Adicionar um enredo no seu idiomaYears after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.Years after the assassination of President George W. Bush in Chicago, an investigative documentary examines that as-yet-unsolved crime.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 6 vitórias e 1 indicação no total
- Self
- (cenas de arquivo)
- (não creditado)
- Samir Masri
- (as Seena Jon)
- Casey Claybon
- (as M. Neko Parham)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The point of the film is NOT some perverse fantasy about killing the current President of the United States of America, George Walker Bush Jr. People who say otherwise either haven't seen it or are wanting to purposely misguide you.
It is a drama in the style of a documentary (one that would air on television rather then a cinema screen) that looks at a possible run up to an assassination of the president, as well as how the investigation might be handled afterwards with the involvement of Dick Cheney (who would take over the Presidency if George Bush was assassinated).
The drama does not dwell or linger on the death of the president at all, in fact apart from Bush being crammed into his presidential car by secret service and whizzed away at high speed, that is all the viewer sees. You then find out about his death from mock news reports. Hardly a sordid gratification from a 'perverse' director.
The drama is convincing as a documentary by realistic interviews with decent unknown actors playing their roles just right without hyperbole as could quite easily be the case.
Without spoiling exact plot points, the drama makes a point in how the government may be more interested in finding a suspect and making the evidence fit the profile because it is more politically advantageous then actually running an investigation to find out exactly what happened, and draw suspects that way. Considering the current climate where seemingly the Geneva Convention is open to interpretation, and restrictions on Habeus Corpus, this suggestion is not far fetched in the slightest.
It aired on 'More 4' in the UK, a channel from Channel 4 television, and I'd imagine it would air on an American network at some point, or maybe a limited screening at cinemas if the US networks lose their bottle.
So for my US brothers and sisters, consider what I've written, and go SEE it and decide for yourself. That's what the freedom as a US Citizen entitles you to do.
For this particular European, who has visited most of the US States at one time or another and who has many American friends, the film was another reminder of how worrying the United States has become. Still a great nation but hard to think of it as "Leader of the Free World" now that it allows cruel and degrading treatment of enemy suspects and indefinite imprisonment without a fair trial. Perhaps US viewers will find this movie in bad taste, but they should find some of the policies and actions of their current government a lot more distasteful.
The 'whodunit' feel to this film, using documentary-style interviews with the people involved with the investigation to unfold the story, kept this film interesting. This technique aided in preventing it from being "just another documentary" because the outcome of this fictional future-event is unknown to the viewer, unlike most historical documentaries.
DOAP fails to talk about the worldwide and/or nationwide repercussions of such a devastating event as DOAP attempts to examine, which was disappointing and clearly beyond the intended scope of the film.
In my opinion, I'm glad I had a chance to attend the world premiere and it's definitely a film worth checking out when it comes to your video store, but DOAP is no more of a "must-see" than any other enjoyable, but ultimately forgettable, piece of fiction.
I'm happy to report: I was wrong. "Death of a President" is a very well written, performed and directed drama in the style of a modern (and hardly opinionated) documentary. And most surprisingly, it isn't really a movie about George W Bush.
It was a very smart move to make it a "mock" documentary, since it keeps the viewer on a skeptical distance to all the protagonists, so the movie doesn't push the audience into immediately placing the characters into the "good" and "bad" categories like it would be the case with a drama done in a conventional narrative. That gives room to examine the characters different motives and actions without having to rely on pressing the emotion-buttons too much. Of course this approach relies on convincing performances from all actors involved (mabybe even more so than with a conventional drama) to keep the illusion alive of actually watching a documentary.... over-acting could have been a disaster for this movie, and i'm very glad cast and director avoided that pitfall. Fine performances all around.
Now, to the obvious elephant in the room (and the reason why this movie is so controversial): Why did the makers of the movie not just have a fictional president killed? Shock value? Some kind of perverse joy in getting rid of the real President? I don't think so.
First of all, having the real President Bush in the movie obviously makes this theoretical exercise just more authentic and convincing. And more importantly, the viewer is forced to place himself somewhere among the characters, to place his sympathy and antipathy bets just based on preconceived notions, so to speak. I doubt there are many people who don't have a clear opinion about George W Bush and his administration (I certainly have mine. And in the interest of full disclosure, I'm no fan, to say the least). But that opinion (whatever it is) is important for the movie to get it's point across: it's the setup to play effectively with the viewers prejudices.
"Death of a President" manages to make you look beyond the stereotypes and makes a solid point about the misleading force of preconceived notions (for the viewer as well as the characters in the movie). The tag line "Do not rush to judge" is well chosen. The movie in particular makes a valid point about the worrying tendency in the US (and the world in general, I cant think of any society that's not to some degree affected by this "disease") of more and more dumbing everything down to "us versus them".
Be it the inflation of the word "Terrorist" as a magic opinion maker, (and drifting away from the movie for a second) be it Republicans versus Democrats, be it the insane shouting matches that pass as talk shows these days or be it the bizarre notion of an inevitable "clash of the civilizations".
The movie isn't perfect though. For example, the character of Bushs speech writer was a bit over the top in her praise for the man, while the protesting crowds remained rather stereotypical. Also, some doctored shots didn't quite live up to the otherwise impressive technical level of this production.
Yet "Death of a Presindent" offers a bit of much needed perspective on the Terrorism-issue; it sure does it by rather drastic means but it doesn't fail to deliver. Of course for me, as a distant observer of the USA, the fact that the actual President gets "assasinated" in this movie doesn't have quite the emotional punch as it must have for Americans. So I can understand the very mixed reactions it gets from reviewers.
But if you feel up to it, go see it yourself and then make up your mind, instead of rushing to judgment based on title and plot outline.
Gabriel Range's mockumentary that is set 3 years after the assassination of President George Bush. This television-style mockumentary delves into interviews with suspects and those whom were responsible with protecting and then those who were in charge of finding the assassin and anyone else who was responsible. The way the film was laid out was that the identity of the assassin is unknown until everything else suspect was eliminated. All in all, a "who dunnit?" tale told by those involved in it.
Controversy and hype aside, as a mockumentary from the future it was very well done and convincing with great use of archival footage and staged scenes. However, if this were an actual documentary, my interest in the topic would've been different and more interested because I would've had a good 3 years of non-stop media coverage and countless discussions and opinions about the event, not to mention how such a thing not only affects everyone around the globe, but personally as well. For example, if I were to watch a fictional film about 9/11 before that horrid and devastating event, I wouldn't have the same reaction or emotional responses as if it were a documentary after that event.
Range's approach to fictional storytelling is fascinating indeed but lacks that personal touch to myself as a viewer. All in all, if released world-wide this film will probably garner much hype but it'll end up having no real bite to it.
Você sabia?
- CuriosidadesThe majority of the actors in the film were not told the premise of the movie. The working title for the film was "D.O.A.P.," and the actors were not told what the plot was, except for their specific scenes.
- Erros de gravaçãoWhen Eleanor Drake addresses the North Korean conflicts she calls the dictator "Kim Il-jung" instead of "Kim Jong-il", mixing his name with his father's (Kim Il-sung) together.
- Citações
[end title cards]
Title card: One year after his conviction, Jamal Abu Zikri has still not been granted leave to appeal.
Title card: He remains on death row in Stateville Correctional Center.
Title card: Since recording the interview for this film Robert H Maguire has resigned as Head of the Chicago Field Office of the FBI.
Title card: USA PATRIOT III, introduced in the days after the assassination, has since been turned into permanent law.
Title card: It has granted investigators unprecedented powers of detention and surveillance, and further expanded the powers of the executive branch.
Principais escolhas
- How long is Death of a President?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 519.086
- Fim de semana de estreia nos EUA e Canadá
- US$ 281.778
- 29 de out. de 2006
- Faturamento bruto mundial
- US$ 869.352
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1