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5,9/10
1,9 mil
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Adicionar um enredo no seu idiomaVeteran detective So-young and her rookie partner Hyun-gi happen onto an incendiary homicide case. They discover that the present case is somehow related to the mysterious death of a girl te... Ler tudoVeteran detective So-young and her rookie partner Hyun-gi happen onto an incendiary homicide case. They discover that the present case is somehow related to the mysterious death of a girl ten years previously.Veteran detective So-young and her rookie partner Hyun-gi happen onto an incendiary homicide case. They discover that the present case is somehow related to the mysterious death of a girl ten years previously.
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The movie starts with an ex-convict found to be dead after releasing from jail. However, the reason for his dead isn't confirmed yet. Forensics couldn't find anything rather it seems to like an Heart Attack. Then his friends are also getting murdered / dead for unknown reasons. Besides that all of them received an email containing a video. The video is sent from a website which was once owned by a girl. Here is the thing, the girl have been missing for 9 years and assumed to be dead by now. But every one of them seen the ghost of that girl! Is she dead and taking revenge? Revenge for what? If not then what's happening here?
Ending was really good. I didn't see that coming. Worth watching for me.
Ending was really good. I didn't see that coming. Worth watching for me.
Let me preface by saying that I'm not really familiar with the Asian horror genre, and I can't tell you if the long-haired-ghost routine is, by now, trite and derivative. I can tell you Arang is a pretty movie with well done visuals. It also had a number of solid "jump" moments-- a scene near the beginning where the ghost appears only on film during a wedding is memorable, as is a still image of the bride twisting into a wicked, inhuman grin. I was amused by the visual imagery of each supernatural murder, if not genuinely frightened.
The movie is interesting because it represents a fusion of two genres: cop drama and ghost-horror. It seems like such a natural match, I was astonished that I hadn't seen it on film previously. A ghost is killing people, the cops are trying to solve the murders, and in the process discovering the connection between the killings and the reasons the ghost cannot rest. The two genres tie together with an amusing twist 3/4 of the way through that re-contextualizes the relationship between the two genres to each other.
Arang is a competently executed piece of genre fiction; it isn't groundbreaking, but it is entertaining, and I'm glad to have seen it.
The movie is interesting because it represents a fusion of two genres: cop drama and ghost-horror. It seems like such a natural match, I was astonished that I hadn't seen it on film previously. A ghost is killing people, the cops are trying to solve the murders, and in the process discovering the connection between the killings and the reasons the ghost cannot rest. The two genres tie together with an amusing twist 3/4 of the way through that re-contextualizes the relationship between the two genres to each other.
Arang is a competently executed piece of genre fiction; it isn't groundbreaking, but it is entertaining, and I'm glad to have seen it.
I've been hoping that this movie will bring something new to the South Korean horror industry, but I was wrong. The plot is basically the same as in tons of other Asian movies, dealing with an old grudge, that seeks retribution. I would say the best part of the movie is it's beginning, as later on almost every scene is so predictable it makes it hard to watch. The ghost is depicted as in a dozen Asian movies, a female with long black hair falling over her face, with "spooky" eyes. A strange mix of Ringu an Ju-on, to be polite and not say rip-off. There are twists in the plot, but again, the twist is so predictable it makes you laugh. Even though, this is a good movie, it will entertain you for 90 minutes, but that's all. You won't be talking about it and hoping to see it again. As I'm a fan of Asian horrors, I was glad to watch this, but after seeing it I can't say I'm delighted. A few scares, predictable plot and twists, long haired ghosts with "funny" eyes.
A Korean horror film from first-time (not counting a short) writer/director Sang-hoon Ahn. It is also a first film for TV actress So-yeong Choo, who plays a detective coming off suspension.
First, you would think the writers didn't miss a flick: The Grudge, One Missed Call, Shutter, or CSI. Min (So-yeong Choo) has a new partner straight from a year in Forensics. Can a film that borrows from so many present anything original? Several men die under mysterious circumstances after being visited by a long-haired ghost. Sound familiar. They are tied to a dead some 10 years ago.
What is good about the film is the cinematography and the sound, and the fact that it focuses on the detectives rather than the ghost or the victims. Min has a secret that probably drove her to become a detective.
Her partner has a secret, too.
First, you would think the writers didn't miss a flick: The Grudge, One Missed Call, Shutter, or CSI. Min (So-yeong Choo) has a new partner straight from a year in Forensics. Can a film that borrows from so many present anything original? Several men die under mysterious circumstances after being visited by a long-haired ghost. Sound familiar. They are tied to a dead some 10 years ago.
What is good about the film is the cinematography and the sound, and the fact that it focuses on the detectives rather than the ghost or the victims. Min has a secret that probably drove her to become a detective.
Her partner has a secret, too.
So-Young is a seasoned female detective who is investigated a series of brutal and unexplainable deaths. Assigned a new partner to take on the case, So-Young unleashes terrifying secrets from the past, which involve a mysterious salt house, and a stereotypical long-haired ghost, which looks as if it might have just walked off the set of The Shutter. Anyway, the deeper So-Young digs for the truth, the more she realizes everyone involved might be a lot more connected that they think.
Arang is one of a long line of Asian horror films that borrow from past successes, in terms of the scares, it's nothing you haven't seen already. This isn't to say the film isn't suspenseful, but it is indicative of most K-Horror, in that it utilizes atmospherics and scary sounds to build tension. There are a few genuinely scary parts (under the desk) but for the most part it's your standard K-horror fare.
But, where Arang differs from past Asian horror is the way the film focuses more on the Detectives working the case than on lives of the actual murder victims. In fact, the victims receive very little screen time and because of this the film resembles a detective story more than a horror story. Asian Horror hounds may find this a little disappointing, but this is the main reason why I liked Arang so much. Because while the horror elements are re-treads of familiar territory, the detective element is engaging and fun.
Another reason to like Arang would be the amazing score, featuring mournful sounding piano, creepy atmospheric synths, and the creepiest ring-tone since One Missed Call, Jung Dong In's score was a highlight of the film (Someone seriously needs to start producing these soundtracks) and makes the film a much more enjoyable watch.
The cinematography was also excellent, and I was blown away by some of the shots in the film, especially those including the beach and a lighthouse. There is also a shot done with CGI towards the end of the film that is outright beautiful. In my book, the film deserves a viewing for that scene alone.
All in all, Arang is a very entertaining piece, while it is bogged down in the typical K-Horror clichés, it's detective story, score, and creative plot twist (Not contrived) helps raise the film above the level of other K-horror copycats, and makes it a fun film. Also considering that it's Ahn Sang Hoon's debut film, I will definitely keep an eye out for his work in the future.
My Rating 7 out of 10: While Arang is a copycat, it's different enough to be entertaining.
Arang is one of a long line of Asian horror films that borrow from past successes, in terms of the scares, it's nothing you haven't seen already. This isn't to say the film isn't suspenseful, but it is indicative of most K-Horror, in that it utilizes atmospherics and scary sounds to build tension. There are a few genuinely scary parts (under the desk) but for the most part it's your standard K-horror fare.
But, where Arang differs from past Asian horror is the way the film focuses more on the Detectives working the case than on lives of the actual murder victims. In fact, the victims receive very little screen time and because of this the film resembles a detective story more than a horror story. Asian Horror hounds may find this a little disappointing, but this is the main reason why I liked Arang so much. Because while the horror elements are re-treads of familiar territory, the detective element is engaging and fun.
Another reason to like Arang would be the amazing score, featuring mournful sounding piano, creepy atmospheric synths, and the creepiest ring-tone since One Missed Call, Jung Dong In's score was a highlight of the film (Someone seriously needs to start producing these soundtracks) and makes the film a much more enjoyable watch.
The cinematography was also excellent, and I was blown away by some of the shots in the film, especially those including the beach and a lighthouse. There is also a shot done with CGI towards the end of the film that is outright beautiful. In my book, the film deserves a viewing for that scene alone.
All in all, Arang is a very entertaining piece, while it is bogged down in the typical K-Horror clichés, it's detective story, score, and creative plot twist (Not contrived) helps raise the film above the level of other K-horror copycats, and makes it a fun film. Also considering that it's Ahn Sang Hoon's debut film, I will definitely keep an eye out for his work in the future.
My Rating 7 out of 10: While Arang is a copycat, it's different enough to be entertaining.
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 5.150.498
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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