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Really funny. good premise and lots of memorable moments (about 5 viewings, 1/17/2021)

Yeah, I'm not going to lie: my inner 12 year-old loves this movie. Or at least parts of it. Whenever Will Ferrell and John C Reilly are at war, it sends me into a fit of giggles - and totally feels like they'd ad-libbed half this stuff. It's when these scenes are awkwardly melded into the overall family story that the humor starts to go flat; despite the cast involved.

That said, Rob Riggle steals every one of his scenes. And Reilly's random "Boats and hoes!" outbursts has been in my head for ten years now.

It's so lovably dumb.

I never in my wildest dreams thought I'd ever utter these words about a Will Ferrell vehicle, especially one with Adam McKay as collaborator—besides that Pearl video The Landlord on the internet last year—but here it is. Step Brothers is an absolutely hilarious film. From end to end, I don't remember the last time I've laughed this hard, without stop. This is what Ferrell needs to do, no more of those bio-spoofs of idiots that fall flat due to their tired joke. He is unstoppable as a part of an ensemble when he doesn't have to be the center of attention for an hour and half. The guy is obnoxious, and while funny, the more freedom he gets, the more annoying he is. Having a guy like John C. Reilly to play off of helps rein him in and give the audience a break, allowing the jokes to breath and not become stifled by the monotony of his schtick. Like Old School before it, Ferrell kills in smaller doses. He has shown me that ability again here and whereas I won't even keep Anchorman or Talladega Nights on screen when flipping through the television, I seriously can't wait to revisit this one again.

There is no bloated plot involved or even a love interest to distract from the comedy like the previous two "Everyman" entries in the Ferrell/McKay tag team's canon. I do believe that is the most refreshing aspect here; they finally see that you don't need a contrived romantic bent to be successful, we as an audience don't need to see the schlubby guy get the attractive girl, that is a cliché used way too often. We go to see a film like this to be entertained and to cause us to wet our pants with unstoppable laughter. As a result there are no lulls as even when the two stars begin to see how they must shape up and become adults for once, the awkwardness brings the laughs as well.

Step Brothers isn't winning any Oscars any time soon. With a premise involving the union of two older professionals, both of whom have 40-year old sons still living at home, devoid of responsibility, and lacking serious occupations, what do you really expect? Nancy Huff, (Mary Steenburgen showing that she is still around Hollywood), and Robert Doback, (Richard Jenkins letting his funny side out to complement the wonderful dramatic turn he gave in this year's The Visitor), are in love and perfect for one another. Their sons, unbeknownst to them at first, are also soulmates in the best friend platonic way. Completely the same person, right down to the hiding things in the kitchen while sleepwalking at night, Brennan and Dale are children trapped in adult bodies who waited forty years to be brought together. The chemistry between Ferrell and Reilly is unstoppable on screen, they are having fun, they must be improvising, and truthfully not a second falls flat.

With so many gags, one would think it'd all seem a bit disparate and thrown together, but the filmmakers and stars have sewn everything up nicely. You want a rap video that is the most offensive thing you'll hear all year? Get Brennan and Dale to create a music talent agency. You want an a cappella rendition of Guns N' Roses? Give Brennan a cocky, pompous brother who can afford singing/voice listens for his entire family—absolutely priceless, and Adam Scott kills in this role, "Pow!". You need some gratuitous fake nudity? Give Ferrell a chance to rub his genitalia on Reilly's drumset. Check, check, and check. These guys cover all their bases, not to mention the swearing quota. I am surprised that they approved an R-rating here because it is so vulgar. The fact that a couple lines from the trailer didn't make the final cut shows that the actors must have improvised and done multiple takes of each scene. As a result, I'm sure they all tried to be as creatively crass as they could and to fantastic result. Some of the gems that spew forth ever so naturally are one-liners that will be repeated over and over again.

Really, it is these vulgarities that make the film that much more enjoyable to me. I think that McKay and Ferrell took a page out of the Apatow machine's book realizing a hard-R can and will sell. No one holds back at all, some of the sarcasm even makes the characters cry because it is so harsh. I love this aspect as it plays into the fact that these are 8-year old adults. Their excess of childlike exuberance and simplicity of mind and life—and let's not forget the way their parents react by either screaming and going to the Cheesecake Factory bar or coddling them as only a mother can do—adds to the absurdity of the situation and the laughs. Dale and Brennan fight, bicker, and eventually do everything together because they aren't just stepbrothers, no they are brothers for life in terms of their internal makeup. Think you and your sibling growing up in grade school, multiply that to the nth degree in terms of sex, violence, and language, and maybe you will be able to imagine what's in store for you once you sit down at the theatre. Just don't forget to stay after the first short run of end credits as the best jungle gym park brawl ever is awaiting you. Those kids didn't even have a chance.

There's a difference between Step Brothers and Baby Mama. Step Brothers is not up to par with the best work of the Will Ferrell-Adam McKay writing team, but it is not like Baby Mama in the sense that it has made me lost faith in the brand. Many critics seem to not know the difference. Bob Hope and Bing Crosby made 7 films together. Would critics have given this film a bigger pass if Will Ferrell and John C Reiley's film were called Talladega Nights II? What I'm getting it is I thought this film was plenty funny and certainly inventive enough. In fact, I stayed in the theater and watched it twice. The big stars of the film are not John C Reilly and Will Ferrell but Mary Steenburgen and Richard Jenkins for holding down straight faces and being convincing as a loving dad and a loving mom of such silly characters. You could insert the characters played by Jenkins and Steenburgen into something like Cheaper by the Dozen or Gilmore Girls and it would still pretty much work.

Welcome to Masterpiece Theater. In this program, we study, analyze, and praise only the most prestigious, mature, sophisticated, and acclaimed works in modern cinema. The next film in our program features male nudity, random humor, quirky one-liners, obscenities sprinkled like spices on meat, and enough immaturity to make Saturday morning cartoons appear to look like Mozart's 22nd piano concerto. The highly sophisticated and charming Will Ferrell teams up with dashing John C. Reilly as they deliver us a trip down a level of integrity rarely ever seen in movie-making. The result is a comedy so low in the intelligence scale, it doesn't require anything past a 2nd grade education to truly appreciate what a show they've put on.

In this comedy full of Shakespearean integrity, we find two men who fail to live up to their dreams, being forced to share the same house and the same parents. With their personalities being so alike, they start clashing like two extremely powerful magnets facing each other. However, as time moves on, they become close like brothers (as the clever title states) and attempt to succeed with each other's help. This script, helmed by Reilly, Ferrell and Adam McKay (Our director), combines crude humor with more heart than a dead flea for approximately 98 minutes. So, it's never too long and never too preachy.

Full of whimsical material, Step Brothers never quite loses focus in the art it's portraying. Whether it's engaging in a nasty battle against much younger kids, having to come in contact with feces, rapping about anatomy below the waist, fighting multiple times, making detailed threats about extraneous activities, speaking like a careless sailor, or even playing around with an extremely dangerous weapon in multiple instances, our heroes of the story encounter many, many obstacles. Just when you think the plot runs out of ideas, we get another surprise.

That being said, before engaging in a viewing session with this work of classy art, one must develop a taste for it. If you didn't quite comprehend the quality of Anchorman or Talladega Nights, then odds are you will not appreciate Step Brothers. You must be immune to absolute stupidity, absurdity, and crudeness that you just usually do not see. Ferrell has perfected his art of being a lovable oaf with the smarts of a sack of refined beans. If you do enjoy this sort of art though, then there's no reason why you will not engage in a spirited chuckle once in a while. You will be referencing the movie long after the credits roll; it's just a part of nature.

Bottom Line: On the offchance that you missed every hint towards sarcasm in the previous several paragraphs, Step Brothers is quite possibly the most immature movie in the history of modern film-making. With that being said, as long as you have the acquired taste and are willing to accept stupidity for a long period of time, you'll have a blast. The chemistry between the actors is phenomenal, as Ferrell and Reilly seemed destined to work together. The plot throws our main characters into many different scenarios, disallowing you a chance to see what's going to happen next. Step Brothers, a hall of fame candidate in any Masterpiece Immature Theater.