A Lista: Você Está Livre Hoje?

The writing and direction here are solid, but unspectacular, and if that were all there was, the movie, too, would be unspectacular. But what drives the entire endeavor is the acting. Hugh Jackman and Ewan McGregor are among that small group of actors who never give a bad performance, and that's certainly the case here. Michelle Williams, though, is another matter altogether: she is SO good, and SO deep, and SO nuanced, that she rises above what she had been in the past and simply makes this movie her own. Hers is one of those performances (there are two scenes where she delivers voluminous messages simply by a look, without a single word) that make you wholly reevaluate the actor's skill and intelligence; at least, it did that for me: I changed my opinion of her and her abilities, and I won't be able to look at her again in the way I had before. And I like experiencing that, so I like the movie much more for that fact. If you're a Michelle Williams fan, you really HAVE to see this film.

The thing is that the plot takes too many turns, so many that the movie ties itself in knots and must resort to a lot of silliness to develop a finale and get out of the whole mess. The early moments are quite involving, showing the nerd-player friendship taking to something scary. Nevertheless, in spite of the good beginning, I figure the two leads have never the chemistry that would explain why they got drawn to one - another, so moments where the viewer would say "OK, everything seems to work" are very rare. The story gets then ridiculous in the end due to many plot twist that poop a film otherwise decent. There's also a cameo of Charlotte Rampling.

Its not perfect by no means, the script has much to be desired and at times the acting was unconvincing. But when I went into the Cinema I wasn't expecting anything mind-blowing, in fact I wasn't expecting anything at all. Surprisingly I didn't seam to find the movie overly predictable, however at times its dramatically far fetched. Notably the complete stupidity of a shooting occurring in broad day light in a busy European city going unnoticed. All this being said, the movie is entertaining. I wasn't at any moment particularly board with its rather slow beginning moving on to a fast paces final hour. Surprisingly Ewan McGregor seamed to portray the role fairly well with the exception of a few noticeable accent slips. Michelle Williams on the other hand has much to be desired. In no way am I suggesting she's a great actress but I was surprised at how unconvincingly she portrays a rather simple role. Its definitely a mixed bag, where on one hand its very engaging and on the other it has obvious flaws. I recommend it, you'll be thoroughly entertained but try not going in the theatre expecting to much.

Jonathan McQuarry, is an accountant who strikes up a friendship with a lawyer called Wyatt Bose. After accidentally swapping phones, McQuarry starts getting calls from women who are part of a group of people who meet purely for casual sexual encounters. During one of these, McQuarry meets a blonde woman whom he becomes close to. When he's attacked and she disappears, he discovers more going on than he realized....

From the above plot description some people can figure out where the story is heading. I for one did. It's a sad fact that the script written by Mark Bomback holds no surprises at all. It also doesn't help that there are plot holes that aren't explained or dealt with. The direction by Marcel Langenegger is okay, but he doesn't add any tension into the movie.

What does save the movie are the three main performances. Michelle Williams is suitably enigmatic as the girl involved, Hugh Jackman as Wyatt Bose brings charm and charisma to the part, and Ewan McGregor as Jonathan McQuarry convinces as the straight, lonely accountant seduced into the events played out.

However the performances alone can't save the movie from being a disappointing, predictable thriller.

"The essence of lying is in deception, not in words." John Ruskin

The only deception in the film Deception is that you might expect a cool, modern thriller. WRONG. This piece of cinematic disappointment defines the dramatic descriptor "telegraph." In other words, if you didn't have an idea of what is to come from what is happening now, then you've not been to junk movies enough not to be surprised. Of course, you can feel right at home with the pervasive use of cell phones, but then you may watch enough TV to be used to them as dramatic device.

Jonathan McQuarry (Ewan McGregor) is a dorky high-level auditor with the requisite glasses and outdated haircut who stumbles into a sex ring, aided by the urbane Wyatt Bose (High Jackman). As Jonathan enjoys himself picking the ever so sweet fruit from this vine, he falls in love with one of the anonymous partners, not a good thing to do.

The ensuing plot complications are as clichéd as clouds in Seattle—they don't always make sense, but, hey, this is the movies! The problem is that without a sharp script, the inconsistencies are more obvious and plot points just not credible, e.g., how does she magically appear at the right spot in a big city? or how can you commit a murder in a public park in Madrid without anyone around in broad daylight? or how can you get a phony passport on short notice? or how can you withdraw millions with that document especially since the photo ID online doesn't look close to your impersonation? or, oh, well, I'm not going to deceive you—this movie lacks credibility.