AVALIAÇÃO DA IMDb
4,8/10
16 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.A news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.A news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.
- Direção
- Roteiristas
- Artistas
Ernest Ndlovu
- Shaman
- (as Ernest Ndhlovu)
Lika Berning
- Rachel
- (as Lika van den Bergh)
Jaqui Pickering
- Newscaster
- (as Jacqui Pickering)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This movie seems to suffer from a low budget. The writing is okay. The plotting was okay. The actors are okay. The special effects are weak. All could have been better. This movie could be compared to Anaconda, but replace the snake with a killer crocodile. Swap out South America and see Africa instead. Unlike Anaconda, Primeval makes a social statement about the political unrest in Africa. In the back drop of filming a crocodile documentary, political unrest and murder is happening all around them. Where this movie suffers is the pacing. It starts out slow and isn't even interesting until the crocodile appears. Once the crocodile appears, that's really all you may care to see. Unfortunately, the special effects are too obvious and the crocodile acts fake and looks fake. It's only at this point that the movie even gets up to the quality of Anaconda which also had fake looking effects.
Orlando Jones as Steven Johnson brings a welcome light touch of humor to an otherwise serious movie. Brooke Langton as Aviva Masters brings a welcome touch of beauty to a dirty and unattractive African setting. The other characters aren't quite as appealing.
This movie is worth seeing, but just barely. Wait for the DVD.
Orlando Jones as Steven Johnson brings a welcome light touch of humor to an otherwise serious movie. Brooke Langton as Aviva Masters brings a welcome touch of beauty to a dirty and unattractive African setting. The other characters aren't quite as appealing.
This movie is worth seeing, but just barely. Wait for the DVD.
Based on a true story? No. It's an action B movie about an American TV crew hunting for a huge crocodile for a TV program. The plot is frankly exactly what I seek in a movie. I like these simple to-the-point stories with cool action, attractive women, cool guys, nasty bad guys, and a huge monster. It's simple and something I, as a dude, just enjoy watching even though it can get very stupid and silly. But unfortunately even I, who this movie is basically made for, really dislike the movie. The plot works, but the editing and camera work is horrible. Scenes are shown by short 1 second shots. Then we get 20 new shots, each lasting a second each with a new weird angle. Shot from the ground up or with the camera angled to the side. And it just rushes at you and never shows the full picture of the event. When they are packing the huge cage in the boat we only see part of the cage for a few seconds. We don't see the full scenery. It's so irritating. I was enjoying the story about the crocodile hunting people and the bad guys in Africa killing people who went against them. All that is really cool. It's just pathetically badly edited. It's an unwatchable mess. Even the shots of the crocodile only last seconds at most. The director never cares to stay in any one scene or shot so you don't get to see anything.
Of course the decisions taken in this movie are completely stupid too. At one point they are attacked by the crocodile that then kills a man. Instead of driving away or hiding they go to a hut that is built on top of the lake where the crocodile lives. Why are they trying to get themselves killed? That's never clear. The script writer just needed them there so now they are there. No real person would go to the most dangerous place you could find. Of course more people die. And even after it happens they still stay there.
There is also a scene with the cameraman standing maybe 2 meters from the shore. Instead of calmly walking out of the water he stays in the lake and looks for the crocodile alone until he spots it. Why is he trying to spot it after seeing it kill people? It's never explained. He just seems to not want to leave the lake. Of course the crocodile finds him and hunts him. Like, what are these people thinking?
There is also a scene where the female journalist instead of fleeing away in a car goes into the lake again to take a small dog with her. The dog is actually not in any danger as such at that moment, but you know the crocodile eats people so once she jumps into the lake she knows it's coming. This is after tons of people have died in front of her and she was nearly killed tens of times. This are the decisions made in this movie. They are really stupid, but I could have tolerated them at some level if I could actually see them. But the editing messed that all up.
Of course the decisions taken in this movie are completely stupid too. At one point they are attacked by the crocodile that then kills a man. Instead of driving away or hiding they go to a hut that is built on top of the lake where the crocodile lives. Why are they trying to get themselves killed? That's never clear. The script writer just needed them there so now they are there. No real person would go to the most dangerous place you could find. Of course more people die. And even after it happens they still stay there.
There is also a scene with the cameraman standing maybe 2 meters from the shore. Instead of calmly walking out of the water he stays in the lake and looks for the crocodile alone until he spots it. Why is he trying to spot it after seeing it kill people? It's never explained. He just seems to not want to leave the lake. Of course the crocodile finds him and hunts him. Like, what are these people thinking?
There is also a scene where the female journalist instead of fleeing away in a car goes into the lake again to take a small dog with her. The dog is actually not in any danger as such at that moment, but you know the crocodile eats people so once she jumps into the lake she knows it's coming. This is after tons of people have died in front of her and she was nearly killed tens of times. This are the decisions made in this movie. They are really stupid, but I could have tolerated them at some level if I could actually see them. But the editing messed that all up.
Attempting to tread a fine line between two different types of film, Primeval is a misguided, but nonetheless kind of fun movie. On the one hand, it wants to be an 'issues' movie, dealing with warlords, child soldiers and western apathy towards violence in central Africa. On the other, it also wants to have a massive great big crocodile running around trying to eat the guy from Prison Break. It's not bad, but while these two separate strands never really gel there's still some entertainment to be had. Provided of course you can look past the incredibly tasteless joke about the slave trade.
The film concentrates on Dominic Purcell's news journalist who gets sent off to Burundi to document the search for 'Gustave,' a legendary croc who has chalked up over 300 human victims during his years prowling the river banks. He's accompanied by a British Steve Irwin a-like, Orlando Jones as the "please don't get him" cameraman, a slumming it Jurgen Prochnow, a token female and several dozen expendable locals and together, they trek into the bush to hunt Gustave down. They're also given a few warnings about 'Little Gustave,' a vicious renegade soldier whose private army are responsible for all manner of atrocities in the region. But hey it'll be okay right? They've got a machine gun strapped to the roof...
Needless to say, things go badly. There's all manner of carnage to be had as Gustave begins ripping people to shreds and trigger happy teenagers with AK-47s go on the warpath. By the time the credits roll, just as many people have been machine-gunned as eaten by Gustave and Purcell looks like he can't wait to get back to a nice, comfy cell in San Quentin where he only has to deal with corrupt guards and shankings every day.
Taken simply as an old-fashioned adventure movie it's not bad and there's certainly fun to be had when the limbs start to get torn loose. The attempts at dealing with the bigger picture though fall flat. It's apparently "inspired by true events," but aside from the fact there genuinely is a crocodile named Gustave in Burundi, that's about as far as the realism goes. Hotel Rwanda this ain't. However if you want a movie where a great big scaly beast eats people every ten minutes you can't go wrong. You'll have a hard time remembering any of the characters names when the time comes to type up the review though.
The film concentrates on Dominic Purcell's news journalist who gets sent off to Burundi to document the search for 'Gustave,' a legendary croc who has chalked up over 300 human victims during his years prowling the river banks. He's accompanied by a British Steve Irwin a-like, Orlando Jones as the "please don't get him" cameraman, a slumming it Jurgen Prochnow, a token female and several dozen expendable locals and together, they trek into the bush to hunt Gustave down. They're also given a few warnings about 'Little Gustave,' a vicious renegade soldier whose private army are responsible for all manner of atrocities in the region. But hey it'll be okay right? They've got a machine gun strapped to the roof...
Needless to say, things go badly. There's all manner of carnage to be had as Gustave begins ripping people to shreds and trigger happy teenagers with AK-47s go on the warpath. By the time the credits roll, just as many people have been machine-gunned as eaten by Gustave and Purcell looks like he can't wait to get back to a nice, comfy cell in San Quentin where he only has to deal with corrupt guards and shankings every day.
Taken simply as an old-fashioned adventure movie it's not bad and there's certainly fun to be had when the limbs start to get torn loose. The attempts at dealing with the bigger picture though fall flat. It's apparently "inspired by true events," but aside from the fact there genuinely is a crocodile named Gustave in Burundi, that's about as far as the realism goes. Hotel Rwanda this ain't. However if you want a movie where a great big scaly beast eats people every ten minutes you can't go wrong. You'll have a hard time remembering any of the characters names when the time comes to type up the review though.
After a noted scientist is killed by what can only be described as some sort of beast an expedition is sent to track it down. Dealing with their own problems, conflicts, and the fact they are in country torn part by civil war.
The film starts as a typical monster flick with an intense death scene and a hint of political agenda. It then proceeds to be a typical creature feature with some decent gore and terror, but the political agenda brought up subtly in the beginning resurfaces and the film becomes mismatched. Fans of gore and horror will have fun with the gore and horror, but the political theme is sorely out of place. It is hard to say that it is irrelevant, because if it was well developed it could serve as a decent metaphor.
Godzilla, for one, is a monster metaphor - the bastard of the nuclear age. Here that is what the film tries to do with Gustave - the HUGE killer croc. It fails - whether it is noble failure or pathetic failure is ultimately up to you - but the failure to intertwine themes and idea throughout the movie results in this mismatching. Things just seems to appear out of nowhere, like a long sequence where the main beast literally disappears from the film. It was right there in the previous scene, but for a while it is gone. Then it is conveniently back for the conclusion. In a funny way this seems to be a monster horror flick from the Sci-Fi channel that has the seriousness of "Blood Diamond" here and there. That just doesn't work, folks. Metaphors and themes must be a pervasive presence to work. --- 4/10
Rated R: graphic violence/gore and profanity
The film starts as a typical monster flick with an intense death scene and a hint of political agenda. It then proceeds to be a typical creature feature with some decent gore and terror, but the political agenda brought up subtly in the beginning resurfaces and the film becomes mismatched. Fans of gore and horror will have fun with the gore and horror, but the political theme is sorely out of place. It is hard to say that it is irrelevant, because if it was well developed it could serve as a decent metaphor.
Godzilla, for one, is a monster metaphor - the bastard of the nuclear age. Here that is what the film tries to do with Gustave - the HUGE killer croc. It fails - whether it is noble failure or pathetic failure is ultimately up to you - but the failure to intertwine themes and idea throughout the movie results in this mismatching. Things just seems to appear out of nowhere, like a long sequence where the main beast literally disappears from the film. It was right there in the previous scene, but for a while it is gone. Then it is conveniently back for the conclusion. In a funny way this seems to be a monster horror flick from the Sci-Fi channel that has the seriousness of "Blood Diamond" here and there. That just doesn't work, folks. Metaphors and themes must be a pervasive presence to work. --- 4/10
Rated R: graphic violence/gore and profanity
I have no idea why, but from the cover and short summary in back, I thought that Primevil might have been an entertaining horror film. I'm not really into crocodile stories, they usually don't work, but for some reason this one looked very promising. When I started watching it, I kept checking the cover just to make sure I was on track, but the story just seemed to get lost somewhere. Now I don't mind different stories, but the cover promised something else and I wasn't even really that entertained or moved by the story.
Basically there is a killer crocodile in Africa, apparently he is a big one to be very frightened of. So an American crew of reporters wish to capture the beast or get him on film so they can help these villages and become famous more so. But there is another major problem that takes the story to a completely different place, where there is a huge war going on and starts to terrorize these reporters and one by one they are killed off before the crocodile gets to them.
Primevil would have had good potential for a horror movie, but it just went in an intense turn where you had no idea where the film would take you. The script was also in some ways done in poor taste and wasn't well thought out, like I'm not offended easily usually when it comes to racial jokes, but Orlando going on about slavery in Africa went a little too far and was ridiculous. The acting is so so, not the worst I've seen, but the effects are not that impressive, a warning in advance. But if you would like to check out this film, please feel free, but I wouldn't really recommend it.
3/10
Basically there is a killer crocodile in Africa, apparently he is a big one to be very frightened of. So an American crew of reporters wish to capture the beast or get him on film so they can help these villages and become famous more so. But there is another major problem that takes the story to a completely different place, where there is a huge war going on and starts to terrorize these reporters and one by one they are killed off before the crocodile gets to them.
Primevil would have had good potential for a horror movie, but it just went in an intense turn where you had no idea where the film would take you. The script was also in some ways done in poor taste and wasn't well thought out, like I'm not offended easily usually when it comes to racial jokes, but Orlando going on about slavery in Africa went a little too far and was ridiculous. The acting is so so, not the worst I've seen, but the effects are not that impressive, a warning in advance. But if you would like to check out this film, please feel free, but I wouldn't really recommend it.
3/10
Você sabia?
- CuriosidadesGustave was named by Patrice Faye, a herpetologist who has been studying and investigating him since the late 1990s. Much of what is known about Gustave stems from the film Capturing the Killer Croc, which aired in 2004 on PBS. The film documents a capture attempt and study on Gustave.
- Erros de gravaçãoErrors in crocodile biology: Crocodiles don't roar, they have no vocal cords (although they do hiss). They also can't see from underwater at night, nor can they swallow underwater.
- Citações
Steven Johnson: You know what? This crocodile's like O.J. Simpson. He messed up when he killed that white woman.
- ConexõesFeatured in WatchMojo: Another Top 10 Horror Movies Inspired by True Events (2014)
- Trilhas sonorasNi Wakati
Written and Performed by Kalamashaka
Courtesy of Kalamashaka and World Music Network
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Primeval?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Primeval
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 10.597.734
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.048.315
- 14 de jan. de 2007
- Faturamento bruto mundial
- US$ 15.291.277
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente