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IMDbPro

Um Táxi para a Escuridão

Título original: Taxi to the Dark Side
  • 2007
  • 14
  • 1 h 46 min
AVALIAÇÃO DA IMDb
7,5/10
17 mil
SUA AVALIAÇÃO
Um Táxi para a Escuridão (2007)
Theatrical Trailer from Think Film, Inc
Reproduzir trailer2:21
5 vídeos
20 fotos
CrimeDocumentárioDocumentário militarGuerraHistória

Alex Gibney expõe os detalhes assombrosos das práticas de tortura e interrogatório dos EUA.Alex Gibney expõe os detalhes assombrosos das práticas de tortura e interrogatório dos EUA.Alex Gibney expõe os detalhes assombrosos das práticas de tortura e interrogatório dos EUA.

  • Direção
    • Alex Gibney
  • Roteirista
    • Alex Gibney
  • Artistas
    • Alex Gibney
    • Brian Keith Allen
    • Moazzam Begg
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    17 mil
    SUA AVALIAÇÃO
    • Direção
      • Alex Gibney
    • Roteirista
      • Alex Gibney
    • Artistas
      • Alex Gibney
      • Brian Keith Allen
      • Moazzam Begg
    • 69Avaliações de usuários
    • 53Avaliações da crítica
    • 82Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 10 vitórias e 5 indicações no total

    Vídeos5

    Taxi To The Dark Side
    Trailer 2:21
    Taxi To The Dark Side
    Taxi To The Dark Side
    Clip 1:35
    Taxi To The Dark Side
    Taxi To The Dark Side
    Clip 1:35
    Taxi To The Dark Side
    Taxi To The Dark Side
    Clip 1:15
    Taxi To The Dark Side
    Taxi To The Dark Side: Scene 2
    Clip 1:15
    Taxi To The Dark Side: Scene 2
    Taxi To The Dark Side: Scene 1
    Clip 1:35
    Taxi To The Dark Side: Scene 1

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    Elenco principal59

    Editar
    Alex Gibney
    Alex Gibney
    • Narrator
    • (narração)
    Brian Keith Allen
    • Soldier - New York Studio Shoot Reenactment
    Moazzam Begg
    • Self - Torture Victim
    • (as Moazzam Beg)
    Christopher Beiring
    • Self - Captain
    Willie Brand
    • Self - Military Police
    George W. Bush
    George W. Bush
    • Self
    • (cenas de arquivo)
    Jack Cafferty
    • Self
    • (cenas de arquivo)
    Brian Cammack
    • Self - Military Police
    William Cassara
    • Self - Attorney
    Doug Cassel
    • Self - Professor
    Dick Cheney
    Dick Cheney
    • Self
    • (cenas de arquivo)
    Jack Cloonan
    Jack Cloonan
    • Self - Former FBI Agent
    Damien Corsetti
    • Self - Military Interrogator
    Thomas Curtis
    • Self - Sergeant: Military Police
    Greg D'Agostino
    Greg D'Agostino
    • Soldier - New York studio shoot reenactment
    Ken Davis
    • Self - US Army Sgt.
    Lynndie England
    Lynndie England
    • Self
    • (cenas de arquivo)
    Tommy Franks
    Tommy Franks
    • Self - General
    • (cenas de arquivo)
    • Direção
      • Alex Gibney
    • Roteirista
      • Alex Gibney
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários69

    7,517.3K
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    Avaliações em destaque

    8Chris Knipp

    Familiar yet essential information about American policy post-9/11

    Taxi to the Dark Side doesn't contain anything wholly new, just more complete detail and important clarifications, such as the fact that Guantanamo uses very much the same basic methods to Abu Ghraib, though the location is cleaner and of course was not formerly used by Saddam Hussein. Dilawar, the Afghan taxi driver, was essentially beaten to death by American soldiers in the Bagram prison. He did not live long once his ill-trained but plainly-directed captors got hold of him, but his final hours were terrifying and horrible. They kicked his legs till they turned to pulp and would have had to be amputated, had he lived. A heart condition caused an embolism that went to his brain and was the cause of death, which on the official US papers given to Dilawar's family, in English so they did not know what they meant, was "homicide," but the officer in charge of the prison denied this when queried. Gibney, who was responsible previously for the documentary Enron: The Smartest Guys in the Room, presents interviews with some of the American soldiers responsible for Dilawar's death. They were, of course, only following orders. Other talking heads clarify the fact that the "gloves are off" policy by US authorities following 9/11/01 goes back to Cheney, approved by Bush, carried out with gusto by Rumsfeld, and sent directly down the line to the low-ranking and inexperienced people whose behavior after the Abu Ghraib scandal emerged was claimed by authorities to be that of people on the "night shift" or "a few bad apples." This film thoroughly disproves that claim.

    Gibney shows how the US administration has become willing to blatantly disregard the rule of law, domestic as well as international, to fight their "war on terror" in ways that involved extreme cruelty and murder. In doing this they had the assistance of various corrupt or immoral--or, if you prefer, simply very misguided--men of the law and the judiciary.

    The practices have been illegal. They may also have been variously unwise. The photos of Americans mistreating Muslim prisoners at Abu Ghraib are good recruiting material for anti-US terrorists. But torture also simply doesn't work, accomplishes nothing useful. Much time is given to Alfred McCoy, author of a book called 'The Question of Torture' and a professor of history at the University of Wisconsin. McCoy recounts that the CIA has been working on methods of coercion for all the decades of its existence, but their experiments have yielded little except lawsuits from victimized guinea pigs. Another authority, a former CIA operative, asserts that the best method to obtain information is to gain the confidence of the prisoner and convince him you can help him.

    But post 9/11 "high value" prisoners were clearly tortured with anything their captors could think of--and then confessed to anything they could think of. The film clarifies that psychological experiments by Donald Hobb at McGill University in the Seventies proved sensory deprivation is the most effective means of torture; at least according to Hobb it can induce psychosis within 48 hours. The film shows that basically all "terrorism" suspects here and abroad have been subjected to sensory deprivation. That is what covering the ears, head, and hands does; and it was and is standard treatment to continue this for hours and days. This is more effective than pain. But effective at doing what? Breaking down the prisoner, not obtaining reliable information, or any information, for that matter.

    Hence the widely spread US policies are not only harmful, dangerous, immoral, and illegal, but stupid and, in intelligence-gathering terms, worthless.

    The "extraordinary rendition," waterboarding, sensory deprivation, etc. don't work in practical terms, but they have a political purpose. They convince people that the US is "getting tough" on its enemies. But the US has not been holding real enemies. If it were, the useless prisoners or wrongly captured would be filtered out, as Dilawar ought to have been. He was innocent. And now the US authorities are in a bad position. They cannot acquit even those few Guantanamo prisoners they are putting up for show trials, because to do so would reveal that they had been held for six years for no reason. That would look bad. Varieties of Orwellian terminology have been devised to describe these prisoners. The film also shows "tours" of Guantanamo and deflates the claims of the tour guides.

    One reason for all this is who's been in charge: a group of draft dodgers who never served in a war. Senator McCain is shown in the film as a man who opposes torture for good reason: because he experienced it during his years in a North Vietnam prison.

    Another issue: American has a developed a culture of guilty-as-charged, of hysterical attacks on imagined enemies. An example: the popular jingoistic TV program "24," starring Kiefer Sutherland as a CIA agent who "saves" millions by torturing mad terrorists with ticking bombs in Times Square. A Dark Side talking head says that there has never been such a person captured, and suggests that if there were, such a person would have the commitment to die rather than reveal information about his plot.

    I do not know if torture never gets you information, though the assertion that insinuating oneself into the confidence of a prisoner is more effective makes sense. What is clear enough from Gibney's powerful and disturbing film (which contains many images not for the squeamish) is that the torture and wrongful imprisonment and lawlessness of the US as a nation post-9/11 indicate a country that has become very cruel and very stupid.

    Andrew O'Hehir of Salon.com recounts that at a post-screening Q&A when Gibney was asked what he would like his film to accomplish, he said "I hope it provokes some rage." "Well," says O'Hehir, "it worked on me." May it work on everyone who sees it.
    10Quinoa1984

    inspires the righteous outrage every American (or just anyone period) should have about torture "policies"

    Taxi to the Dark Side accomplishes what a documentary, or just a concise analysis, regarding all of the facts in one of the many nightmares the United States' involvement in the middle east should: to inspire the utmost disgust and condemnation of a system that has become as corrupt as it has (or rather always has been with this bunch). It's uncontainable to think how all of this started, grew exponentially, and resulted ultimately in the horrors at Abu Gharyb and Guantanamo Bay, in that it is nestled in the twisted, criminal (yes folks, criminal) 'policies' of the Bush administration. But Alex Gibney's approach isn't narrow-minded but multi-faceted: he's interested in what a complex, ugly organism torture has become, the psychological just as much as the physical, and he has a man at the center of it. Dilawar, an innocent taxi driver from a poor farm in Afghanistan, was swept up by three other Afghan soldiers and sent to Bagram prison, where along with other supposed terrorists or terrorist collaborators was tortured (in his case especially in brutal fashion, as we learn in graphic description from those who participated first-hand), and died from the trauma.

    His death was a controversy, but not one that ever got the kind of attention it deserved; until this documentary I never even heard of Dilawar or even much about Bagram prison. Yet it was at this prison, as well as the first biggie interrogation of the would-be 20th hijacker of the plane on 9/11 to crash in Pennsylvania (which, by false confession, led to an over-excited but false-rooted assumption that Al Quaeda had links to Baghdad), that led to Abu Gharyb, which revealed the horrors of soldiers in unyielding terror over their subjects but, more importantly, the virus that spread through the chain of command. Gibney's approach is approximate and expertly probing: it's not enough to just focus of Dilawar (even as his story could make up a whole legitimate documentary alone), or on Abu Gharyb. As in his previous film, Enron: The Smartest Guys in the Room, it's essential to dissect this wretched beast from top to bottom, to see not simply the soldiers first-hand accounts, but straight from the horse's mouth the words from Cheney, Rumsfeld, Powell, and Bush himself.

    Because, in reality, there is something to feel sorry for with these soldiers. It can be argued, and not without just cause, that what the soldiers did at Bagram, Abu Gharyb, and to an extent even at GITMO, was wrong and rotten and they could have said no and so on and so forth. However, as with the ground war situation in Iraq, it's all about the chain of command, and the fact that no matter what the parties initially responsible are not held accountable for any of their actions. It's almost frightening to forget the amount of footage available with these men like Rumsfeld and Gonzalez and Cheney where they not only admit to being fine with torture tactics - and whether or not it's psychological torture or not is besides the point as ALL torture IS torture, albeit a facet that Gibney brilliantly chronicles in the history of the CIA to its 'logical' extension in recent years - but set it up in legal wrangling so as to not get it any trouble for what they've done which is, of course, breaking Geneva conventions and whatnot.

    If I sound like I'm sounding bias with this, then you should leave this review right now. There is no bias when it comes to this issue (or rather there SHOULD be no bias, as for a split second McCain showed until he relented recently that torture isn't as bad as he used to think). What one sees as the line between what is proper interrogation of a subject and outright abuse to get that "ticking time-bomb" is revealed by Kloogman from the FBI, who paraphrases how an interrogation would usually be done and lays it on the line that this form has actually had results - not pain and death or, at best, a bull**** court at GITMO where it's like a joke Kafka wouldn't write. Gibney presents all the information with the bluntness that's required, with testimony, footage from press conferences and commissions (i.e. that cringe-inducing bit with Gonzalez where he has a horrible pause when trying to answer a simple question about whether or not to condone torture), and it's presented lucidly, edited for a cumulative effect and with the skill of a filmmaker in total trust with his subject(s) to take all of the pieces into a whole that shakes one to the core.

    And all of this would be powerful enough to make an impact, but with the recent explosion of news coverage on water-boarding - and that the CIA has admitted to torturing three subjects - Taxi to the Dark Side remains startlingly relevant. In fact, it's even more tragically relevant than last year's Sicko or even No End in Sight. From the tragedy of Dilawar to the tragedy of Abu Gharyb, which was like Salo turned into as shockingly real as could never be imaginable, the Bush administration has put the US into even more danger than ever before by resorting to the lowest form of humanity, condoning acts to the soldiers that sixty years ago would never be committed in the harshest of circumstances on our side. This, again, isn't some silly bias, this is just fact. It's enough to make one sick to one's stomach, and as long as a film such as this exists, the pain can't be brushed aside or dulled by diverting network news.
    bob the moo

    Impacting film that stands as a good summary of the issue

    In 2002 taxi driver Dilawar was picked up by US forces with his passengers in the desert and taken to Bagram prison in Afghanistan. Five days later he was dead. Injuries to his legs were compared with those he would have sustained if he had been run over by a truck – had he lived it was likely that his legs would have had to have been amputated due to the damage. With this as the starting point, this documentary tells the story of the role of "torture" in the war on terror, from Abu Ghraid to Guantanamo.

    Having put Gibney's documentary on Enron as one of my ten favourite films of 2005, I eagerly took up the opportunity the UK (and much of Europe) had to catch this on television ahead of the full release in the US in 2008. Shown as part of the BBC's excellent "Why Democracy" series of films, this one opened with the caption question "can terrorism destroy democracy?". To the casual listener the question appears to be about the ability of terrorists to bring down what we see as Government (ie by crashing planes into it) but really the question in regards this film appears to be more about whether our idea of freedom and democracy can survive the way we fight terrorism. As a result this film is about the use of "torture" against terrorist suspects, specifically focusing on the United States.

    The reader may be wondering why the focus (in the title) on Dilawar. Well I did too because he died in Bagram and his story sadly ends there, while the vast majority of the film focuses on the infamous examples of torture and inhumane treatment in the other places. Well it turns out that Dilawar is a device and one that the film uses very well. The morality of the use of torture is not black and white and of course the usual "ticking time bomb" scenario is thrown up; the film does counter this by suggesting that the weekly scenarios in Fox's 24 are not the norm (to say the least) but the best answer to most of the moral questions are simply to refer back to a taxi driver who died after five days in captivity with horrific injuries – the film doesn't say he was innocent but it doesn't need to – nobody suggests he was evil or a key player either, but yet he is dead. This hangs over the film even though he is not the focus after the first twenty minutes.

    What the film does from then on in is paint a picture of lack of respect for humanity, lack of respect for international laws, lack of accountability and lack of transparency. The film plays a clip of Rumsfeld speaking on the (then) allegations of mistreatment and says that it will be looked into so that "the world will see how a free system, a democratic system, functions and operates"; well he was right – and it is not pretty viewing. As with Enron, Gibney does betray his politics and the film has very little in the way of even handedness about the debate. This is a little disappointing in regards the debate but the overwhelming nature of the presentation of arrogance and carelessness did make wonder how you would balance these issues – certainly the quotes I have heard down the years from politicians have not been able to convince. Certainly a clip of Bush talking about "suspected terrorists" who have died, or as he says "put it this way – they're no longer a problem to the United States"; the fact that he acknowledges they are "suspects" rather than convicts but yet sees their death as a good thing says it all.

    Considering this issue is everywhere in the media, Gibney does very well to structure his film to build it from the ground up. Not only does he use the words of the Bush administration against them ("the only thing I know for certain is that these are bad people") but he also details the wider political picture beyond the blame that was dumped onto Lynndie England, Charles Graner and others. He does this very well, bringing in the input of John Yoo and the terribly smarmy Alberto Gonzales. Even after the photographs in the paper, seeing the unedited video and hearing firsthand accounts from both sides is shocking and disturbing affair – again, how would you set out to "balance" these? Beyond the issue of torture I found the lack of accountability and ownership to be just as shocking as privates are floated down the river while those in charge never face worse than early retirement. The biggest challenge with this material is to keep it as a valid piece of work even as the topic grows daily and that many will be tired of hearing about it – just this last week or so we have seen more debate and also the CIA deleting old tapes of interrogations (tapes that Bush has "no recollection" of existing); however Gibney brings the film to a close well, making it feel like something that can stand still and still work – the personal touch of his late father's comments at the end (himself a WWII Navy interrogator) talking about how "we" should be different than "them", making for a suitable summing up of why the film is important.

    Another strong documentary from Gibney despite the lack of balance and the challenges with the topic. It deserves to be seen by a bigger audience than it has been, even if it won't make the difference it should do. Depressing to think that, decades from now people will look back on this and wonder how on earth we allowed our leaders to do this in our names and let them get away with it.
    10Tecun_Uman

    Blood from a Turnip

    Yep, it is another one of those Iraq and Afghanistan documentaries. I know the burnout rate is high on these, which is probably why I almost did not bother, but nothing else was showing. Man, was I happy I saw this! It has rekindled my hate for the Bush administration, which had turned to apathy over the last year. This tells the story of an Afghani taxi driver that is mistakenly picked up as a Taliban supporter, but before they find out he was innocent, he has been beaten to death by his American torturers.

    This film has interviews from all of the guards that were responsible, JAG officers, FBI people, CIA agents on the ground etc. And you see that all of the blame lies with Ashcroft and the Bushies, who gave one vague order after another that they wanted confessions and they wanted them quickly, with a wink and a nod about what kind of methods to use. So you have these frustrated high school drop-outs presiding over these people thousands of miles from anywhere, and they won't confess. So, beatings and humiliations follow. And when the crap comes out, the Bush administration passes a bill that absolves all higher-ups from any responsibility and they start to bust the enlisted men and women, who were following orders. Pathetic. Of course, we also find out that over 95% of the prisoners being held, were captured by Pakistanis and Northern Alliance people, WHO were paid by the US government for each person they turned over, guilty or not guilty. And you wonder why meaningful confessions were so hard to come by. It reminds me of the scene from Full Metal Jacket, where the psycho army guy shoots the Vietnamese farmers from his helicopter. He says the ones that run are VC, the ones that don't run are well trained VC. Very tragic.
    9revere-7

    It's a Bitter Pill - Now Take Your Medicine

    With a title like Taxi to the Dark Side, you know it's not going to be a light-and-fluffy film, but it's a film that needed to be made, and should be seen by everyone.

    The measure of a nation is how well it lives up to its ideals in the worst of times. 9/11 was that trial for America, and America failed. If you do not believe that former U.S. president George W. Bush, former vice president Dick Cheney, Secretary of Defense Donald Rumsfeld, White House Council John Yoo, and at least a half dozen other members of the Bush Administration are guilty of war crimes, you must see this documentary.

    Even if you suspect they do, but have lingering doubts – you must see this documentary.

    And especially if you don't know either way, and know nothing about this issue – you must see this documentary.

    This is not some sort of Michael Moore propaganda piece. This transcends partisan politics. It deals with a broader issue. It focuses on the treatment of just one detainee and will probably make you sick to your stomach – if you can stomach it at all. And then reminds you that this happened not to just one guy, but to 83,000 others too.

    Hell yes, its difficult to watch - there is graphic photos of torture – but is that an excuse not to watch it? The fact is they are presented because showing them is necessary to fully understand the extent of what went on. And guess what? If you are an American, you damn well should sit through this, because you are guilty too – this is what your elected officials did.

    Of course when word finally got out, and they got blowback for it, in an outrageous act of cowardice, they left their own subordinates out to dry.

    The film makes the case, clearly, efficiently and thoroughly. Which makes it not only an excellent documentary, but an important one too.

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    • Citações

      Damien Corsetti - Military Interrogator: You put people into a crazy situation, people will do crazy things.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Vantage Point/Diary of the Dead/Charlie Bartlett/Be Kind Rewind/Taxi to the Dark Side (2008)
    • Trilhas sonoras
      In My Little Corner of the World
      Words by Bob Hilliard Music by Lee Pockriss

      Published by Better Half Music (Division of Bourne Co.)

      and Emily Music Corporation

      Performed by Yo La Tengo

      Courtesy of Matador Records

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    • How long is Taxi to the Dark Side?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de janeiro de 2009 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Taxi to the Dark Side
    • Locações de filme
      • Yakubi, Afeganistão
    • Empresas de produção
      • Discovery Channel
      • Jigsaw Productions
      • Tall Woods
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    Bilheteria

    Editar
    • Orçamento
      • US$ 1.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 274.661
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 10.930
      • 20 de jan. de 2008
    • Faturamento bruto mundial
      • US$ 294.309
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    Especificações técnicas

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    • Tempo de duração
      • 1 h 46 min(106 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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