Nihon chinbotsu

Nihon Chinbotsu is a science fiction story set in the near future. In this story, geologists discover that all of Japan is being sucked under the ocean by plate tectonics. It covers the ongoing disaster from the perspective of several people directly affected by the events, from ordinary people to scientists, rescue workers, and political leaders.

This movie is a remake of a 1973 film of the same title and, in many ways, is a major rewrite. While an excellent premise based loosely upon actual plate tectonics, the elements of social shock which were central to the original film are totally absent from this try, replacing the original message-laden content with Godzilla-style entertainment.

If there's any single impression one can get from a side-by-side comparison of the two films, it's just how far special effects have come over the last 30-odd years. Nonetheless, special effects alone cannot make a great film. I gave this a five out of ten rating.

I actually caught an ad for JAPAN SINKS in a Japanese magazine last year, and wondered what the heck it was until I saw the trailer for the film. It was then I remembered that I had seen the English translation of Sakyo Komatsu's novel some years back. I got it, and it was quite good, as well as chillingly realistic. It's enough to make the reader dread hearing any news about earthquakes in Japan.

Now, I've read the book, and seen this 2006 movie version (the first movie came out in 1973). And you know what? I thought the movie was quite good, even if there are major changes from novel to film (but that's understandable). The story is simple--a major tectonic shift will cause Japan to sink within a year. Massive earthquakes, volcanic eruptions, and tsunamis rock the country as frantic efforts are made to evacuate as many people as possible. One scientist has a plan that could stop the sinking of the country and save what's left of the landmass, but can it be implemented in time? I saw JAPAN SINKS at Otakon 2007, and while there were a couple of problems I had with it--it does run a bit too long, and a couple of the character moments were a little too sappy--I was nonetheless blown away. The sheer concept of an entire nation sinking into the sea was made terrifyingly real, and the effects were some of the best I've ever seen, rivaling anything that Hollywood has done. The film also plays no favorites with the main characters, with some not making it to the closing credits.

Frankly, I've been surprised by some of the negative comments made about this film. Difference of opinions, I guess. Personally, I enjoyed it. And I've read the original book.

It's the best movie I've watched this year! Excellent detail and storyline (for a remake).

It presents to you a "what if" situation wherein the island of Japan could totally be wiped out of this earth. A thought-provoking, life and death situation and not to mention all life on earth (well in this particular Japan). It also presents a great and genius solution to this massive tragedy.

Horror, action, suspense, sci fi, documentary, love story and all the human interest story you can get you'll find everything here! But I also warn you that it is a real tearjerker! The casts, actors and all are all excellent, better than any Hollywood movie!

The thing is...this could really happen to anywhere on earth! Now let me ask you this after you've seen it..."what would you do if you are faced in this life and death situation"?

Another "end of the world" film that begs comparison to the abysmal "Day After Tomorrow". Following the same sort of structure as DAT but with a distinctly Japanese style. How does it fare? That depends on your taste for Japanese melodrama.

I found that the small human touches to be what makes this film compelling for most of it's 2 + hours. Also the frequent title cards explaining some of the science. The effects are probably the best I've seen in a Japanese film and they compare very well to anything out of Hollywood. Many of the disaster scenes are truly horrifying even though the human carnage is usually off screen. And that is one of the drawbacks. While the terror of thousands of on- screen deaths like in the recent "War of the Worlds might have too overwhelming, we also don't really get a sense of the chaos of an entire nation crumbling into the ocean. A few scenes touch on the chaos but for the most part this part of the story is barely touched on. Regardless, this film works on a lot of levels and is way more realistic then DAT, that is until the end.

Unfortunately the story hinges itself on one clichéd plot device and another plot device that would be at home in the 1960's Japanese Earth in peril film "Gorath". After the reasonably good science and mostly realistic take on the disaster, this makes for a bit of disappointment. The sudden stopping of the film for a pop love song doesn't help either (unless you like the song). This made the "exciting" ending a bit of a drag for me.

The overall direction is good and the art design is excellent. Acting is all good as well. Recommended.

This film has some nice special effects, tearing apart the Japanese archipelago to a degree that would humble Godzilla. The two leads also put in above-par performances. Apart from that, it is all a bit ropey in this understated disaster flick. The incongruities in the pacing are bizarre. At one point we have Hokkaido sinking into the sea and pyroclastic snow falling on the rest of Japan, while Osaka is buried under an immense tsunami. Yet elsewhere in the country, people are still strolling around sightseeing and licking ice-cream when another tsunami rolls in... Kusanagi also manages to travel great distances without any hindrance, or even a crease in his cream shirt. Other people turn up with burns, ripped clothes and mud-streaks on their faces.

The Japaneseness of the film is both touching and repugnant. Kusanagi's sacrifice in his final evening with Shibasaki is a touch of chivalry seldom seen in this genre these days. However, the ill-fated PMs musings on the Japanese psyche and the seduction of death, and the fact that Japan is abandoned by everyone and has no friends in the last instance, hint at a darker paranoia that infects Japanese concerns regarding their status in the world.

Sadly, the final sequence is a rip-off of Armaggedon, edited with a cookie-cutter.

Finally, my own particular bug-bear - the heavy handed product placement for cigarettes. This time around, it is mad(-or-is-he?) scientist Toyokawa who gets to be the poster boy for Japan Tobacco. At one point, he manages to light up 5000 meters below the ocean surface, in a miniature sub the size of a phone box. Gimme a break.