Meninos e Amores 5

It is a psychological anomaly to see gay film-makers equate homo-eroticism with violence and death, yet three of the four short films on this disc do just that. The first of the four, Dare, is a the only non-reprehensible film here, offering gently adolescent titillating eroticism, with a warm tease of later fulfillment. The worst is Late Summer, which should have been called Photo-Finish, which is the cheap shot of the lot. A semi-autistic kid stays with his aunt and uncle and his lively, clever cousin shows him through the ropes of nascent sexuality and adulthood. His reward for this? Death. Ironically, though this is the worst of the films, it offers the best acting, particularly from the vital cousin and his mom. Fishbelly White is, seemingly, a gay homage to Dilverance. Despite some excellent mood photography, the plot rages with hate, violence and death. Time Out is seemingly filmed through a pock marked lens covered in dust, with a soundtrack of 1902 quality. The story and acting is stolid, the script amateurish in the extreme. Acting was on the level of a provincial high school production of Our Town. This is the first of the Boys Life series I have viewed. I was disappointed, obviously, but plan to see the rest of the series and hope for better productions on these discs.

****

First, an overview of this release, obviously the 5th in line of the "Boys Life"-series. To me it's probably the most successful, due to its more romantic vein. While several episodes in the earlier discs have been romantically catching, the bulk of their stories seem to share a theme wherein the director wants to philosophize about some point or another. That's just not my cup of tea; give me the good, ole romantic scenario anytime. In this 5TH edition, "Dare" is a quite nice little "romantical" piece. Adam Fleming's portrayal of Ben (Light Boy) is notable, with his end-of-film small smile and quiet laugh being particularly telling (you'll catch the point upon watching). But it's a thanks to the heavens which must be given the producers of this disc for having wisely included an old-by-today's-standards (1990) release, from Israel of all places. Foremost in this review, then, has to be my following comment about a likely near unheard of little film.

"TIME OFF" (alternately titled "After" on the IMDb.com website) is one of the earliest works of Eytan Fox (later came "Yossi & Jagger" and "Walk on Water"). For many gays, or those so interested, "TO" may be one of the most satisfying short films on the disc. It's the story of an Israeli Army unit in training and on short leave, of it's lieutenant leader and, particularly, one of its young soldiers. Yonatan (Jonathan?), impressively played by actor, Hanoch Reim, is in the final stages of realizing who he is, sexually, and it is absolutely amazing to watch his reactions and growing response to the handsome young unit commander, a part also well-played by Gil Frank.

While many sections of this short, 45 minute film are slow going (unit training interactions and the fun "behavings" of young soldiers on a short leave in Jerusalem), it is when the film concentrates on Yonatan, especially during time spent in a city park, that we get most drawn in. A scene in the park men's restroom is almost palpable and one of the most arousing I've witnessed. Hanoch Reim gives us a "study in pure longing." The response he creates leaves no doubt in our minds as to just where he wants to be, what he wants to be doing...and with whom. (How CAN one do that, with just eyes, facial expression and the very slightest of head movements?) It is rather surprising that, with one exception, young Reim doesn't seem to have gone on to later film performances in the succeeding 15 years. Frank, on the other hand, has kept somewhat busy, particularly in Israeli TV. But in this film, precursor to "Yossi & Jagger," at least Reim has left us with a most indelible performance.

PS--The last two lines of spoken dialog and a half-smile of realization will tell you everything you need to know. (Oh, and you'll catch the meaning of my alternate Comment title, above, on viewing this film).

****