scenes. The house is built by attractive architect Mark-Paul Gosselaar (as Kim). One day, he works up a sweat and has to shower at Boyle's place. You expect something to happen, but it doesn't – all the weird stuff happens in the house next door...

It is an unusual and difficult building to manage– but, it's a beautifully-designed building. Watching different people move in and try to live there is entertaining. The first one to leave is Mr. Gosselaar, who notices something strange has happened to him while building the place. Gosselaar helps sell the house and tries to get away, but not for long. This is an average TV movie production, with a couple of problems. Most obvious, the ending is a big disappointment. Of course, it's better not to say much – you'll see for yourself. Part of this has to do with some confusion about the characters – including the House as a real or inanimate character. This was based on a successful novel by Anne Rivers Siddons, which was undoubtedly clearer. Director Jeff Woolnough gets his best results in the house, especially building tension in effective scenes with Iraq War mom Julie Stewart (as Anita Sheehan).

***** The House Next Door (10/30/06) Jeff Woolnough ~ Lara Flynn Boyle, Mark-Paul Gosselaar, Colin Ferguson, Julie Stewart

Not that I was really surprised....movies are never as good as the books that they originated from. I was looking forward to seeing this movie because this is one of my favorite books, even though I knew it would probably suck. I was hoping to be pleasantly surprised. However, they strayed from the book's storyline too much, and the movie version did not convey how horrible this house really was. Ending was different too. Lara Flynn Boyle looked terrible due to some really bad cosmetic surgery. The acting was unremarkable at best. Perhaps if a theatrical version was made so that they wouldn't have to stay so much in Lifetime's "made for TV movie" box, it would be a better flick. If you saw this movie I highly encourage you to track down the book and read it. I doubt you'll be disappointed and hope you enjoy it as much as I do every time I read it.

... is twofold. Firstly, it totally destroys, with a plodding, boring and mucousy script, a fine novel that Stephen King had singled out as one of the best horror stories of the last century in his essay "Danse Macabre" (1981).

The second jolt comes from seeing Lara Flynn Boyle's lips slowly disintegrate all through the movie from the sheer weight of the collagen they are stuffed with. Her mouth gradually descends in her face in a very ominous and asymmetrical fashion, unsupported by facial muscles that are already rendered weak and useless from too many Botox injections. The end result is an inverted wedge of a mouth incapable of smiling or any other recognizable human expression. Those are the only things that qualify this mess as truly scary, if you don't count the sheer ugliness, vulgarity and faux-modern ordinariness of the house itself.