Uma semana em Los Angeles em 1983, apresentando executivos de cinema, estrelas do rock e outros personagens com problemas morais em aventuras misturadas com sexo, drogas e violência.Uma semana em Los Angeles em 1983, apresentando executivos de cinema, estrelas do rock e outros personagens com problemas morais em aventuras misturadas com sexo, drogas e violência.Uma semana em Los Angeles em 1983, apresentando executivos de cinema, estrelas do rock e outros personagens com problemas morais em aventuras misturadas com sexo, drogas e violência.
- Direção
- Roteiristas
- Artistas
- Bryan's Guitarist
- (as German Tripel)
Avaliações em destaque
The Informers is not as terrible as most people on IMDb and Rotten Tomatoes make it out to be. At the same time, it isn't a good movie. If you want to see it the way I wanted to, go ahead and see it. I don't need to talk you out of it. Just remember, this is Bret Easton Ellis. The characters are shallow and their arcs are difficult to pinpoint. Nonetheless, some of you may be able to relate to the things going on.
On a final note, there is some really decent cinematography and good acting by a good number of the cast. The entire movie is very intimate, so don't take a prude friend with you when you see it.
I'm not sure if people hate on this movie because they think the acting sucks, or because they think there is no plot line. I can agree on both parts. One, there were certain actors in this movie whose acting was simply bad. But then there were others, such as Kim Basinger, Winona Ryder, Mickey Rourke, Jon Foster, Mel Raido, who played Bryan Metro, who all rocked. Two, there were aspects in the book that could have made the movie better, such as not taking Jamie the vampire completely out of the movie and a much better ending. But the other thing to remember is that this is not the book, its a movie based off of the book and for what they used in the movie is pretty accurate. My advice would be to read the book before seeing the movie. In doing so, I think the movie brought the characters from the book to life.
I also feel that another reason why people didn't like this movie is because all of the supernatural elements were taken out. I will gladly admit that I would have loved for there to have been vampires and aliens in this movie.
And lastly, and this is the main reason why I think people hate this movie or just don't get it, The Informers is about scummy people in the early 80's in Los Angeles and focuses on how they are all connected in some way. THAT'S IT. And the movie portrays it perfectly in my opinion. There isn't much else that you could do with the movie when that's all the story is about. People also need to know ahead of time that you are not going to like these people either, minus the select few who are not entirely heartless. Honestly, it's a good, gritty story.
If you are like me and you like movies about sex, drugs, the 80's, Los Angeles, and greed, then this movie is worth seeing. I feel that this movie is a documentary on the 80's. You want 80's, this movie delivers 80's. Granted the movie wont beat out the book, the movie is still good.
Yes, there is some to be desired here, but I think this film more than any of the other Easton-Ellis adaptations shows how Brett views the world - as a cold place where those who have it all have nothing, and those who have nothing - still have nothing.
From a film-making standpoint, there was some to be desired, but Gregor Jordan, overall, is an excellent filmmaker. I give this film a 7 for strong visuals (more impacting than the dialogue. usually) and a very realistic look at the philosophy of nihilism.
Jordan said during the Q&A that this is a movie about Los Angeles, and that Robert Altman's "Short Cuts" was an inspiration for it. It's light years away from the depth, originality and brilliance of "Short Cuts", though. Jordan doesn't know how to direct this sort of material; it pales in comparison to Mary Harron's insanely secure hand over "American Psycho", also based on an Ellis novel. "The Informers" doesn't even engage the audience like the flawed, but fairly entertaining "The Rules of Attraction". It tries too hard to be a cool movie and fails, almost always, miserably. The overall acting is pretty mediocre, although Isaak and Pucci bring some life to their characters. Foster, who was great in "The Door in the Floor", shows that he's not yet ready to play a lead (and he didn't even have to carry the movie on his shoulders à la Christian Bale; this is a big ensemble where nobody really stands out, and I'm including a pre-Wrestler Mickey Rourke and the late Brad Renfro, who plays the perhaps only likable character, in the list).
Jordan said Ellis was afraid to show up for the movie première at Sundance, probably predicting the criticism that was to come. I don't blame him (and I feel for Jordan too since you gotta respect someone who has the guts to face the honor - and pressure - of having your movie premiering at Sundance). Although nobody was impolite during the Q&A, the movie got trashed by the critics afterwards.
I have no idea how well this is gonna do at the box office, although Amber Heard's constant nudity will certainly catch some attention and give her lots of job offers (too bad her acting skills are still rather poor). I wouldn't call "The Informers" a terrible movie, just a very forgettable one. The final scene (not the conclusion, but the very final scene itself) is disturbing, sad and yes, memorable; but by then you feel like you wasted too much time with something that's been done several times, and much better, before. 4/10.
Você sabia?
- CuriosidadesBrad Renfro, who played Jack, considered giving up acting before he was cast in this film. It would ultimately become his final role, with the film being released shortly after his death.
- Erros de gravaçãoWhen Peter shows Jack the child in the van, a crew member can be seen through the windshield looking in. He tries to get out of the way, but does not succeed.
- Citações
Graham Sloan: What are you trying to tell me, baby? What are you saying?
Christie: I want... I want to stay.
Graham Sloan: But it's getting cold.
Christie: But I need more sun.
Graham Sloan: There's no more sun.
- ConexõesEdited into The Rotten Tomatoes Show: 17 Again/State of Play/Crank High Voltage (2009)
- Trilhas sonorasNew Gold Dream (81/82/83/84)
Written by Jim Kerr (as James Kerr), Charlie Burchill (as Charles Burchill), Derek Forbes and Michael McNeil
Performed by Simple Minds
Courtesy Virgin Records Ltd.
Under license from EMI Film & Television Music
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Los confidentes
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 300.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 300.000
- 26 de abr. de 2009
- Faturamento bruto mundial
- US$ 382.174
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1