Trigger Man

Anyone acquainted with contemporary horror likely knows of Ti West and knows what he's capable of putting together in terms of making horror films. He can take various setups and proceed to fill them with characters, atmosphere, and an impending sense of dread in order to effectively adhere to the basic principles of the horror genre. Trigger Man, made on a dirt-poor budget in 2007, concerning three men (Reggie Cunningham, Ray Sullivan, and Sean Reid), who embark on a hunting trip in Delaware where they soon become the target of a lethal sniper lurking in the woods, seems like the perfect premise for West to execute his suspense-driven ways. However, he focuses too much on inherently-inert suspense, which comes in the form of the hunters walking around a cluttered forest to the point of excess; West essentially traps himself within the confines of his own suspense that any form of payoff inevitably becomes a "too little, too late" circumstance.

West does it all with Trigger Man, from being the film's writer, producer, director, editor, and cinematographer, and the film gives off the impression it was shot amongst pals during a weekend getaway. The continuity is all over the place, the camera-work is frequently unsteady, the editing feels sloppy, and the sense of dread is shockingly minimal. The film's glaring error, alongside the fact that the suspense comes in excess, is that West doesn't allow any sort of spacial element to take fold. We never really get the sense of, despite the vast open spaces around them, how trapped these characters are. We don't get the idea of the environment because we're so busy lingering on our empty characters with medium-length, unsteady shots, and with a film that takes place almost entirely in a woodsy setting, the environment is a key aspect. The forest is a lifeless character, complimented by the three leads, absent of any and all personality.

There's a brilliant horror film fighting to reveal itself in Trigger Man, but as it stands, the film is too slight to recommend and too unremarkable to commend on the same level as other West films. This is an interesting effort, combining the most minimalistic levels of storytelling devices, narrative progression, and payoff to create a horror film stripped down to its bare basics of operation, but it's all too shaky and uniformly messy to praise when there are other efforts of the like that do so much better at conveying dread and suspense (the underrated Open Water, anyone?). The good thing is with West's strong filmography, this one will live on as a footnote and its long term impact clearly hasn't worked to stall what looks to be a long, fruitful career.

Starring: Riley Cunningham, Ray Sullivan, and Sean Reid. Directed by: Ti West.

available on Netflix Instant, with a 90% RT rating, 80-minute runtime, fun premise, what have you got to lose? too much, more than a straight-to-internet genre curiosity has any right to take. I guess the big thing about this movie is that it BUILDS TENSION. and it does, for 30 seconds or so. then it spends another 30 seconds killing that tension, and then several minutes beating its corpse. It's shot 'documentary-style' - except they've chosen to mimic the raw footage used to make a documentary, rather than an actual film. so it's more youtube-style, really. even the beginning of the film, before there's any conflict, there are endless sequences of characters doing nothing. sometimes the time pops up on the screen, not in the corner like a crime serial, but the screen goes black and displays the time of day for us. who the ---- cares? we're following one character around in a forest! why remind us of how long we've spent watching it? there are a few occasions where something actually happens in the film, none of them notable. this was the longest 80 minutes of my life.

It's always interesting to see a movie with 90% on rottentomatoes, but 4.3/10 and all negative user reviews on IMDb. Who's right, the viewers or the critics?

My vote is with the critics on this one. "Trigger Man" is simple, intense, and well-made. People seem dissatisfied with the first half of the film, which is just three guys looking for deer to shoot in broad daylight. I don't hunt, but I'm pretty sure deer aren't active at noon. Regardless, the movie isn't about deer being hunted, it's about the three guys being hunted by an unseen hunter (or hunters).

If you're smart enough to realize that suspense is a lot more fun than action, you'll probably get something out of "Trigger Man." If not, you'll definitely want to skip it. There are plenty of dumb action movies for you anyway.

Reggie, Ray, and Sean are New York City friends on a hunting trip in the woods. It's a long day of disappointment. There are no bucks to be found. Out of the blue, bullets suddenly start flying at them.

This is a no budget indie film. The most notable name here is Ti West. It's really early in his career. This is supposed to be inspired by true events and the writing isn't much more than that. This starts with a tour of a bodega and then it's a walk in the woods. It's not the most compelling filmmaking. The actors are nobodies. Maybe they're Ti's school friends. The first half is a student film. The action picks up for the last half especially the last ten minutes in the abandoned buildings. It's bloody and it has some tension.

A simple story line but not gimmicky and indeed its ordinariness is what made the film interesting. Some scenes where there was no movement of any kind were too long. No doubt this was to create the sense of "ordinariness" but in actuality the situation was anything but ordinary because there were two killers lurking. The scenery was idyllic which, as with the ordinariness of the hunting trip generally, masked the evil hidden in this placid setting.