Em Terapia

The Sopranos, Six Feet Under, and Rome ending, left a gaping hole in the heart of HBO for me.

I was ready to drop my subscription when I realized that Gabriel Byrne was going to be a key player in the new series, In Treatment.

WOW! I'm so glad I stuck it out...Gabriel Byrne...I first admired him years ago when he played in a robust movie called "Into The West" which I now own on DVD. He is one damn fine actor in a tour de force of a show that he can easily sink his teeth into.

Diane Wiest as the therapist's therapist is noteworthy as well!

The plot is addictive...I quickly became committed to the weekly patients, some of whom I really hate. The script is detailed, intense and very well written. The simple sets and the subtle camera action during emotional moments, serves well to keep one purely focused on the drama. And man what drama! Even though it has no comedy, In Treatment is almost destined to be another big hit for HBO.

Some one suggested Robin Williams should have had the part of the psychoanalyst...what? I hope that was a joke.

I nearly judged this one by its first episode, which I think pointed the series in the wrong direction. This show is a cleverly constructed concept that feels quite like it belongs on the stage. Gabriel Byrne uses his greatest talent - subtly of style - and performs exceptionally in the long pauses and lingering shots. Its addictive. Come 'Thursday' night you may feel cynical, but after 'Friday's' episode you just have to know what transpires the next week. In an age where we are all obsessed with over-analysing everything, this is a show that will appeal to many people with its everyday issues and obvious psychology that we are so keen to recognise in others, but not ourselves - a fact blatantly realised when the tables are turned and the therapist effectively goes to therapy.

I think it should be understood, that therapy is not always the cliff-hanger that these episodes are. But, if you made a show that was truly realistic to what occurs in therapy, no one would watch it. So I feel the writers/producers of "In Treatment" made the smart move in focusing on the aspects of therapy (psychoanalysis, to be precise) that are most riveting; these tend to be issues of transference and counter-transference. The Friday supervisions/treatments that Paul receives provide vital clues to keep an eye out for in the subsequent sessions that he has in the following week. In the most recent episode (2-5-08), Paul is seen to be projecting onto Alex his own feelings towards his marriage by telling alex that he's probably known these marital concerns were at a "boiling point" for some time. This is a small example of the attention to detail that the writers/producers have paid to the realities of therapy; and if they did this without a psych consult, all the more credit to them.

Lets not forget that this is a television show. It can't be a perfect portrayal of the reality of the therapeutic environment. Lets ALSO remember that therapists are not perfect people. They can be idiots who foolishly leave medicine in their office bathroom cabinets; they can project their own issues into a session; and they can clog their toilets up, resulting in an argument with a client over boundaries (Laura, week2). Paul is being portrayed as an adept psychoanalyst with issues of self-worth that were probably never thoroughly analyzed during his training. When the narcissistic thrill of being a gifted therapist wears off, everything starts to make its way to the surface.

Kudos to HBO on a well-done series.

So i've just finished watching the first 5 episodes of HBO's new therapy session adaptation, "In Treatment", and I can say that I'm am more than satisfied. This show is really great! I'm not one to fall for 'buzz', and i'd seen a few interview/promotions for the program before I had sat down to watch it but this program works purely on its script and sharp camera work. it's quite easy to get pulled into it. It is of course a bit 'over'-dramatic (or just dramatic as this is TV) for the sake of entertainment, but the dialogue is kept realistic and subtle enough to be engaging.

Each of the characters bring something totally different as well and the final therapy session of the week is probably the most ironic and consequently the most fun.

I would like to say this feels totally original, though truthfully it reminds me a bit of the Soprano's, specifically Tony's therapy sessions, it has that same feel but with a little more spice to last that whole 30 Min's or so. The cinematography is also really tastefully done.

All in all its a well carried out show, and i could say a ton more at the risk of sounding like a advertisement so i won't. its a really great show and can't wait for the next slew of episodes.

Don't hesitate to check it out!

"In Treatment" is a great show that for some reason only ran for three seasons. It's a shame because it was well produced, well acted and had good scripts.

Gabriel Byrne stars as psychiatrist Paul Weston, who, during the run of the show, goes through a few changes himself. My first quibble, though I loved the show, is what straight woman or gay man could possibly have Gabriel Byrne as their psychiatrist? One of the main features of psychiatry - explored throughout the series - is that of transference, where a patient believes he or she is in love with the psychiatrist.

Now, if Byrne were truly a psychiatrist, he probably would have had to close his practice with all the patients throwing themselves at him. That's just my opinion. That being said, we saw several instances of transferences throughout "In Treatment."

The patients were fascinating: married couples, a potential teen Olympian (Mia Wasikowska), an angry gay teen (Dane DeHaan), a sexy beauty (Melissa George) who falls for Paul, an old patient who returns, a young woman (Allison Pill) refusing to seek treatment for her cancer, a successful businessman (John Mahoney) with panic attacks, a pilot (Blair Underwood) responsible for the death of children, a successful actress (Debra Winger) whose sister is dying, and others. The most interesting for me was the Indian man (Irrfan Khan) who has been brought from Calcutta after he was widowed to live with his son and his family.

I agree with others, that this was representative of real-life therapy, the high points. Psychiatry is like police work - pretty humdrum, so smartly, the writers did not include the more pedantic parts.

Along the way, Paul faces his own demons and works with two different therapists. One is his old supervisor (Dianne Wiest) and a young woman (Amy Ryan).

Gabriel Byrne is fantastic -- circumspect at times, vulnerable, and completely human.

I really will miss this series, which I viewed on Amazon prime.