Conversas com Meu Jardineiro

Our usual group of 4 Dutch, Filipino, Chinese Malaysian, and French did enjoy so much this movie screened in Sydney these past few weeks. As said before simple but without simplicity. This was also my sentiment, I imagine my french background took my enjoyment even a little further. I can't say I never had much passion for gardening although I do appreciate nature in general. But I like animals and people behaviour; it is so often fascinating. This is what this story did for me, it brought fascinating union and mutual respect between two very different people, this in a rather natural way. I let myself go with the gentle flow of the tale and rode the few bumps here and there as life scatters them. I won't talk about the story line since I'm sure it's been read many time before these lines. There weren't a crowd either in the cinema, only one more couple and one lone other person. Yet the story took you from the start and you did not need a crowd around to help you along. It was almost like a personal experience that somehow made you feel as if you were part of this dialogue. I do much appreciate Daniel Auteuil whom I discovered for the first time with G de Pardieu in "Jean des Florettes" and "Manon des Sources" Much as happened since and for both of them but one seems to have been imunised from Hollywood and is better for it in my opinion.

I read about this movie, and so deeply interested about the story line that I had to go and watch this flick. I do not understand French, nor the Dutch sub-titles. What I did was tried to search for sub-titles in English on the internet. Could not find one, so downloaded the sub-titles in Spanish, translated them to English and read the whole script of sub-titles before going for the movie. Surely it did not make much sense, but I depended on my memory to recollect the discussions between the painter and the gardener. Coming back home, I again re-read the sub-title script and recollected the images. That is how I saw and understood the movie. Though silly, that was the only and my way of doing enjoying this masterpiece.

The story is simple – a famous painter Dupinceau (Daniel Auteuil) is fed up with life in Paris and has decided to move back to his village home to paint. He hires a gardener Dujardin (Jean-Pierre Darroussin) who turns out to me school class mate. A whole lifetime has passed from where they started at school – remembering a prank the students played on their teacher's birthday cake. They share their journey of life with each other – through casual talks. The painter and gardener both experts in their fields are unique, in their perception of seeing things and understanding. Both of them become close friends – and with ailing health of gardener, the painter takes him to Paris for treatment. A few years later when the gardener dies, the painter fulfills his wishes by drawing the common things of his gardener's life – to capture those memories of happiness and joys.

The simplicity of plot and the depth of discussion is so appealing that one fills fulfilled by just listening the gardener and painter talk – you wish their talk would never end. This inspiring interest is created by Daniel and Jen-Pierre in living their roles perfectly on screen.

Seventy year old Director Jean Becker, who has also partly written the story takes us through this varied journey of life's mysteries without letting us know that.

The innocent wittiness of gardener's amazement and questions posed to the painter are the highlight of the movie – that bring enlightenment of seeing things differently for painter and also for us.

The background musical score is spare, but wherever it is used, it is effective. There are a few sub-plots, but the movie does not digress from the main theme, and kudos to that track.

The most moving scene for me was when the two friends go for fishing, catch a big fish and then leave it back in the water alive and free again. Wonderful! There are so many dialogues in questions, answers and casual exchanges – that resonate with our souls. The last words of the gardener would ring in our hearts for years – I would like that you painted something that I liked. And in the end - the painter does… A classic, not to be missed – only recommended for those who are willing to know their souls (Stars 7.25 out fo 10)

Jean Becker makes extremely typical french films, with lots of dialog, and masterful mise en scene. This film plays again with one of his favorite subjects, the wisdom of the uncultivated, working class simpletons, as opposed to the stiff way of life of the cultivated bourgeoisie. More or less. The story, a painter who goes back to the village of his childhood and befriends a retired railroad worker he hires as gardener ad happens to be an old childhood friend, serves well as an excuse for a series of enlightening dialogs and thoughts over class, life, struggle, love, etc. When it ends you have been entertained brilliantly for 90 minutes, and you are also left with something to think about.

I have just come from the FRENCH FILM FESTIVAL in Richmond, VA (2008), where I saw this film. I don't view a lot of American films, so I can't adequately compare, but I do know American film makers don't develop relationships between people the way French film makers do. While American films seem to give little short glimpses into people's lives, French film makers give us long conversations between actors and show us how one person can change the life of another.

In this film, the artist comes home to his roots. When he advertises for a gardener to work the potager at his old family home, an old school mate applies for the job. As they reconnect through the work, each contributes to the other's life. It's interesting to see how the artist's paintings changed as he was influenced by his friend.

The film deals with life, death, family, gardening, painting, sickness and other realities of life. The scenery is beautiful, the actors realistic, and the story believable.

When the director answered questions at the end of the screening, it was very interesting to hear the Americans trying to insert and look for symbolism in many of the scenes, but the director's replies indicated that symbolism was not intended, rather bare content.

I so enjoyed this film and wish I had a copy of it to entertain others with at my home. English subtitles are there, but if you understand French, you will get much more out of this movie. I found the English subtitles very British and not conveying the French spirit at times, but if you don't know the difference, it won't matter.

His great performance is the axis of this moving short film about two friends encounter after decades , their jobs, family, memories, routine, different perspectives and different options but, both complementary.

A film who easy can be defined as good adaptation or bitter - sweer comedy , or demonstration of brilliant acting.

In fact, a beautiful invitation to viewer to discover himself, the near others, the beloved ones, the value of interests and virtues.

And a touching return to clear, precise, gentle, useful, honest simplicity, hiding painful details, offering naif, at first sight, perspective about life, defining, in proper terms, generosity and kindness.

In short, a film who must you see.