The Spirit: O Filme

I honestly thought he would treat this much-loved and admired classic with some respect. Guess I'm naive. It certainly looks gorgeous, but that's almost regrettable in a film that's otherwise so utterly, grindingly, gone-to-hell stupid. Awful performances (except by Gabriel Macht as Our Hero, who looks great with his wide earnest eyes and buff physique, and handles the lines about his love for the city with fine, tough conviction), jaw-droppingly overdone dialogue, what seems like hours of totally unnecessary comic material ...man, it's just dreadful, and a great disappointment to me. If I ever buy the DVD I'll only watch it with the sound turned off.

Poor Will Eisner must be spinning in his grave tonight.

This movie is amazing. everything about it from the visuals to the acting to the storyline it is all just amazing. Do not listen to anyone who says this is bad it is amazing. This is definitely one of the best movies of all time. Go out and by this movie today. It's only like 10 bucks now. AND IT IS WORTH IT. GO FRANK MILLER!!!!!! By the end of the film you love the characters and if anyone tells you otherwise just ignore them and say you are wrong. wrong. wrong. wrong. wrong. wrong. No matter how busy you are just go see this movie NOW! it is very very very cool and fun. It is so good that even people that hate these kind of movie love it. Go see it today!

wasn't quite sure what to expect from this one,, not being a real comic book fan I decided that I would give it a chance, second, I wasn't expecting Sin City, which by the looks of the boards most of you were. Samuel Jackson did a great job in this movie,, Gabriel Macht was wonderful as our hero, and Eva Mendez sexy as ever. our hero is in charge of doing good in the city and saving as many people as he can,, there are lot's of people who would rather not have him around Central City, especially the loathsome Octupus,, play by Samuel Jackson,, there are lot's of sexy women in the film,, good action, thrills, suspense , a lot of the good vs evil theme, I like the whole approach the movie took,, it takes you on a mythical journey to somewhere where you can only imagine,, a lot of people bash this movie because it's not like Sin City, well so what,, I didn't want it to be that movie,, this is a decent movie,, worth watching,, won't win any Oscars, but I really don't think that it was attempting to.

Scene: a foot with a face on it is merrily hopping around a countertop. Meanwhile a slutty nurse is talking about economic strategies of a criminal organization. Three identical idiots are watching on with titillation. The boss is hunched over the foot with great consternation, repeating "That's just damn weird."

WTF??

Who here grew up on comic books, raise your hands. The dork madly flailing in the back would be me. In order to appreciate this film it requires some familiarity with the comic book medium and its ability to take us into an utterly bizarre, senseless and oftimes brainless world. Situations are surreal. Dialogue is snippy, contrived and just a snicker away from utterly ludicrous. That's what comic books do, and this film is one of the most faithful adaptations I've seen.

Those who criticize this movie for "bad script", "bad acting", etc would have a point if we were talking about some snotty, pretentious too-cool-for-mainstream flick, but no, this is the opposite: pure fun. I mean, jeez, when the bad guy pauses in the middle of a tense battle to talk about eggs... or when he gets into a debate with one of his henchmen over the job's healthcare benefits, how can you NOT have fun?? Instead of expecting an action film, you should go into it expecting something more like "Airplane!" and I guarantee you'll have a great time & some big laughs. Like when one guy commits hara-kiri with a samurai sword and says "Am I doing this right? It sorta smarts." OMG LOL. And there's plenty more where that came from, but I won't spoil it.

Both Samuel L Jackson & Scarlett Johansson as his deadpan sidekick deliver top-notch comedic performances with pinpoint timing. Set against a wickedly incongruous backdrop of "film noir" where madcap comedy is definitely against the rules, "The Spirit" presents us with one of the greatest bipolar contrasts since "Catch-22" (the greatest deadpan action flick ever).

And just a word about contrast, I'm sure that's part of Frank Miller's intent, seeing how the film is full of biting visual contrasts. I won't even go into how masterfully he brought the comic book visuals to life; you just gotta see it.

If you like witty, tongue-in-cheek, dark comedies, then this is the film for you. A lot of action films are peppered with wit & humour, but this is one of the few that crosses into outright comedy, and it does a great job. If you like this film, keep an eye out for the Japanese flick "Cutie Honey", another great, artistic, campy romp which was misunderstood by audiences and overlooked.

If any of what I've said resonates with you, I strongly urge you to run down to your local Blockbuster where you can find this film in the $2 bargain bin, watch it & get in early on the cult following. It may be 10 years before people come to appreciate what Frank Miller did here, but you can say, "I told you so!"

I love the interview with Lorenzo Semple Jnr, screenwriter for 'Flash Gordon,' when he suggests that the film would have been a big hit if only they'd been able to market it as a movie that would be a cult classic in thirty years. He goes on to explain what the core problem is: A cult film, by definition has fanatical supporters ... just not a lot of them. Those who 'get' the film will keep it alive forever, but Joe Moviegoer won't care if he ever sees it again. And so I turn to 'The Spirit,' a film which has similar qualities to 'Flash Gordon': bad enough to be awesome, tongue firmly in it's cheek and gentle satire in it's hand.

'The Spirit' manages to be wondrous and infuriating. A visual feast, Frank Miller was the perfect choice to bring the film to life. On the other hand, the dialogue is often so cheesy and the characters so over the top that the movie never allows you to be lulled into that wonderful moment of forgetting that you're watching a movie. There isn't a single character in the movie who talks like a real person. They all talk like, well, comic book archetypes: gruff commissioner, megalomaniacal super villain, brilliant evil assistant, sultry femme fatales, loyal and uninteresting love interest, and on and on. Take Samuel L Jackson's character, 'The Octopus' for example. It is a character that Jackson was born to play and Sam throws every ounce of his endlessly entertaining and over the top style into the character. It works and he plays the part brilliantly because he takes ridiculous dialogue and ridiculous material and has wild amounts of fun with it. The cast, by and large, follow his lead. Scarlett Johansson is hilariously withering with her acerbic barbs to The Octopus' clone lackeys, all of whom are played with deadpan wit and verve by Louis Lombardi. It is hard, in fact, not to feel some pity for Gabriel Macht who has to play Bud Abbott to a cast of rollicking, scene-chewing Lou Costellos in an over-acting competition. It all works wonderfully if you're willing to view the film as, uncharitably, being unintentionally funny or more genuinely as a gentle lampoon of comic book films by one of the great figures of the graphic novel genre.

Frank Miller takes 'The Spirit' and has great fun with it. It is quirky at times, ham-handed at times, but lovingly made. A brilliant Noirist, Miller actually has much better luck in 'The Spirit' in moments of levity. The noir angles of this film don't work unless designed as a kind of self-righteous satire. The noir feels forced and dramatic moments are mercilessly skewered by the corny dialogue that a helpless Gabriel Macht delivers with straight-laced determination. 'The Spirit' has the look of 'Sin City' and the heart of 'Flash Gordon.' When it works, it works well, but the film is a terrible mess whenever it is trying to be serious.

So is it worth the ride? I think so if you go in with the proper expectations. There's not really anything new visually if you've seen 'Sin City' or '300' -- both Miller works of course -- but that didn't make them any less interesting to me. Plenty of humour where it may or may not have been planned and the potential to be a cult classic. This is the kind of movie you can best enjoy in the company of friends and a cold six pack. Look for diamonds and you're looking for too much. And if nothing else, Eva Mendes has never looked better on film than she does here. That's got to stand for something, right?