Adicionar um enredo no seu idiomaDue to global warming and the shifting of tectonic plates, most of the Earth's land has sunk beneath the surface of the ocean. Only Japan remains and refugees from all nations try to incorpo... Ler tudoDue to global warming and the shifting of tectonic plates, most of the Earth's land has sunk beneath the surface of the ocean. Only Japan remains and refugees from all nations try to incorporate themselves into Japanese society:Due to global warming and the shifting of tectonic plates, most of the Earth's land has sunk beneath the surface of the ocean. Only Japan remains and refugees from all nations try to incorporate themselves into Japanese society:
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"The World Sinks Except Japan" is set in the near future. It begins with the United States being destroyed by Earthquakes and floods--and millions of refugees pour into Europe, Australia and Asia. Then, one-by-one, the rest of the nations of the world suffer the same fate...except for Japan. As a result, the country is inundated with immigrants--and the Japanese soon get sick of all these poor freeloaders.
After having seen "The World Sinks Except Japan", I think it was a comedy--a parody of sorts. However, I am not really sure. Does it make fun of the old xenophobic Japan of the WWII era or is it really just a nasty xenophobic flick? I am not sure...and that alone make this a movie that isn't super-satisfying. However, whether it's a joke or not, you really can't help but notice that it's incredibly poorly made. Now part of this could be part of some joke (that I didn't at all understand) but seeing incredibly broad overacting, 'American' actors who can barely speak English at all (you'd think they'd hire more real Americans or actors who could at least approximate the language) and some tacky references (such as making Chinese and Korean leaders lapdogs of the Japanese in the movie--pretty tacky when you think about history and the 1930s) all made me just think the film was bad...and a bit dull to boot.
After having seen "The World Sinks Except Japan", I think it was a comedy--a parody of sorts. However, I am not really sure. Does it make fun of the old xenophobic Japan of the WWII era or is it really just a nasty xenophobic flick? I am not sure...and that alone make this a movie that isn't super-satisfying. However, whether it's a joke or not, you really can't help but notice that it's incredibly poorly made. Now part of this could be part of some joke (that I didn't at all understand) but seeing incredibly broad overacting, 'American' actors who can barely speak English at all (you'd think they'd hire more real Americans or actors who could at least approximate the language) and some tacky references (such as making Chinese and Korean leaders lapdogs of the Japanese in the movie--pretty tacky when you think about history and the 1930s) all made me just think the film was bad...and a bit dull to boot.
Sadly, it's too scattershot and jarringly episodic to keep its crazy premise going (and escalating) for the almost 100-minute-long runtime. There are at least some fun scenes here and there though (it peaks with the musical number about Japan about 2/3s through the movie, with that whole sequence feeling a bit like a Tim and Eric skit).
UPDATE: Upon reflection, I'm bumping this up half a star. I just remembered there were two instances of world leaders singing weird songs, not one. Also, the ending is kind of effective. Plus it features the same plot twist as Monster X Strikes Back, which I also watched tonight. Plus the end credits feature what sounds like Kenny G playing My Heart Will Go On from Titanic.
You absolute madman, Minoru Kawasaki. Never stop.
UPDATE: Upon reflection, I'm bumping this up half a star. I just remembered there were two instances of world leaders singing weird songs, not one. Also, the ending is kind of effective. Plus it features the same plot twist as Monster X Strikes Back, which I also watched tonight. Plus the end credits feature what sounds like Kenny G playing My Heart Will Go On from Titanic.
You absolute madman, Minoru Kawasaki. Never stop.
Due to rather dubious plate tectonics, every country in the world starts to sink beneath the sea... except Japan. It all happens so quickly that few survive, but the richest and most powerful in each country manage to make it to Japan to escape the watery fate of most of humanity. Politicians and movie stars that were used to being the world's elite find themselves in an entirely different situation in their new homeland, at the mercy of the generosity of their hosts - or failing that, their ability to entertain them.
THE SINKING OF JAPAN was originally a novel, released in 1973, and it spawned a satirical response in the form of a short novel called THE WORLD SINKS EXCEPT JAPAN. When it was announced that the original novel was to be made into a big-budget movie (for the second time) in 2006, the only reasonable thing for Minoru Kawasaki to do was to announce that he would make its satirical brother into a movie too... but on what must doubtless have been a fraction of the budget that could comfortably be rounded down to zero.
Whilst the rest of the world was barely mentioned in passing when Japan sank, here they are foregrounded, and the reaction of the Japanese to having to share their country with an influx of foreigners whom they now have power over is the major focus of the film. Whilst JAPAN SINKS revels in notions of the Japanese spirit excelling and triumphing in the face of adversity, THE WORLD SINKS has a much more realistic view of humanity (not just in Japan) - selfish, vain, petulant, unreliable, untrustworthy and xenophobic.
Whilst WORLD certainly doesn't have the budget for special effects that JAPAN did, it makes up for it by having a smart script and a sense of humour. Characters are mostly ridiculous stereotypes, and the film is cheerfully ridiculous on many occasions. The acting is mostly terrible, but that's not such a bad thing when the film isn't asking us take it seriously and have an emotional response. There are many non-Japanese cast members, and their ability with the language ranges from fluency to barely able to string a sentence together - which fits the situation of their characters.
There are no heroics to be found here, and no heart-warming message about triumph in the face of adversity, which means it's much less nauseating than the film it satirises - and generally more satisfying. It can't be claimed to be a great film because the production values are so bargain basement, but I happily give it... 7.5/10
THE SINKING OF JAPAN was originally a novel, released in 1973, and it spawned a satirical response in the form of a short novel called THE WORLD SINKS EXCEPT JAPAN. When it was announced that the original novel was to be made into a big-budget movie (for the second time) in 2006, the only reasonable thing for Minoru Kawasaki to do was to announce that he would make its satirical brother into a movie too... but on what must doubtless have been a fraction of the budget that could comfortably be rounded down to zero.
Whilst the rest of the world was barely mentioned in passing when Japan sank, here they are foregrounded, and the reaction of the Japanese to having to share their country with an influx of foreigners whom they now have power over is the major focus of the film. Whilst JAPAN SINKS revels in notions of the Japanese spirit excelling and triumphing in the face of adversity, THE WORLD SINKS has a much more realistic view of humanity (not just in Japan) - selfish, vain, petulant, unreliable, untrustworthy and xenophobic.
Whilst WORLD certainly doesn't have the budget for special effects that JAPAN did, it makes up for it by having a smart script and a sense of humour. Characters are mostly ridiculous stereotypes, and the film is cheerfully ridiculous on many occasions. The acting is mostly terrible, but that's not such a bad thing when the film isn't asking us take it seriously and have an emotional response. There are many non-Japanese cast members, and their ability with the language ranges from fluency to barely able to string a sentence together - which fits the situation of their characters.
There are no heroics to be found here, and no heart-warming message about triumph in the face of adversity, which means it's much less nauseating than the film it satirises - and generally more satisfying. It can't be claimed to be a great film because the production values are so bargain basement, but I happily give it... 7.5/10
Let's get the bottom line out of the way first: Nihon Igai Zenbu Chinbotsu isn't funny. Given the fame and high profile of the film this is parodying, it is a brilliant idea with huge comic potential. Tragically, the execution fails to mine even a fraction of that potential. I smiled at the "gaijin report," weather forecast-style reporting of gaijin 'fronts' around the country. The Chinese and Korean leaders reduced to vaudeville performing sidekicks of the Japanese PM was mildly amusing - ditto their revenge at the end of the film. I came to the film expecting outrageous laugh-out-loud moments but barely managed a titter. In a film like this, we expect the low production value, cheesy effects, ham-fisted acting and nondescript casting. We put up with them in the hope that all the effort has gone into the script. Admirably, the film takes pot-shots at both gaijin and Japanese pretensions. Unfortunately, at the risk of repeating myself, it just isn't funny. In fact, most of the time it is downright boring. All in all, a missed opportunity.
I loved this movie. OBVIOUSLY it's a comedy, a great comedy. In the same vein as Monty Python or South Park, it's a movie that's meant to be offensive to pretty much everyone. Yes, it mocks the ignorance of Americans and how they are overly dependent on our military power. It also mocks China and Korea. But mostly it mocks Japan itself and the systemic xenophobia that still pervades the country to some extent. It's a highly random movie that combines the randomness and political commentary of shows like South Park, but adds the additional unique wackiness of Japanese movies. Also, it looks just as low budget as the Gojira movies of the 60s. Whether intentionally cheap-looking for stylistic reasons or due to low budget(I think this is the case), it adds a lot of laughs, especially when the Statute of Liberty sinks. To people who find this offensive, I can only say that you obviously don't understand satire or sarcasm. Maybe you should spend some more time studying Japanese culture or speaking to Japanese people and get a grasp of their humor. My advice, stop being offended at every little thing, relax, and enjoy a great camp movie. If you can't do that, maybe this movie isn't for you.
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- 1 h 38 min(98 min)
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