Prime Suspect: The Final Act
- Minissérie de televisão
- 2006
- 1 h 31 min
Adicionar um enredo no seu idiomaApproaching retirement, Jane Tennison investigates the murder of a missing girl. But the cracks soon begin to show as Jane struggles with an alcohol problem and her father's death.Approaching retirement, Jane Tennison investigates the murder of a missing girl. But the cracks soon begin to show as Jane struggles with an alcohol problem and her father's death.Approaching retirement, Jane Tennison investigates the murder of a missing girl. But the cracks soon begin to show as Jane struggles with an alcohol problem and her father's death.
- Ganhou 3 Primetime Emmys
- 14 vitórias e 18 indicações no total
Explorar episódios
Avaliações em destaque
It's retirement time for Jane Tennison, but she has one more case to solve in "Prime Suspect: The Final Act" starring Helen Mirren as Tennison. The question is, can Tennison stay in control long enough to find the murderer of a missing girl? You really wonder as she deals with what has become blatant alcoholism, the death of her father, and the consequences of her choices in life.
Only Helen Mirren could have created the fully fleshed out, human character of Jane Tennison. Mirren is one of the greatest actresses of our time, perhaps of any time. And like a lot of English actresses, and though she's capable of great glamor, Mirren is not afraid of harsh lights, aging, and a few lines on the face. Her Jane is worn out and looks it. In working her last case, Jane comes up against the tragedy of losing her father, her uneasy relationship with her sister and niece, her retirement, and the bottle. In her loneliness and remembrance of a life with possibilities, she bonds with young Penny (Laura Greenwood), a troubled friend of the murdered girl - though the girl's father becomes a suspect.
I admit I had a problem understanding a lot of the dialogue in this - the British go in for that natural sound replete with background noise, heavy accents, and no body mikes. Also, this was a particularly noisy episode as nearly all the dead girl's mother did was scream at the top of her lungs, and she wasn't alone. Nevertheless, Mirren's performance cut across any problems I may have had. As Penny, Laura Greenwood, who resembles the American actress Amber Tamblyn, gave a truly marvelous performance. Doubtless we'll be seeing her in more British imports to come.
As part of the Masterpiece Theatre presentation, Mirren gave an interview about the role of Jane, and how she had been counseled by a police woman never to cry except in private, never to fold her arms across her body, and to touch people (a display of power). She stated that she stopped doing "Prime Suspect" for a time lest she be too closely identified with the role of Jane and cease being Helen Mirren, actress. As if she could ever be anything else.
Only Helen Mirren could have created the fully fleshed out, human character of Jane Tennison. Mirren is one of the greatest actresses of our time, perhaps of any time. And like a lot of English actresses, and though she's capable of great glamor, Mirren is not afraid of harsh lights, aging, and a few lines on the face. Her Jane is worn out and looks it. In working her last case, Jane comes up against the tragedy of losing her father, her uneasy relationship with her sister and niece, her retirement, and the bottle. In her loneliness and remembrance of a life with possibilities, she bonds with young Penny (Laura Greenwood), a troubled friend of the murdered girl - though the girl's father becomes a suspect.
I admit I had a problem understanding a lot of the dialogue in this - the British go in for that natural sound replete with background noise, heavy accents, and no body mikes. Also, this was a particularly noisy episode as nearly all the dead girl's mother did was scream at the top of her lungs, and she wasn't alone. Nevertheless, Mirren's performance cut across any problems I may have had. As Penny, Laura Greenwood, who resembles the American actress Amber Tamblyn, gave a truly marvelous performance. Doubtless we'll be seeing her in more British imports to come.
As part of the Masterpiece Theatre presentation, Mirren gave an interview about the role of Jane, and how she had been counseled by a police woman never to cry except in private, never to fold her arms across her body, and to touch people (a display of power). She stated that she stopped doing "Prime Suspect" for a time lest she be too closely identified with the role of Jane and cease being Helen Mirren, actress. As if she could ever be anything else.
"The Final Act" is the splendid concluding episode of a (generally) gripping series. As in the very best crime dramas, the focus really isn't the plot or the "whodunnit?" but the character of the central players. And if Helen Mirren almost eclipses them, that's only a bonus for the viewer. The tension is generated not by the crime plot (which is serviceable but predictable) but from Mirren's gripping portrayal of the powerful and all-too-human Jane Tennyson who treads the tightrope of her final days in her career. She somehow manages to give us a woman who balances the angels and the devils in her character without once lapsing into the predictable or the incredible. And THAT's what keeps you leaning forward in your seat.
God, but she's good!
God, but she's good!
The first three 'Prime Suspect' series were absolutely brilliant. 'Prime Suspect IV' changed the format from two episodes compromising of one case for each of the previous three series to three different cases and actually did it very well.
After changing the formula with 'Prime Suspect IV' with three episodes and three separate cases, the fifth to seventh series returned to the original two episodes revolving around one case (to me the format that worked more, not that the change of format in 'Prime Suspect IV' didn't work well but with the complexities and rich development of the stories in the other series the having them as two parters was necessary and allowed more development of the stories and characters).
'Prime Suspect' bows out with 'The Final Act' and what a final act it is. 'Prime Suspect' deserved to go out with a bang, and it does, and it compares very favourably with the previous series.
Every single one of the previous 'Prime Suspect' series were incredibly well made. 'Prime Suspect VII: The Final Act' is not excepted. It is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is very gritty, dark and effectively claustrophobic. It is very hard to forget the music score too, plus mood-wise it's one of the more action and atmosphere-enhancing music scores of all the 'Prime Suspect' series along with 'The Last Witness'.
Once again the writing is of superb calibre, some of the best there is of any mystery/detective drama, being superbly constructed and intelligent, plus it is hard to not be impressed by the cunning subtlety of the conflicts.
Story-telling is very compelling and twisty, with an atmosphere that is gritty and harrowing but also intricate and honest. It is a complex story that keeps one guessing right up to the end while also being easy to follow. Plus the suspense of a lot of it is nerve-shredding. The deliberate pacing did not harm it at all, in fact it was executed incredibly well and was necessary considering the amount going on. There is an ever so slight lull in the middle pace-wise, but nowhere near enough to harm the story.
The final act in particular is nail-biting and heart-wrenching, the whole of 'The Final Act' is worth it for the chemistry between Tennison and Laura Greenwood's character and the climactic interrogation alone.
Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel. There is the sense too that the character has evolved significantly, a feeling that one didn't get before.
Helen Mirren's performance is as ever of sheer magnificence and she gets particularly exceptional support from Tom Bell (last seen in 'Prime Suspect III') and Laura Greenwood. Having seen his one in a lifetime performance in 'Brassed Off', Stephen Tompkinson excels at playing conflicted, or actually more in this case borderline creepy, characters (although he's better known for other things that are the opposite of that) and he goes for it.
All in all, a more than satisfying send-off, couldn't be better. By the end my nails were sore from all the biting and there were tears running down my face, may sound hyperbolic but 'The Final Act' had that effect on me. 10/10 Bethany Cox
After changing the formula with 'Prime Suspect IV' with three episodes and three separate cases, the fifth to seventh series returned to the original two episodes revolving around one case (to me the format that worked more, not that the change of format in 'Prime Suspect IV' didn't work well but with the complexities and rich development of the stories in the other series the having them as two parters was necessary and allowed more development of the stories and characters).
'Prime Suspect' bows out with 'The Final Act' and what a final act it is. 'Prime Suspect' deserved to go out with a bang, and it does, and it compares very favourably with the previous series.
Every single one of the previous 'Prime Suspect' series were incredibly well made. 'Prime Suspect VII: The Final Act' is not excepted. It is stylishly and cleverly filmed, with slick editing and atmospheric lighting, and there is a consistently wonderful atmosphere throughout. It is very gritty, dark and effectively claustrophobic. It is very hard to forget the music score too, plus mood-wise it's one of the more action and atmosphere-enhancing music scores of all the 'Prime Suspect' series along with 'The Last Witness'.
Once again the writing is of superb calibre, some of the best there is of any mystery/detective drama, being superbly constructed and intelligent, plus it is hard to not be impressed by the cunning subtlety of the conflicts.
Story-telling is very compelling and twisty, with an atmosphere that is gritty and harrowing but also intricate and honest. It is a complex story that keeps one guessing right up to the end while also being easy to follow. Plus the suspense of a lot of it is nerve-shredding. The deliberate pacing did not harm it at all, in fact it was executed incredibly well and was necessary considering the amount going on. There is an ever so slight lull in the middle pace-wise, but nowhere near enough to harm the story.
The final act in particular is nail-biting and heart-wrenching, the whole of 'The Final Act' is worth it for the chemistry between Tennison and Laura Greenwood's character and the climactic interrogation alone.
Jane Tennison continues to be an interesting character, the character and the depiction of the police force was very ahead of the time back in the 90s and holds much fascination now even if not so novel. There is the sense too that the character has evolved significantly, a feeling that one didn't get before.
Helen Mirren's performance is as ever of sheer magnificence and she gets particularly exceptional support from Tom Bell (last seen in 'Prime Suspect III') and Laura Greenwood. Having seen his one in a lifetime performance in 'Brassed Off', Stephen Tompkinson excels at playing conflicted, or actually more in this case borderline creepy, characters (although he's better known for other things that are the opposite of that) and he goes for it.
All in all, a more than satisfying send-off, couldn't be better. By the end my nails were sore from all the biting and there were tears running down my face, may sound hyperbolic but 'The Final Act' had that effect on me. 10/10 Bethany Cox
In a remarkable performance Helen Mirren plays the alcoholic detective Jane Tennison with depth and understanding rare in television. Mirren once the vivacious girl who was opposite James Mason in Norman Lindsay's "Age of Consent" today is not frightened of getting down and dirty in her roles. She goes full bore warts and all. Supported by a strong cast of British character players we can overlook some minor plot weaknesses when the overall quality of this series is streets ahead of the usual crap cop shows on the box. If only most TV was this good. Not often do we see actors bare their souls like Mirren outside of the cinema screen. Others in the cast worthy of mention are Stephen Tompkinson as Sean Philips, and Gary Lewis as Tony Sturdy.
Det. Supt. Jane Tennison (Helen Mirren) is weeks from retirement, worn-down, and alcoholic. 14 year old Sallie Sturdy goes missing. Principal's daughter Penny Philips is her best friend. Sallie's father is faced with suspicion and then her body is found. She was pregnant. Tennison's father is in the hospital "on the way out" with cancer and she is pushed to go to AA where she runs into Bill Otley.
This is a great final act for a great character played by a great actress. Tennison is beset with personal problems that are well earned. Bill Otley returns to tie up his relationship with her. It's a short reunion but a very powerful one due to their history. He's also given a terrific death. Another great relationship is Mirren with young Laura Greenwood who plays Penny. She is almost like a daughter that Tennison never had after her abortion. The final scene is an emotionally devastating conclusion to Tennison's career. Greenwood is incredible in the face of the legend next to her. The second part does have a slow spot in the middle and the last section does rush a little to the finish. However, the final interrogation cannot have ended the franchise any better.
This is a great final act for a great character played by a great actress. Tennison is beset with personal problems that are well earned. Bill Otley returns to tie up his relationship with her. It's a short reunion but a very powerful one due to their history. He's also given a terrific death. Another great relationship is Mirren with young Laura Greenwood who plays Penny. She is almost like a daughter that Tennison never had after her abortion. The final scene is an emotionally devastating conclusion to Tennison's career. Greenwood is incredible in the face of the legend next to her. The second part does have a slow spot in the middle and the last section does rush a little to the finish. However, the final interrogation cannot have ended the franchise any better.
Você sabia?
- CuriosidadesThis mini-series was dedicated to the memory of Tom Bell (Bill Otley) 1933-2006, who died two weeks before this final television appearance was screened.
- Erros de gravaçãoIn this episode, Jane's only sister is named Pauline, yet in all the other episodes--when mentioned--her name is Pam (played by Jessica Turner).
- Citações
Det. Supt. Jane Tennison: Don't call me ma'am - I'm not the bloody queen!
- ConexõesFeatured in The Big Fat Quiz of the Year (2006)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Principal sospechoso: Último caso
- Locações de filme
- Elliott School, Pullman Gardens, Putney, Londres, Inglaterra, Reino Unido(Sean Philips's school)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Proporção
- 1.78 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente