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Em Busca da Justiça

Título original: The Take
  • 2007
  • R
  • 1 h 36 min
AVALIAÇÃO DA IMDb
5,8/10
2,5 mil
SUA AVALIAÇÃO
Em Busca da Justiça (2007)
After he's shot during a heist in East L.A., an armored-truck driver (Leguizamo) wrestles with rehabilitation and tracking down the man (Gibson) who committed the crime.
Reproduzir trailer2:34
1 vídeo
24 fotos
ActionCrimeDrama

Adicionar um enredo no seu idiomaAfter he's shot during a heist in East L.A., an armored truck driver wrestles with rehabilitation and tracking down the man who committed the crime.After he's shot during a heist in East L.A., an armored truck driver wrestles with rehabilitation and tracking down the man who committed the crime.After he's shot during a heist in East L.A., an armored truck driver wrestles with rehabilitation and tracking down the man who committed the crime.

  • Direção
    • Brad Furman
  • Roteiristas
    • Jonas Pate
    • Josh Pate
  • Artistas
    • John Leguizamo
    • Tyrese Gibson
    • Rosie Perez
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,8/10
    2,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Brad Furman
    • Roteiristas
      • Jonas Pate
      • Josh Pate
    • Artistas
      • John Leguizamo
      • Tyrese Gibson
      • Rosie Perez
    • 36Avaliações de usuários
    • 13Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    The Take
    Trailer 2:34
    The Take

    Fotos23

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    + 18
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    Elenco principal45

    Editar
    John Leguizamo
    John Leguizamo
    • Felix De La Pena
    Tyrese Gibson
    Tyrese Gibson
    • Adell Baldwin
    Rosie Perez
    Rosie Perez
    • Marina De La Pena
    Bobby Cannavale
    Bobby Cannavale
    • Agent Steve Perelli
    Matthew Hatchette
    Matthew Hatchette
    • Agent Forest Baxter
    Yul Vazquez
    Yul Vazquez
    • Marco Ruiz
    Carlos Sanz
    Carlos Sanz
    • Det. Victor Martinez
    Jake Muxworthy
    Jake Muxworthy
    • Jimmy Grannis
    Laurence Mason
    Laurence Mason
    • Curtis Fellows aka Buddha
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Dr. Phineas
    Jessica Steinbaum
    • Rosey De La Pena
    • (as Jessica Steinbaum-Lopez)
    David Castro
    David Castro
    • Bartender
    Taylor Gray
    Taylor Gray
    • Javy De La Pena
    • (as Taylor Arthur Gray)
    Josh Baron
    • Neuro Rehab Specialist
    Curt Bouril
    • Paramedic 2
    Victor Buno
    • Preacher
    Mary Burkin
    • Midge
    Cristos
    Cristos
    • Barry Munoz
    • Direção
      • Brad Furman
    • Roteiristas
      • Jonas Pate
      • Josh Pate
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários36

    5,82.5K
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    Avaliações em destaque

    1bbenkeys

    acting OK... but very dumb.

    Well, it was nothing what I expected- it was a lot worse.

    There was no development of character and there were so many scenes that were irrelevant to the plot and totally cliché. Lenguizamo did a fair job but oh boy, he can't save the film. Rosie Perez is fun to watch.

    The gritty, dark look of the film was overdone, hard to watch and it gave me a huge headache.

    If you want to see a great gritty film, watch Memento.

    Overall, I wouldn't recommend that one, unless you're a huge fan of Lenguizamo.
    6kevin_robbins

    The Take is a fairly average film but worth watching if you're in the mood for something a little different.

    The Take (2007) is a film I recently watched on Tubi. The story follows an armored truck driver who is taken hostage during a heist, shot, and left for dead. After surviving, he struggles with mood swings, chronic pain, and relentless police interrogation. As his mental state deteriorates and his family life suffers, he decides he may need to solve the crime himself to regain control of his sanity.

    Directed by Brad Furman (The Lincoln Lawyer), the film stars John Leguizamo (Moulin Rouge), Tyrese Gibson (Baby Boy), Rosie Perez (White Men Can't Jump), Bobby Cannavale (Boardwalk Empire), and Roger Guenveur Smith (Do the Right Thing).

    The cast is impressive, and the acting exceeds expectations, especially from John Leguizamo and Rosie Perez, whose portrayal of a strained marriage felt authentic and emotional. The setup is solid, and Leguizamo's mental unraveling is well-executed. The family dynamics are a strong point and help ground the film. Tyrese's character, however, felt unnecessary, and the full-circle ending leaned a bit too far into the unbelievable. Still, the strong performances and engaging character arcs keep your attention.

    In conclusion, The Take is a fairly average film but worth watching if you're in the mood for something a little different. I'd score it a 6/10.
    5jdring2007

    mislabeled drama with little to no suspense or action; annoying music, editing, and drawn out climax

    If I'd known this was categorically a drama I'd probably not have watched it. But I have a weakness for heist movies of any kind, and I really like Leguizamo, so I gave it a shot. Mistake. Now, the acting was good enough, especially from Rosie Perez, but the editing and choppy/shaky cinematography was beyond annoying, the music way too overdramatic, the action/suspense nonexistent save for the opening scene, and when it came down to it the movie was a recovery drama. As that, it wasn't too bad. Then comes the ending. The, uh, "climax." What were they thinking? A drawn out, fruitless chase scene. I'm not a spoiler reviewer which is tough here but I think I've made my point. The only way you should watch this is knowing it's a drama, and have the FF button at the ready.
    6johnnyboyz

    Take an hour and a half out of your time to catch up on this seemingly buried 2008 crime drama, as a single shot affects a man and those close to him.

    Drawing on clear influences from recent gritty, crime infused pieces such as 2000's Traffic and 2002's Narc, 2008 film The Take seems to have come and gone at a Canadian film festival before being banished to stores so as to increase profits on DVDs. It would seem there was nary a distributer at said Canadian festival willing to invest in Brad Furman's film; an overall shame, not a crying one but a shame none-the-less. The Take squeezes an amount of substance to do with male machismo; the tearing apart of a family unit; the sub-genre of the vigilante movie and the dealing of the aftermath of a heist plus all the crime drama conventions of mistrust between gangsters: honour amongst thieves, if you will, into 96 minutes. However, all too often these ideas jostle uncomfortably with one another – a persistent vying for power, a struggle between genres and sub-genres; content and study. This renders The Take less interesting than it might have been, but good enough to see in order to observe a moderately interesting, well acted independent American drama.

    I think the film thinks it's more powerful and more affecting than it is in actualité. The tale is of a righteous man wronged, and the subsequent fall out it has on both his life and the lives of those around him. But for all the substance, for all the promise and for all the content; to have The Take boil down to a chase sequence on foot that, again, certainly thinks it has more of a sense of drama involved than it actually does, was just a mite disappointing and anti-climatic. Furman likes his visual tricks and gimmicks, with someone somewhere failing to realise that spectacle and visualness ought to have been secondary to this screenplay's agenda as gritty, Hispanic-American living conditions; seams in a family becoming unravelled; a man loosing his mind and sense of masculinity plus brutal shootings during a heist sequence were the order of the day. Furman tells the story with every trick in the book: the visual flair ingredient to the editing and camera work; the speeding up of footage; transitions and the hand-held camera technique on top of a number of scenes set in rooms that are close to all being entirely blacked out for sake of mood.

    John Leguizamo plays the role of Felix De La Pena, a man of Hispanic descent living with his wife Marina (Perez) and their two kids in Los Angeles. De La Pena is a nice, upstanding man with a great deal of fondness for his family and the work he does. His large friend-base plus the fact his job sees him adopt a certain role of honour and trust in driving an armoured truck instills a sense of responsibility on top of the other positive conventions. But one day, things go spectacularly wrong when Tyrese Gibson's criminal Adell holds up the truck; has De La Pena drive it back to the HQ before robbing the place of its money and fatally wounding De La Pena. We've seen people shot following heists in films many-a time before, usually hard-bodied; no nonsense criminals in hard boiled neo-noirs, but they'd always get back up again after a brief lay off and plough on ahead, seeking money and revenge. The Take's sequence of wounding feels grainer than usual, De La Pena's pained reaction to his injuries are stark and cutting in ways that I've rarely felt a gunshot wound in a film before. The injury feels more painful than usual because of the film's delicate buildup of the victim: a well mannered; rather slim, though not necessarily 'weak', and supremely upstanding character in De La Pena. From here, a process of recovery for both the mind, body and soul begins as FBI agent Steve Perelli (Cannavale) hunts the wrong-doers.

    It's here the film beds down for a long stretch of content similar to one another. De La Pena's sense of self vanishes and he gets a lot angrier a lot more often than usual, with Leguizamo really rather brilliantly portraying this new character: this fresher, more frothing at the mouth person. He installs security equipment in a fit of paranoia and undergoes a process of long recovery that sees him sense a once-present notion of 'manliness' now gone. Subsequently, he cannot make love to his wife; gets agitated as a result and seems to maintain this odd sense of being unable to really 'feel', as if to cry or get upset at the shooting is to fatally expel a sense of male machismo, with an ideology that might read something like: 'men don't cry - men get over this sort of thing'.

    I wrote a while ago in an observation on a Finnish film from 2006 entitled Lights in the Dusk about the film's over-emphasising on the 'little-guy' in a big situation. In said film, a hapless turnkey is rendered fall guy so a gang of thieves can swipe some diamonds his job it is to contain. I cited 2001's sprawling and maddening heist flick 3000 Miles to Graceland, in which during a heist sequence at a casino, countless numbers of body guards and members of law enforcement are dispatched like the many nameless, faceless bad guys that pop up at you in certain video games, each one of them as fatally injured as the next. The Take, like said Finnish film, rejects the generic notion to follow those perpetrating the heist and instead opts for an unbeaten route down into the gloomy undergrowth of a victim of the shooting recovering. Needless to say, a lot of people that were shot in 3000 Miles to Graceland would've gone through what De La Pena goes through here – it's when these sorts of films dry up that we know we're in trouble. I notice that at the present time, The Take has a lower IMDb rating than 3000 Miles to Graceland: good grief!
    7julienifill

    Quality Movie

    A quality movie, very good character development, it shows how Leguizamo's character grapples with rehabilitation after his near fatal gunshot wound and how his wife Perez's character has to adjust in their relationship. Gibson's character is a strong character both physically and emotionally and these roles suit Gibson as opposed to a Baby Boy role. The police detectives are relentless in their pursuit of justice. Good movie, one negative aspect was the gross sexual scene between Perez and Leguizamo but I guess the director was trying to show how his injury adversely affected their intimacy. I recommend this movie to anyone and I look forward to future work from this director

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    Enredo

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    • Curiosidades
      Both John Leguizamo and Rosie Perez admitted certain scenes with them together felt uncomfortable because they are close friends and attend church together. "It was in the sex scene between husband and wife that things started to go bad. ... It was the hardest scene, very difficult," Perez said. "I respect him so much and he respects me so much. I know his wife, he knew my husband and introduced me to my boyfriend. It was very awkward. Like brother and sister having to do a sex scene."
    • Trilhas sonoras
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      Written by: Scott Nickoley, Jamie Dunlap, and Darrin Milton

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    Perguntas frequentes17

    • How long is The Take?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 12 de setembro de 2007 (Canadá)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • MySpace
      • Sony Pictures (United States)
    • Idioma
      • Inglês
    • Também conhecido como
      • The Take
    • Locações de filme
      • Los Angeles, Califórnia, EUA
    • Empresas de produção
      • Hatchet Films
      • Ithaka Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 800.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 36 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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