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I'd looked forward to this having missed it in the cinema, I was a big fan of the TV series and may have expected much more. It was a terrible disappointment. The action was OK, the script; well let's just say they must have had space left on the envelope. It was mostly dull and unbelievable even in an action movie, were some suspension of reality must be given. Some of the acting was dreadful, at best wooden, the shooting, the proverbial barn door would be safe. I'm a fan of Ray, in this he was miscast and wasted, it might have made an acceptable television pilot I'm now not sure if it was worth the rental, maybe just.3/10

Would love to give this good ratings, was hoping to.. But.

Opening scene was beyond stupid. The bit in the middle was daft as hell.

And the less said about the ending the better.

Great acting, just very poor script and the director should go back to film school.. (does a director not have any control??)

Note to writer/director.. Never give that kind of daft opening if you want to be taken seriously..

Or daft ending..

Or daft middle bit...

The style of the movie largely relies on sweeping glass and steel shots of London, while they're beautifully done and almost futuristic, you'd be forgiven for thinking it was the opening scenes of The Apprentice they're so disjointed from the film itself.

The Sweeney are The Flying Squad of London's Metropolitan Police, tasked with cracking down on violent crime and armed robberies. They're loud, cocky, and vicious and, if the cases we're shown are anything to go by, very, very bad at their job.

Regan (Winston) is head man and a law unto himself, his sidekick Carter (Drew) and the rest of his special ops team are housed in a swish crow's nest of Scotland Yard with all mod cons. While Winston and Drew have an unmistakable chemistry on screen they really didn't have much to work with. Drew delivers his lines painfully slow, as if inebriated but you have to give it to the guy, he's not bad when it comes to fisticuffs. The gung ho ways and abysmal record of their squad attracts the attention of Internal Affairs, who are just waiting for a reason to shut them down. The wait isn't very long.

England's capital is largely deserted for the duration, which again beggars belief. There's a monumental hot pursuit and shoot out on an almost empty Trafalgar Square with just enough passers by to be pushed violently to the ground by both the fleeing criminals and the cops themselves, by the third time, it was comically so. It would appear that The Sweeney have been trained at the Storm Trooper Shooting Range as London town is shot up in relentless gunfire but not one bullet reaches its target. Think Hot Fuzz not Miami Vice.

The plot is convoluted, the cases needlessly complicated and for the life of me I couldn't get excited about a Serbian Georgie Burgess as the bad guy. While Nick Love is renowned for his cockney gangster offerings, unfortunately this time round he didn't think to bring either a decent story or a coherent script to the table.

The Sweeney is somewhat enjoyable but it borders on parody far too often. It's outdated and overplayed with enough product placement have an accompanying catalog. It would have made a decent TV special but for a big screen outing it's a meh from me.

A poor interpretation of a British TV Classic. The Regan and Carter dynamic was central to the success of the original in this it takes a backseat to the tedious affair between Regan and policewoman Nancy who of course did not appear in the original series. Baby faced Ben Drew looks like the singer of an Indie Pop Band and the waddling Ray Winstone is far too fat to take seriously as a maverick cop and the love interest of a woman 25 years his junior. The brilliant Damian Lewis was woefully underutilised as chief inspector Frank Haskins and would have made a far better Regan. John Hodge, co-writer, and Nick Love, who wrote the screenplay, were children when the original series aired so it's no surprise they managed to screw up the remake so spectacularly.

My my. You could tell this was directed by a mate of Danny Dyer's. The film itself was so far removed from anything that would happen in the real world it was laughable.

Ray Winstone as Regan was basically Ray Winstone i.e. he went around calling people horrible names and punching or nutting them. The plot was paper thin and there were many examples of "how could they be so thick??!!" coming from my sofa.

Decision making by the characters was just plain ridiculous and then there were the continuity errors and/or just generally stupid mistakes. Regan is on the way to a bank robbery; it is the morning and the bank is open. Somehow he is able to drive along the Embankment in London at 60+mph and there is NO traffic. And of course people hid behind cars & furniture during shoot-outs and naturally were completely unharmed.

The only good things in it were Ben Drew (playing himself as usual) and Hayley Atwell (although she should have known better than to take this part). Even Damian Lewis obviously just needed to pay the Gas Bill, as he was utterly anonymous as Haskins.

Please avoid this utter piece of total horse manure. Watch an episode or two of the original TV series with Thaw & Waterman on ITV4. It will be a far better way to spend 2 hours.