Polis
- 2007
- 1 h 53 min
Adicionar um enredo no seu idiomaMusa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arrang... Ler tudoMusa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arranged by his family, he finds out that he has cancer and two months left before his death.Musa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arranged by his family, he finds out that he has cancer and two months left before his death.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias e 8 indicações no total
Avaliações em destaque
Story is developed around a police detective (Musa Rami) destructing himself and his family. He lives platonic love with a university student who is making interview with him for her thesis. He looses all beloved people and colleagues around and finally himself too.
In the story one shock is coming after other and another from beginning till end. The rapid developments of such shocking scenes are creating knock-down effect on the spectators. The main character, conservative and heroic Police Detective Musa Rami is living big dilemma from life to death, from loosing his family to fall in love in a very short time period like two mounts. The tragedy is not ending until he looses every thing. With this main character, Haluk Bilginer is again proving his proficiency as an unforgettable profile. And Ozgu Namal is nearly catching up his performance. We do not see such black films in Turkish Cinema frequently. Therefore I believe this film will be remembered as a milestone in the future.
While the film has a high artistic but clip style approach to the subject, it also referring to many famous and contemporary film in different scenes. As much as I could catch these are, Reservoir Dogs, Pulp Fiction, Blue, Fame, Danko, Matrix. Especially after loosing whole family, the scene with music of Blue and blue painting stain in the background wall is so impressive for the movie addicts. Two critics: the music is sometimes not compatible with scenes, and some players were appeared as weak where Haluk Bilginer exists.
Congratulations to the creators of such authentic and successful film.
Part John Woo, part Godard, part Resnais and all nonsense, the film seems like a half-hearted homage to many styles. However, there was a poetic violent beauty to Hard-Boiled, a strong, if playful, philosophical discourse to Alphaville, and a beguiling personal statement about memory in Last Year at Marienbad. There is no substance to Polis.
The director shows talent for film making and an obvious love of cinema, but there is no insight in this film. The whole thing is a mishmash of styles thrown together with no rhyme or reason. It reminds me of the stone thrown into a well by the madman in the Turkish proverb. The joke is on anyone who tries to make sense of the act. Two of the best actors of modern Turkish cinema are wasted in this woeful, pretentious effort.
Scenario seems complex and absurd but this make interesting whole film. I think if you planning to watch this film firs forget all comments and votes before. You can feel same emotions with Musa Rami (Haluk Bilginer)during the film. You have to watch the film if you want to need classic film forms.
Você sabia?
- Cenas durante ou pós-créditosThe director is a huge fan of Takeshi Kitano. In the credits it says "to my Mum and Kitano"
- ConexõesReferenced in Günesin Oglu (2008)
Principais escolhas
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 1.213.576
- Tempo de duração1 hora 53 minutos
- Cor
- Proporção
- 1.85 : 1