Um acidente de carro envia misteriosamente um detetive de volta aos anos 70.Um acidente de carro envia misteriosamente um detetive de volta aos anos 70.Um acidente de carro envia misteriosamente um detetive de volta aos anos 70.
- Indicado para 1 Primetime Emmy
- 10 indicações no total
Explorar episódios
Avaliações em destaque
Who can resist checking out a new series with a time-travel aspect? I couldn't - so I watched. The pilot was pretty good. The stories, however, looked as if they would get tiresome since he's perpetually in 1973. Fortunately, the show's developers leave a little hook at the end of each episode where he's flashing forward to the present time. What they they are going to do with it is unknown, but it keeps me interested and watching.
If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.
After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.
There are some similarities to Journeyman from NBC, but let's hope this one sticks around.
If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.
After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.
There are some similarities to Journeyman from NBC, but let's hope this one sticks around.
I just read half a dozen reviews of "Life on Mars" from viewers who are obviously fans of the original. History has shown that remakes of anything rarely please those who are anxious to see it again. However, if you've never seen the original (which I haven't), I think you just may enjoy this particular remake. Never a fan of cops & robbers shows, I stumbled upon Life on Mars to fill my spare hour after Grey's Anatomy. Sam's return to 1973 was an enjoyable trip down memory lane for me! I was 10 years old in 1973, yet I knew every song and instantly connected with the clothes, the hair, and the times! I was outraged and entertained by Lt. Hunt (Keitel); he is politically incorrect (of the Archie Bunker variety), lacks any sort of conscience or scruples, and is a modern day cowboy who lacks the morals and ethics that have been so finely honed by society over the last 30 years. You can't help but love him and hate him all at the same time! Detective Tyler (our main man) is, by comparison, politically correct having arrived from the 21st century, and finds the 125th's whole approach to law enforcement to be downright barbaric! It's fascinating to watch someone from today try to relate to the ways of yesteryear!! The break-out fight scenes among the detectives, the love-hate relationships that are developing, and the subtle humor buried within all of it make for a fun hour of surprises and whimsy. All this from a cop show!! I love the music and poly suits and the references to past events. If they're a little challenged in getting the exact date right, who cares? The intent is to take you back to another place in time and it absolutely worked for me! Jason O'Mara's "Sam" is reminiscent of Mel Gibson's "Riggs" in Lethal Weapon - what's not to love??
I never saw the original, but personally I love this show. Jason O'Mara does a wonderful job and is really believable. Watching the first show was such a blast from the past, it absolutely took me back to 1973 when I was in high school.
While I respect everyone else's opinions, I don't see why this is receiving such negativity. I have the first 3 recorded and watched, and am now enjoying watching the first one again. I hope this show sticks around.
And Harvey Kaitel? Wow, he's a fabulous actor, so believable as the tough guy boss. It's also so great to see Michael Imperioli in a series again, I loved him on Sopranos. Gotta say, I love the look he's got. He's hotter than ever!
While I respect everyone else's opinions, I don't see why this is receiving such negativity. I have the first 3 recorded and watched, and am now enjoying watching the first one again. I hope this show sticks around.
And Harvey Kaitel? Wow, he's a fabulous actor, so believable as the tough guy boss. It's also so great to see Michael Imperioli in a series again, I loved him on Sopranos. Gotta say, I love the look he's got. He's hotter than ever!
Having never heard of this show prior to its debut on ABC, I absolutely loved the American version. After a few episodes, the characters really developed, and the actors seemed to gel more than in the start. A lot of humor involved Michael Imperioli and Keitel condescending women's rights and confused by 'Spaceman's' current attitudes that we take as common sense.
The British version is obviously amazing, but it's two separate countries, so the issues and slang used (along with the scenery), are very different. To be honest, I didn't understand a lot of the references in the British version. I wasn't even alive in the 70s. I am almost positive a lot went over my head in the American version as well. The basic premise, the hallucinations, and character names are really the few things both have in common. The idea of a re-make is to improve something that was done poorly yet remained popular (usually a cult classic) or alter a successful idea to reach new audiences, not produce a carbon copy. Ricky Gervais understood that concept when bringing us the Office. Even today, his characters evolve yet maintain his original, core personalities, yet that may be due to his current involvement as producer and writer.
From reading the other reviews, I believe it was impossible for fans of the original to view the American version as something attuned to our history. The anger seemed more directed at Americans for even attempting this version, not its content, the sharp, sarcastic dialog (after the growing pains), or the humor in the ideals held a mere thirty years ago. Be that as it may, the outcry was heard and new fans of the series were stripped of a potential classic before it had a chance to develop into its beautiful and savvy predecessor. Sometimes the translation is lost on its way overseas (like Coupling), but I do not think that was the case here. Every week I was eager for a new episode. Every week I laughed and got more involved with the growing complexities within each character. Due to this, the final episode will infuriate just about everyone. It was an idea meant to be led to slowly and with a lot of misdirection, yet the cancellation sped us to the "wow" moment too quickly. It became a moment of confusion, instead of revelation.
I would advise purchasing either version and cranking the volume. Otherwise, you're not going to hear the music over your own laughing and voiced epiphanies. Both soundtracks are stellar, and half the fun is guessing at the end of the series like with Lost, and I promise, you will fail as soon as you start trying.
Both versions have a place in my heart. Enjoy them!
The British version is obviously amazing, but it's two separate countries, so the issues and slang used (along with the scenery), are very different. To be honest, I didn't understand a lot of the references in the British version. I wasn't even alive in the 70s. I am almost positive a lot went over my head in the American version as well. The basic premise, the hallucinations, and character names are really the few things both have in common. The idea of a re-make is to improve something that was done poorly yet remained popular (usually a cult classic) or alter a successful idea to reach new audiences, not produce a carbon copy. Ricky Gervais understood that concept when bringing us the Office. Even today, his characters evolve yet maintain his original, core personalities, yet that may be due to his current involvement as producer and writer.
From reading the other reviews, I believe it was impossible for fans of the original to view the American version as something attuned to our history. The anger seemed more directed at Americans for even attempting this version, not its content, the sharp, sarcastic dialog (after the growing pains), or the humor in the ideals held a mere thirty years ago. Be that as it may, the outcry was heard and new fans of the series were stripped of a potential classic before it had a chance to develop into its beautiful and savvy predecessor. Sometimes the translation is lost on its way overseas (like Coupling), but I do not think that was the case here. Every week I was eager for a new episode. Every week I laughed and got more involved with the growing complexities within each character. Due to this, the final episode will infuriate just about everyone. It was an idea meant to be led to slowly and with a lot of misdirection, yet the cancellation sped us to the "wow" moment too quickly. It became a moment of confusion, instead of revelation.
I would advise purchasing either version and cranking the volume. Otherwise, you're not going to hear the music over your own laughing and voiced epiphanies. Both soundtracks are stellar, and half the fun is guessing at the end of the series like with Lost, and I promise, you will fail as soon as you start trying.
Both versions have a place in my heart. Enjoy them!
The energetic and entertaining "Life on Mars" is a cop-show tonic for those tired of being CSI-ed five night a weeks. It's managed to craft a very watchable balance of humor and light science fiction in the frame of a traditional 1970's police story, and yet it's backed by some pretty solid acting chops from Harvey Keitel and Jason O'Mara. Yes, it's different from the British series which it takes its inspiration from, but if you can accept the premise, it makes for some pretty solid entertainment. For those of you fearing or thinking this could develop into another "Lost" with multiple incomprehensible story lines, the tenor of the first couple of episodes makes it clear that this show won't get overly weighted down by its time traveling premise.
Você sabia?
- CuriosidadesWhen the series was cancelled midway through the first season in March 2009, producers had time to make the last episode the series finale, solving the mystery and answering most of the outstanding questions.
- Erros de gravaçãoGreen and white street signs can frequently be seen. These colors were not introduced in NYC until the mid-1980s.
- ConexõesFeatured in WatchMojo: Top 10 Worst American TV Remakes (2014)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Tempo de duração1 hora
- Cor
- Mixagem de som
- Proporção
- 16:9 HD
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente