Se Enlouquecer, Não se Apaixone

Ryan Fleck and Anna Boden are, in this reviewer's opinion, the best writer / director team working in film today. Both Half Nelson and Sugar (Which made my top 5 for 2008) were good and here they go more mainstream and produce a simple yet vibrant low-fi comedy. If you go expecting the Hangover, a full on comedy, then this might take some adjusting to - it is more than that. It reminded us most of the same vibe Nick and Norah's Infinite Playlist had.

Craig (Keir Gilchrist) is an angsty teen and checks himself into a psych ward for 5 days. He is excellent, like a cross between Justin Long and Michael Cera and should get good work off the back of this. Here Craig meets the wizened Bobby (Zack Galifianakis), who has a complete emotional range here, his hangdog is perfect and watched closely you'll see every thought and facial gesture with real pleasure, and a teenage girl his age, Noelle (Emma Roberts). The supporting cast have groupworked this really well and it all just gels nicely. The film is a journey of self- discovery.

What lifts this is it doesn't have a mean bone in its body yet delivers beautifully - this film is firstly, optimistic about pessimism and abounds with humor, laughter, and originality, and secondly, Fleck again coxes the the actors to simply act, without excess.

It does a wonderful balancing act of making us see the world afresh too. In addition to all this it is totally refreshing to see a teen movie that is about teens and their world and not just another slapstick sex comedy.

I could only wish for 20 films a year like this, rather than the cookie cutter production values that govern Hollywood. The common trait in all three films are honesty, struggle, and eventually, something more. That's three in a row for Fleck / Boden - and I, for one, can't wait to see the fourth...

This is one of the most rewarding pictures I've seen in a long time. It's a breath of fresh air from the usual mainstream hokum, mixing black comedy and dry humor with genuine warmth and empathy. It's a movie you don't want to end, but when it does, you kinda want to give it a big hug.

There are no cheap laughs or lame gags here - the humor bubbles along like an undercurrent, echoing real life. Life is a constant source of amusement - we just have to recognize the fact and tap into it sometimes.

The storybook device, where the protagonist speaks directly to the audience, was perfectly weighted, cutting in at just the right moment to pace the movie and remind you of the pretext.

All the characters were well-rounded and authentic - I was particularly impressed that Craig's psychiatrist was played totally straight. The temptation to have her do or be something slightly crazy or contrived must have been great, but it was thankfully resisted. Likewise, the inmates of the psychiatric ward - there's a charming and utterly believable sense that everyone's a bit off kilter, rather than jokingly deranged.

The patients in the film aren't the butt of the joke - society and its proclivities are. That said, as a British viewer, I found it more difficult to appreciate how academia and peer pressure drive school-kids to anti-depressants and therapy - and for them to be impressed by the fact. I probably missed some of the main messages and in-jokes of the film, being from Yorkshire, rather than New York.

Nevertheless, I don't think you can fail to love this film. Zach Galifianakis is adorable, Emma Roberts is gorgeous and Keir Gilchrist manages to combine confusion and teenage erudition superbly.

If nothing else, you have to love the self-indulgent interludes, especially the 3D animation through Craig's fictional, line-drawn world and the wonderfully camp group performance of 'Under Pressure'. The soundtrack is spot on right to the last - who knew traditional Egyptian music could be the saving grace?

There wasn't anything that happens in this movie that stands out. It's not really a comedy or drama and I didn't find it entertaining. Even Zack G. didn't do anything funny. It's about a teen, Craig, whom is depressed and dreams about suicide. So, he goes to a mental ward and gets checked in for 5 days with all the adults because the teen ward is closed. He meets one girl his age he sort of makes friends with. Then there is Bobby whom has a kid and is in there for suicide attempts also. Craig meets a few other "off" characters. The main thing he does is make life easier for all the patients because he gets along with everyone and throws a pizza party on his last day. So, now you see why it was boring.

FINAL VERDICT: Skip it.

This is a slightly fun movie, but do not expect laughing your guts out. It's a almost a teenage romantic comedy placed in a different environment than the regular college movies. It has good characters and decent casting,and they will grow on you easily. Also, I appreciate such characters that are very enjoyable even if they don;t have more than 2-3 lines, such as Muqtada or Solomon. You may not remember this movie next year, but you might be hearing a friend sayin to you "get up, Muqtada" if you don;t want to get up from your bed :). This is a good 2010 movie, with a low budget,low commercial expectations but with great feedback. Despite dealing with depression issues, the atmosphere is positive and delivers a good feel at the end. Nice to see this kind of movies from time to time.

An important movie, and an original movie whose originality is not its reason for being. That is, "It's Kind of a Funny Story" has emotional chops. Musical chops as well, but that's another review.

Yes, the shadow of a memory of "One Flew Over the Cuckoo's Nest" came to me while watching, but I have to say this echo did not lessen "Kind of a Funny Story" by comparison. It's not an angry movie. It's not a star vehicle. It's not a plot-fest. It is not ego-driven. It is not desperate for laughs, though I laughed hard on several occasions. In fact I'll see it again to remember those lines.

This movie gives you time with interesting people. Defenseless and ordinary, and beautiful people. Teens need to feel, we all need to feel compassion for ourselves and everyone around us pushed to depression. "Funny Story" while not grimly realistic is realistic in heart.

Zach Galifianakis has transcendent scenes. Keir Gilchrist is just lost enough. Much to admire in the film-making. This one should not sink under the radar.