Um padre desobedece à lei da igreja para encontrar os vampiros que sequestraram sua sobrinha.Um padre desobedece à lei da igreja para encontrar os vampiros que sequestraram sua sobrinha.Um padre desobedece à lei da igreja para encontrar os vampiros que sequestraram sua sobrinha.
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Avaliações em destaque
Futurist film based on graphic novel series "Priest" by Min-Woo Hyung with interesting screenplay by Cory Goodman . After centuries of war between humans and vampires , the Church assigns warrior-priests to defeat the vampires . The survivors are kept in reserves and hives and the men live in chaotic cities governed by the Church . A rebel priest (Paul Bettany , Gerard Butler was originally cast) disobeys church law to track down the vampires who kidnapped his niece (Lily Collins , Phil Collins's daughter) . His War is Eternal but his mission is just the beginning . The outcast priest sets out to look for his niece along with a young sheriff named Hicks (Cam Gigandet , though Steven Strait was originally cast) . Then , they encounter themselves chased by bloodthirsty , predatory vampires which have added them to his food chain . Sooner a warrior Priestess (Maggie Q) unites the Priest and Hicks in their quest . The duo along with the priestess must confront carnivorous mutants , hordes of warrior vampires starving of human blood and some of the most horrifying creatures ever made . At a hive the group is surrounded , as they encounter a pack of carnivorous , crawling creatures that are waiting for them , facing their destruction and exposed to cruel bites by meat-eating sickos and finally battle their deadly enemy , Black Hat (Karl Urban) . They undertake a desperate fighting to survive and chase a train to find his niece called Lucy (this is a throwback to the Dracula of Bram Stoker, where there is also a character named Lucy, who is also an engaged redheaded girl in need of saving) .
This exciting picture is set in a post-apocalyptic , an alternate world , one ravaged by centuries of battle between human and bloodsuckers , it contains thrills , chills , plot twists , action-filled with fierce fights and lots of gore and guts . The terror and action moments are fast moving and compactly realized . The film turns out to be a crossover among several films , taking ideas here and there , resulting to be an entertaining movie . And of course the theme of people being stranded in a hostile , perilous environment with attackers creatures is justly reminiscent of many others films as Pitch Black , Pandorum , Descent or Resident Evil saga . The creepy images of wide range from the genuinely fantastic to the bizarre along with an eerie and amazing frames . It's predictable but also its predictability is redeemed for some extraordinary surprises and in part by the charismatic acting from the main protagonists , Bettany and Gigandet . Furthermore a notorious secondary cast as Christopher Plummer , Brad Dourif , Stephen Moyer , Alan Dale , Madchen Amick , among others . The flesh-eating mutants appearance deliver the goods, plenty of screams, shocks and tension. The make-up assistants and visual effects artists create the truly terrible cannibal vampires , adding spectacular frames in 3D . Horrifying and astonishing images about eerie events and creepy scenarios are colorfully photographed by Don Burguess , and including luminous scenes from a futurist desert . Thrilling and suspenseful musical score by Christopher Young , an expert on dark atmospheres . The motion picture was well directed by Scott Charles Stewart , a visual effects specialist and who previously made a similar flick titled ¨Legion¨ . Rating : Acceptable and passable . Worthwhile watching .
This exciting picture is set in a post-apocalyptic , an alternate world , one ravaged by centuries of battle between human and bloodsuckers , it contains thrills , chills , plot twists , action-filled with fierce fights and lots of gore and guts . The terror and action moments are fast moving and compactly realized . The film turns out to be a crossover among several films , taking ideas here and there , resulting to be an entertaining movie . And of course the theme of people being stranded in a hostile , perilous environment with attackers creatures is justly reminiscent of many others films as Pitch Black , Pandorum , Descent or Resident Evil saga . The creepy images of wide range from the genuinely fantastic to the bizarre along with an eerie and amazing frames . It's predictable but also its predictability is redeemed for some extraordinary surprises and in part by the charismatic acting from the main protagonists , Bettany and Gigandet . Furthermore a notorious secondary cast as Christopher Plummer , Brad Dourif , Stephen Moyer , Alan Dale , Madchen Amick , among others . The flesh-eating mutants appearance deliver the goods, plenty of screams, shocks and tension. The make-up assistants and visual effects artists create the truly terrible cannibal vampires , adding spectacular frames in 3D . Horrifying and astonishing images about eerie events and creepy scenarios are colorfully photographed by Don Burguess , and including luminous scenes from a futurist desert . Thrilling and suspenseful musical score by Christopher Young , an expert on dark atmospheres . The motion picture was well directed by Scott Charles Stewart , a visual effects specialist and who previously made a similar flick titled ¨Legion¨ . Rating : Acceptable and passable . Worthwhile watching .
Priest was recommended to me by my late brother, whose love of vampires was only second to his love of gothic fashion. Inspired by a graphic novel series of the same name which was itself inspired by the fantastic video game Blood (1997), Priest is a glorious mix of fantasy/sci-fi/western themes and environments with just enough corniness to make the average graphic novel fan or gamer settle in with popcorn and have a good time.
Paul Bettany plays Priest, utilizing a wonderful Western-esque American accent and looking fine as Mr. Tall, Blonde, and Broody. He lives in a religiously-themed authoritarian city reminiscent of the walled cities in Attack on Titan, where the only thing darker and stinkier than the gritty streets is the Order he has dedicated his life to, led by the always-talented Christopher Plummer. When word gets to him that a family member is in peril after a vampire attack, he rebels against his Order's wishes and goes on a mission to save her, picking up two companions along the way.
Priest starts out a little slow at first before we get insight into Bettany's character, but once he flees the city the film is a feast for the eyes if you love dark, gritty environments. There are also a few bright, post-apocalyptic vistas here, with giant deserts and canyons, fallen city husks, and giant, worn religious monuments. The action scenes stretch the boundaries of realism at times, but always in a fun "Wait, he did WHAT?" kind of way rather than a distraction. Priest has a variety of weapons, gadgets, and moves at his disposal, though Priestess (played by Maggie Q) has the honor of executing the best kill of the movie in its climax. How they must have cleaned up the scene to keep the movie PG-13!
Speaking of the rating: though low on gore, Priest never felt particularly tame or stunted due to its low rating. The more gore and giblets the merrier, but its absence wasn't missed here, aided in part by the film's overall dark tone. Other reviews lament Priest's lack of gripping story; I never had a problem with its straightforward nature, though I liked the movie enough to wish for further films in the franchise (at this point, unlikely).
Some high points of Priest for me: Karl Urban, who intrigues me in everything he does, brings out his inner sass to play the wonderfully intimidating Black Hat. The vampires (save for Black Hat) are creatures, not sensual humans with funny accents, which is my favorite rendition of the myth that is rarely done in modern media. Brad Dourif (Chucky from Child's Play) has a fun bit role as a sleazy salesman. And lastly...vampires are cool, but what's even better? Trains. That's right, folks, the climax features one determined steampunk-esque locomotive, and that just lit a spark in my little girl heart.
I understand why many don't consider Priest one of their favorite movies, but its low score baffles me. There are things Priest could have done better, sure. There are deeper stories to be told in this unique and interesting universe. But Priest was never offensively bad or even mediocre, and as a fan of both video games and graphic novels, it provided something special for me. To my brother: I'm sorry I didn't watch this before you passed, but you were right about Priest. I really liked it.
Paul Bettany plays Priest, utilizing a wonderful Western-esque American accent and looking fine as Mr. Tall, Blonde, and Broody. He lives in a religiously-themed authoritarian city reminiscent of the walled cities in Attack on Titan, where the only thing darker and stinkier than the gritty streets is the Order he has dedicated his life to, led by the always-talented Christopher Plummer. When word gets to him that a family member is in peril after a vampire attack, he rebels against his Order's wishes and goes on a mission to save her, picking up two companions along the way.
Priest starts out a little slow at first before we get insight into Bettany's character, but once he flees the city the film is a feast for the eyes if you love dark, gritty environments. There are also a few bright, post-apocalyptic vistas here, with giant deserts and canyons, fallen city husks, and giant, worn religious monuments. The action scenes stretch the boundaries of realism at times, but always in a fun "Wait, he did WHAT?" kind of way rather than a distraction. Priest has a variety of weapons, gadgets, and moves at his disposal, though Priestess (played by Maggie Q) has the honor of executing the best kill of the movie in its climax. How they must have cleaned up the scene to keep the movie PG-13!
Speaking of the rating: though low on gore, Priest never felt particularly tame or stunted due to its low rating. The more gore and giblets the merrier, but its absence wasn't missed here, aided in part by the film's overall dark tone. Other reviews lament Priest's lack of gripping story; I never had a problem with its straightforward nature, though I liked the movie enough to wish for further films in the franchise (at this point, unlikely).
Some high points of Priest for me: Karl Urban, who intrigues me in everything he does, brings out his inner sass to play the wonderfully intimidating Black Hat. The vampires (save for Black Hat) are creatures, not sensual humans with funny accents, which is my favorite rendition of the myth that is rarely done in modern media. Brad Dourif (Chucky from Child's Play) has a fun bit role as a sleazy salesman. And lastly...vampires are cool, but what's even better? Trains. That's right, folks, the climax features one determined steampunk-esque locomotive, and that just lit a spark in my little girl heart.
I understand why many don't consider Priest one of their favorite movies, but its low score baffles me. There are things Priest could have done better, sure. There are deeper stories to be told in this unique and interesting universe. But Priest was never offensively bad or even mediocre, and as a fan of both video games and graphic novels, it provided something special for me. To my brother: I'm sorry I didn't watch this before you passed, but you were right about Priest. I really liked it.
A priest throwing crosses like throwing stars into a vampire caught my attention.
Vampire meets post-apocalypse meets religious iconography meets Western. Staring Paul Bettany. I had the misfortune to see Legion and I've yet to forgive Mr. Bettany for participating in that wretched wince-fest. So given the actor and the genre, it's probably not going to be an Oscar-nominated type of film. But you know that the moment you saw the trailer.
As a Catholic (the orthodox type that grudgingly accepts Vatican II but mutters about 'the good old days' entirely tongue-in-cheek) it caught my eye. If you happen to be Catholic, every time you see a trailer for a movie where Catholicism is notably featured, you think to yourself 'Oh boy, how are they going to do a hack job that makes it out to be nothing like it actually is this time?'. Can't blame writers though, it's a religion that provides a deep, deep mine of interesting looking iconography and concepts (Apparently Catholic priests are the Ghostbusters of any movie that involves exorcism. You know who they're going to call. An old priest and a young priest.)
Interestingly enough, this film really... Doesn't involve religion. There's the iconography of Catholicism, a few words here and there, but there's really no actual religious content to the film. It's as if a tourist from another planet did a really in-depth one month tour of all things Catholic, but unable to understand the language, did the best job they could of representing it to their friends back home. The film doesn't denigrate Catholicism, it treats it more like a grab bag of 'ooo, that sounds / looks cool' material. It's a post-apocalyptic vampire western that involves characters that participate in a world where there's a State-run religion that is akin to Catholicism in a weird sort of 'parallel dimension where everyone has a goatee' type way. It's what you think you know, but not.
The movie itself is visually interesting. In many ways, it's similar to Event Horizon - another film where a concept wrapped in bad dialog with little to no sane plot caught the viewer's eye with interesting imagery.
Do you like vampires? Do you like westerns? Do you fancy a post-apocalyptic world? Does religion intrigue you, but in a 'not enough to be serious about it' way?
This is your film. It's not a bad film. It's not a great film. If you like certain things, like I do - vampires, vampire killing in a kick-ass style and a certain visual je ne sais quoi, 'world view' that's unlike anything else out there, it's worth seeing.
People you shouldn't take with you to see the film: Serious boring types that get upset if there aren't things like 'good dialog', 'character development' or 'a plot that doesn't make you put your head in your hands'. Much like Ke$ha, it's one of those catchy things you would never admit to enjoying to anyone you respected.
If you happen to be Catholic, rest assured that it's not butchering the religion and presenting some horrific view of it that alienates all who would see it. That's because it doesn't understand religion, but hey (blame the material it's based on - eastern writers tend to have a really strange view of Catholicism and Christianity in general.)
See it in 2D if possible. Like any 3D film originally shot in 2D, the 3D isn't great. Not as bad as Alice, but Avatar it ain't. While rated PG-13, taking anyone who isn't in college or older to see it isn't going to add anything to their life at this point.
And, if you, like me, enjoy it - try not to mention that in respectable company and we can just nod at each other in passing, secure in the belief that not everything enjoyable under the sun needs to be Oscar-worthy material.
Vampire meets post-apocalypse meets religious iconography meets Western. Staring Paul Bettany. I had the misfortune to see Legion and I've yet to forgive Mr. Bettany for participating in that wretched wince-fest. So given the actor and the genre, it's probably not going to be an Oscar-nominated type of film. But you know that the moment you saw the trailer.
As a Catholic (the orthodox type that grudgingly accepts Vatican II but mutters about 'the good old days' entirely tongue-in-cheek) it caught my eye. If you happen to be Catholic, every time you see a trailer for a movie where Catholicism is notably featured, you think to yourself 'Oh boy, how are they going to do a hack job that makes it out to be nothing like it actually is this time?'. Can't blame writers though, it's a religion that provides a deep, deep mine of interesting looking iconography and concepts (Apparently Catholic priests are the Ghostbusters of any movie that involves exorcism. You know who they're going to call. An old priest and a young priest.)
Interestingly enough, this film really... Doesn't involve religion. There's the iconography of Catholicism, a few words here and there, but there's really no actual religious content to the film. It's as if a tourist from another planet did a really in-depth one month tour of all things Catholic, but unable to understand the language, did the best job they could of representing it to their friends back home. The film doesn't denigrate Catholicism, it treats it more like a grab bag of 'ooo, that sounds / looks cool' material. It's a post-apocalyptic vampire western that involves characters that participate in a world where there's a State-run religion that is akin to Catholicism in a weird sort of 'parallel dimension where everyone has a goatee' type way. It's what you think you know, but not.
The movie itself is visually interesting. In many ways, it's similar to Event Horizon - another film where a concept wrapped in bad dialog with little to no sane plot caught the viewer's eye with interesting imagery.
Do you like vampires? Do you like westerns? Do you fancy a post-apocalyptic world? Does religion intrigue you, but in a 'not enough to be serious about it' way?
This is your film. It's not a bad film. It's not a great film. If you like certain things, like I do - vampires, vampire killing in a kick-ass style and a certain visual je ne sais quoi, 'world view' that's unlike anything else out there, it's worth seeing.
People you shouldn't take with you to see the film: Serious boring types that get upset if there aren't things like 'good dialog', 'character development' or 'a plot that doesn't make you put your head in your hands'. Much like Ke$ha, it's one of those catchy things you would never admit to enjoying to anyone you respected.
If you happen to be Catholic, rest assured that it's not butchering the religion and presenting some horrific view of it that alienates all who would see it. That's because it doesn't understand religion, but hey (blame the material it's based on - eastern writers tend to have a really strange view of Catholicism and Christianity in general.)
See it in 2D if possible. Like any 3D film originally shot in 2D, the 3D isn't great. Not as bad as Alice, but Avatar it ain't. While rated PG-13, taking anyone who isn't in college or older to see it isn't going to add anything to their life at this point.
And, if you, like me, enjoy it - try not to mention that in respectable company and we can just nod at each other in passing, secure in the belief that not everything enjoyable under the sun needs to be Oscar-worthy material.
In all honesty while the film looked kind of interesting I was from reading reviews that it was a waste of time(not just on IMDb). So I watched Priest expecting little, but while it had a fair amount of problems with it I found it decent. Is it the best of year? No. The worst? Nowhere near for me. Priest in my mind is somewhere near the lower-middle of the spectrum.
Where Priest scores especially is in the costume and set design which look wonderful, and the photography and editing looks very slick and the lighting atmospheric. The soundtrack is excellent too, with a rather epic feel to it sometimes. I enjoyed the performances of Paul Bettany and Cam Gigandet, was intrigued somewhat by the characters, even if they are a little vacuous and found the direction decent.
What wasn't so good was primarily the length, I personally think Priest was on the too-short side. Had the film been longer, the script could have been less choppy and underdeveloped and the story-though it did have an interesting concept to work from- less rushed and simplistic. Mostly I was impressed with the stylish look of the film, but I did occasionally find the effects on the artificial side.
Overall, underdeveloped and rather rushed, but the film's look especially saves it. 6/10 Bethany Cox
Where Priest scores especially is in the costume and set design which look wonderful, and the photography and editing looks very slick and the lighting atmospheric. The soundtrack is excellent too, with a rather epic feel to it sometimes. I enjoyed the performances of Paul Bettany and Cam Gigandet, was intrigued somewhat by the characters, even if they are a little vacuous and found the direction decent.
What wasn't so good was primarily the length, I personally think Priest was on the too-short side. Had the film been longer, the script could have been less choppy and underdeveloped and the story-though it did have an interesting concept to work from- less rushed and simplistic. Mostly I was impressed with the stylish look of the film, but I did occasionally find the effects on the artificial side.
Overall, underdeveloped and rather rushed, but the film's look especially saves it. 6/10 Bethany Cox
Love the actors, the concept, the genre, the fight scenes, and i want maggie Q to have my baby....but this movie was only so-so.
It needed a better script i think. The story just seemed hollow. Everything they did, just seemed half finished. Paul, who i thnk is awesome, didn't seem to resonate with any of the other cast. It really was like this movie needed another hour to develop itself and them it would have been great.
Worth seeing, if you like action movies, but sadly, your not going to remember this movie by next month.
If you like a good scifi western, see serenity.
It needed a better script i think. The story just seemed hollow. Everything they did, just seemed half finished. Paul, who i thnk is awesome, didn't seem to resonate with any of the other cast. It really was like this movie needed another hour to develop itself and them it would have been great.
Worth seeing, if you like action movies, but sadly, your not going to remember this movie by next month.
If you like a good scifi western, see serenity.
Você sabia?
- CuriosidadesThe animated opening was a compromise solution, since the studios had no interest in going over budget for a live-action version of the centuries-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize.
- Erros de gravaçãoIn many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again.
- Citações
Black Hat: The church teaches us that the eyes are the windows to the soul. And that since vampire evolved without eyes, it is a soulless creature, to be eradicated. And I have seen the soul of the vampire, and let me tell you that it is far more pure than that of any man. Now you ask me what I am. I am the bringer of the tide. I am the wave that will wash clean this unclean world. And you, and your Priest, will help me do it.
- Cenas durante ou pós-créditosWhen the Screen Gems opening logo is completed, it cuts to the opening scene.
- Versões alternativasIn the USA the cut Theatrical Version is MPAA PG-13 rated and BBFC 12A rated in the UK; the film was toned down by small edits to reduce noise of blows and to reduce blood. There is also an Unrated Version and is rated 12 by the BBFC and is the version that features on all home media.
- ConexõesFeatured in Projector: Priest (2011)
- Trilhas sonorasMozart: 3. Sequentia: Tuba mirum (Requiem in D minor, K. 626)
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by The Academy of St. Martin-in-the-Fields (as The Academy of St. Martin in the Fields) - Conductor Neville Marriner (as Sir Neville Marriner)
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Priest - El vengador
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 29.137.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.953.664
- 15 de mai. de 2011
- Faturamento bruto mundial
- US$ 78.309.505
- Tempo de duração1 hora 27 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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