Mercadoria 200

The title of the film is a code name for the return home of a body from the battle field. The reason why this title is chosen becomes clear early in the film - but the build of the film would allow a lot of different titles and each one of them would be matching for this film goes far beyond a body returning from the battle field. As the story rolls the film switches back and forth between a number of people and tells their respective tales - and the way all of them connect in one way or the other. The stories are not altogether happy but are not too dark either so the film doesn't turn too dreary. It is very grim though. As each of the stories turns to its conclusion one can not escape the biting cold reality of them.

Played out well enough to be believable and quick enough to be entertaining this film does pretty well. It's ending is fitting, its after-taste is bitter. But, above all, it's an interesting watch.

8 out of 10 broken bottles of vodka

Balabanov's films are always aggressive. This one is a prominent dramatic film about the last years of the Soviet Union. Of course, many people say it is a horrible movie. Yes it is, but c'est la vie, our life is horrible and it is snobbish to argue with it. It is like a cold shower. The soundtrack is excellent, the actors are good enough, and the views of a decaying town are dreadfully beautiful. You really must see this movie if you still think our ex-country was a cool place to live. One of the best Balabanov's films. It is much better than 'Of Freaks and Men' because here the shocking effect is made not just to make people feel bad but to understand our rotten reality. Russian films become better and better

A lot of the reviewers of this movie in the media seem to overlook the fact that Balabanov as a director repeatedly demonstrated a very deadpan and a very dark sense of humor. The joke's certainly on them. Watch taking this into consideration.

A few more notes. The movie is loosely based on real events, some of the more unfortunate of which allegedly happened with one of the director's friends. The movie caused a major scandal at the 2007 Kinotavr movie festival (Russia's Sundance, pretty much). The awards are given based on the movie critics' vote. That vote was in favor of "Cargo 200" for "Best movie." The festival jury, however, overturned the results of the movie critics' vote and split the award between "Gruz 200" and another movie.

Finally... I dig Balabanov, I despise Gaspar Noe, and here's why. Balabanov doesn't take himself too seriously.

It's like a bad dream. You want to turn it off but you cannot. No matter how much you are dissapointed in humankind or cynical you always have some hopes left in you. This movie will bring you to the limit. Nothing exists beyond that. The worst part is you don't realize you're watching a movie, it's so real.

I don't know if anyone noticed that most critical, "one star" reviews emphasize the movie's agenda rather than anything else: the primary object of their critique is not a play by the individual actors, extreme violence or disgusting scenes but director's attitude toward Soviet reality. An they are right. Every small detail in the movie is intended to show that it was indeed rotten and decaying society. The year 1984 was chosen not by the accident: it is the answer to Orwell' book "1984" where British author tried to predict how the communist society would look in 25 years. Balabanov's answer: it is worse than Orwell could even imagine. The letters "USSR" on the T-shirt are not accidental either. This is another Balabanov's answer, this time to the official Soviet literature which presented young people (komsomol)as heroes, ready to sacrifice themselves in defense of their mother-Russia or save little babies from the fire. This real "businessman-komsomolets", who was educated by the Soviet reality, who saw how Soviet officials meet fallen soldiers from Afghanistan, won't do anything like that. Indeed, the movie wants to say that such pervert like captain Zhurov could live anywhere, in any country. However, he could thrive only in USSR, in the country which lost its soul. Great movie.