Ghost in the Shell: Stand Alone Complex - Solid State Society
Adicionar um enredo no seu idiomaA.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new Sec... Ler tudoA.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new Section 9 confronts a rash of complicated incidents, and investigations reveal that an ultra-... Ler tudoA.D. 2034. It has been two years since Motoko Kusanagi left Section 9. Togusa is now the new leader of the team, that has considerably increased its appointed personnel. The expanded new Section 9 confronts a rash of complicated incidents, and investigations reveal that an ultra-wizard hacker nicknamed the "Puppet Master" is behind the entire series of events.
- Prêmios
- 1 indicação no total
- Motoko Kusanagi
- (narração)
- …
- Daisuke Aramaki
- (narração)
- Batou
- (narração)
- Togusa
- (narração)
- Ishikawa
- (narração)
- Saito
- (narração)
- Paz
- (narração)
- Borma
- (narração)
- (as Taro Yamaguchi)
- Tachikoma
- (narração)
- Proto
- (narração)
- Azuma
- (narração)
- Akafuku
- (narração)
- Kayabuki
- (narração)
- Nakamura Bucho
- (narração)
- Kubota
- (narração)
- Munei
- (narração)
- Ka Gae-Ru
- (narração)
Avaliações em destaque
Togusa is now in charge of Section 9 after Major Kusanagi retired two years previous. While on a mission, he and his team stumble upon a lead to an Ultra-Wizard Class Hacker the "Puppet Master". This, in turn, leads them to other conundrums and secrets, including the children that are going missing in the city which nobody knows about. Not only do Section 9 have to investigate and solve these mysteries but they also have to resolve issues within the team, due to the major's retirement.
Even with the complexities of the story and all the twists and turns within it, the screenwriters Shotaro Suga, Yoshiki Sakurai, and Kenji Kamiyama (who also directed) do a great job to tie it all together in a comprehensible and intelligent way.
For me, this is the best of the three story lines in the Stand Alone Complex series as it holds some viewpoints that are relative today. We already have puppet masters in today's society and our elderly population is living longer, it's not too far of a stretch to imagine the film's visions becoming future truth, should we start to wonder down the techno-path. People are already talking about populace explosion... These are issues to fire up the brain cells.
The animation is on par with the series, which is to say, of a high caliber, though still not up to the beauty of the 1995 original, and this can be said for the direction and soundtrack also.
You do not need to watch the Stand Alone Complex series to enjoy this film as it is a stand alone in its own right. I would recommend that you at least watch the original Ghost In The Shell before checking this out, though it's not necessary. You do need to set time aside to watch the movie, any interruptions may affect your overall enjoyment and understanding of the story. It's also a film NOT to watch with people who don't get the concepts of Cyber Punk Science Fiction...
Ironically while Ghost In The Shell has progressed in the continuation of the story, Togusa for example making the pleasing and logical step up to 'team leader' the story never progresses much from that of "Innocence". Major Kusanagi is still absent from the 'Section 9' set up as she continues her vigilante exploits through the net, solving crimes when and where she can, where like in the second film she is mentioned more often than not and pined over. The plot set up is still identical, a virtual hacker who has capabilities that are often above and beyond the major and section 9 and how they bring down their opposition, who often has a more aversive and political agenda than is first thought. In essence this is very much a follow on from the Stand Alone Complex, because the plot line feels almost like a compressed first season into the confines of one hundred minutes.
Having established Solid State Society as a undeniable continuation of the Stand Alone Complex universe it must also be noted that in this particular installment there is a notable absence of philosophy. Where the original was crammed with the nature of what it means to be human and "Innocence" tackled the nature of reality there is a discernible lack of here. Personally while appreciating the intelligence of the films I often felt they crammed dialogue unnecessarily throwing philosophers names around like frisbees at the beach purely for referential sake, and often the point itself was lost even when understood. Solid State however all but ditches that mantra, much in a similar fashion to the series, yes there are moments of philosophical debate, but it focuses much more on an intelligently constructed cyber-crime thriller plot line which by chance of it being a Ghost In The Shell film carries the characters we have come to be attached to.
The cyber-crime in itself while possibly mirroring "The Laughing Man" from "Gig One" provides a fresh twist and a new way for the writers to show off their skills at constructing new virtual dramas. Aramaki takes much of a backseat focusing a lot more of the attention on the newly cyberised Togusa and how that has affected him. One minor complaint is, most likely through the anglicised dub, but perhaps not, is the garbled mess of plot development within the first twenty minutes as it establishes the who's what's and why's of the newly emerging case.
Ghost In The Shell continues to deliver entertaining, thought out and thoughtful films and stories to add to its ever increasing world, and do not take the mark and criticism i've levelled at this as a sleight, because I did enjoy it. It's merely that I know they are capable of more than a recycling of noble criminals with the "will she stay, won't she stay" of the majors attachment to section 9, and the "will they, won't they" with herself and Batou. The trouble is they seem unable to fuse philosophy with a cracking crime thriller peppered with action to a stable and progressive dialogue. That having been said, for those accustomed to the franchise it highlights why it is so successful, with interesting characters, a future world not entirely removed from ours and an thought out philosophically tinged action packed story line, which has had a huge impact on the cinematic landscape. While Solid State, however, may not have a similar impact as its initial predecessor for those that know the characters and know the world it is a worthwhile addition, and for those that don't, they need to log on and expand their own ghost.
It's just that this film was lacking the action of the previous two films. I also wish that there was more philosophical dialogue. Still, they certainly had great voice work and good talking. If you're a fan of "Ghost In The Shell", you really should see this. The colors are just so gorgeous in this movie. We even get some pretty tender moments involving little kids. I guess if you want to make us care you have to have the lives of a children at stake. It certainly worked here. It was still pretty creative. ***
This latest and third movie is pretty damn slick. I haven't watched the Stand Alone Complex series', but the story was engaging and thought-provoking regardless.
I'm really interested in concepts of the cyborg, and visions of the future. I'm not convinced by the idea of downloading a personality into a computer, but most of Shirow's work makes interesting observations of the social problems which would accompany such a move.
The story in this installment is particularly interesting, and follows an attempt by a person or persons unknown to solve political and social problems by manipulating cyber-brains through the global network. Far too complex to waste time explaining, it makes for a great 100 minutes.
The animation is superb, on the most part. The characters and backdrops are awesome, yet occasionally suffer from blatant CGI-ness. Smooth and beautiful it may be, but like the second Appleseed film, it just doesn't look right. Animation is not live action or CGI or any combination of the two, and a degree of difference is what makes each media interesting and fluent. For me, that aspect of this feature was whack, and distracting. Also, CSI-style shaky-cam in anime?? Rubbish.
The music is very good, though not quite as good as the first film, and there is a diabolical song in the first 10 minutes that made my arsehole close-over. Otherwise, the awesome Yoko Kanno (Macross Plus) goes beyond mood-music and achieves an awesome synthesis.
There's a reasonable helping of Shirow sexiness, though not enough. Needs more greased up babes. His trademark cool style in mecha and costume design remains strong, without succumbing to Matrix-style pansy over-styling. The film could have done with more comic relief, however. Shirow is a very funny guy, and this series of films has never really allowed that to find a place. Shame.
The direction is good, though makes obvious what an influence Mamoru Oshii's (Patlabor, Jin-Roh) personal style had on the direction and attitude of the films. That's no bad thing, as he is one of the all-time great directors. It would, however, have been nice to have seen some more impressive personal touches from Kenji Kamiyama.
Essentially very good, though perhaps too engorged with the intellect of the last two films, and trying just that little bit too hard to be cool.
Você sabia?
- CuriosidadesAs part of the Nissan sponsorship, the movie features two concept cars designed by Nissan. The character Togusa drives a white Nissan's Sport Concept hatchback, and both Togusa and Aramaki travel in Nissan's six seater Infiniti Kuraza. Nissan's six seater Infiniti Kuraza's license plate is 3923 which read as san-kyuu-ni-san (in Japanese) or "Thank you Nissan".
- Citações
Daisuke Aramaki: Batou! Are you listening to me Batou?
Batou: Yeah, I'm listening.
Daisuke Aramaki: Just where are you?
Batou: We found the body of the 13th tattooed man.
Daisuke Aramaki: Is it another suicide?
Batou: Yeah.
Batou: The place looks a lot like our own safe houses. It's probably one of their hideouts.
- ConexõesFeatured in Anime Abandon: Ghost in the Shell: Solid State Society (2017)
- Trilhas sonorasPlayer
(Opening theme)
Performed by Origa with Heartsdales
Music and arrangement by Yôko Kanno
Lyrics by Origa
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- Ghost in the Shell: Solid State Society
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Bilheteria
- Orçamento
- JP¥ 360.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 2.055.431
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1