AVALIAÇÃO DA IMDb
7,7/10
10 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn ecological drama/documentary, filmed throughout the globe. Part thriller, part meditation on the vanishing wonders of the sub-aquatic world.An ecological drama/documentary, filmed throughout the globe. Part thriller, part meditation on the vanishing wonders of the sub-aquatic world.An ecological drama/documentary, filmed throughout the globe. Part thriller, part meditation on the vanishing wonders of the sub-aquatic world.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 4 indicações no total
Pierce Brosnan
- Narrator
- (English version)
- (narração)
Jacques Perrin
- Self - Narrator
- (narração)
Pedro Armendáriz Jr.
- Narrator
- (Latin version)
- (narração)
Rie Miyazawa
- Narrator
- (narração)
Matthias Brandt
- Narrator
- (German version)
- (narração)
Aldo Baglio
- Narrator
- (Italian version)
- (narração)
- (as Aldo)
Oleg Basilashvili
- Narrator
- (Russian version)
- (narração)
Manolo Garcia
- Narrator
- (Spanish version)
- (narração)
Avaliações em destaque
Disney introduces a new chapter in its nature films called "Oceans". I wanted to see the film because I wanted to be fascinated and learn more. The movie looked spectacular, I mean they looked way better than some special effects, I've seen from like Transformers, Clash of the Titans. I mean some scenes were utterly breathtaking. Its a shame some people are too busy with work to appreciate Nature's beauty. Although it looked beautiful, it was not perfect. I found that the movie didn't have too much details or informations about the Earth's Oceans and that kind of disappointed me.
Overall I found the movie beautiful and entertaining. 8.0/10
Overall I found the movie beautiful and entertaining. 8.0/10
There is a sequence in Oceans that blows my mind. A stone crab emerges from the seabed and crawls along. Another follows. And then a few more follow. The camera then trails these creatures as they make their way to somewhere in the middle of nowhere. The stone crabs are joined by more of their own. Suddenly, in an establishing shot that continues to baffle me, the camera reveals what seems like hundreds of thousands of stone crabs in "a great big orgy". The sandy seabed that stretches for miles and miles could not have been more alive.
That is only one of a number of spectacular scenes on show. Another highly memorable sequence shows deft skill in quick cutting as hundreds of predatory birds dive headfirst into the water at startling speeds as the camera captures their assault on small fishes through above water and underwater shots. The latter is quite incredible, and eerily reminiscent of bullets ripping through the water in the Normandy beach scene of Spielberg's Saving Private Ryan (1998).
Jacques Perrin, whose previous film credits famously include acting as the adult Toto in Tornatore's Cinema Paradiso (1988), director of the excellent Oscar-nominated documentary Winged Migration (2001), and producer of Z (1969) and The Chorus (2004), now has Oceans in his resume, a documentary that explores in amazing detail what happens under the sea, bright day or still night, stormy or fine weather. The result is like nature washing over you as you drown in its unrivalled beauty. There is no gasping for air but the taking in of the vitality of life.
Oceans surprisingly works well as "a thriller". In certain sequences, Perrin opts for suspense, such as the one involving baby turtles as they evade hungry birds, making their way into the sea from the shore in their own version of Normandy. Many of them are eaten while the lucky ones try to survive in the big blue ocean. Even though collectively the turtles represent a faceless mass, we fear for each one of them because Perrin focuses on one or two of them at any one time, heightening the sense of vulnerability.
It is not surprising, however, to see Oceans preaching the ecological message. "Save the planet! Save the animals!" become the general plea for viewers to do their part in protecting their only home in this vast universe. But the plea is not as strong and specifically targeted as what is felt in The Cove (2009), the Oscar-winning documentary that secretly chronicles the slaying of hundreds of dolphins by Japanese fishermen in a hidden lagoon, and has now been controversially and unfairly labeled as "anti-Japanese".
Oceans is lightly-narrated. This is a good move as the stunning underwater cinematography is left to do all the talking, or in this context, to speak in silence to the viewer. Perrin films in cinema verite style; his camera is unbiased, objective, and unobtrusive. His use of original music by Bruno Coulais (The Chorus) is also spot on. Very often, the marrying of melody and motion (that of sea creatures) is a joy to experience, alternating between the subtle and the grandeur.
It's weird to say this but Oceans may leave your forearms bruised. Now, you may wonder why. Well, every once in a while, you might just pinch yourself to see if those beautiful imageries are really real or created with a green screen. Of course, no CG effect could ever replicate nature's beauty. Oceans shows why and that's quite something to think about.
SCORE: 8/10 (www.filmnomenon.blogspot.com) All rights reserved!
That is only one of a number of spectacular scenes on show. Another highly memorable sequence shows deft skill in quick cutting as hundreds of predatory birds dive headfirst into the water at startling speeds as the camera captures their assault on small fishes through above water and underwater shots. The latter is quite incredible, and eerily reminiscent of bullets ripping through the water in the Normandy beach scene of Spielberg's Saving Private Ryan (1998).
Jacques Perrin, whose previous film credits famously include acting as the adult Toto in Tornatore's Cinema Paradiso (1988), director of the excellent Oscar-nominated documentary Winged Migration (2001), and producer of Z (1969) and The Chorus (2004), now has Oceans in his resume, a documentary that explores in amazing detail what happens under the sea, bright day or still night, stormy or fine weather. The result is like nature washing over you as you drown in its unrivalled beauty. There is no gasping for air but the taking in of the vitality of life.
Oceans surprisingly works well as "a thriller". In certain sequences, Perrin opts for suspense, such as the one involving baby turtles as they evade hungry birds, making their way into the sea from the shore in their own version of Normandy. Many of them are eaten while the lucky ones try to survive in the big blue ocean. Even though collectively the turtles represent a faceless mass, we fear for each one of them because Perrin focuses on one or two of them at any one time, heightening the sense of vulnerability.
It is not surprising, however, to see Oceans preaching the ecological message. "Save the planet! Save the animals!" become the general plea for viewers to do their part in protecting their only home in this vast universe. But the plea is not as strong and specifically targeted as what is felt in The Cove (2009), the Oscar-winning documentary that secretly chronicles the slaying of hundreds of dolphins by Japanese fishermen in a hidden lagoon, and has now been controversially and unfairly labeled as "anti-Japanese".
Oceans is lightly-narrated. This is a good move as the stunning underwater cinematography is left to do all the talking, or in this context, to speak in silence to the viewer. Perrin films in cinema verite style; his camera is unbiased, objective, and unobtrusive. His use of original music by Bruno Coulais (The Chorus) is also spot on. Very often, the marrying of melody and motion (that of sea creatures) is a joy to experience, alternating between the subtle and the grandeur.
It's weird to say this but Oceans may leave your forearms bruised. Now, you may wonder why. Well, every once in a while, you might just pinch yourself to see if those beautiful imageries are really real or created with a green screen. Of course, no CG effect could ever replicate nature's beauty. Oceans shows why and that's quite something to think about.
SCORE: 8/10 (www.filmnomenon.blogspot.com) All rights reserved!
Another great achievement from Walt Disney Studios. I had loved Earth, their outstanding documentary from last year and thus eagerly anticipated this film. If you are going to see one movie this year make it Oceans. This is why we go to the movies. An absolutely fascinating, breath taking, thrilling experience for the whole family. Seven tenths of our earth is ocean and even in this age of advanced technology there is still so much we don't know about the silent world beneath the waves. This movie bravely tackles that mystery. It makes us realize how in many ways us humans are so small and insignificant in the scheme of things, we only share three tenths of the earth. I love the part where they show the sea lions and animals feasting on each other (a dog eat dog world ha ha). The two parts of the movie that stood out for me are the ones involving our foolishness in polluting the ocean and killing its creatures (they even show it from space) and the shot at the end of the diver and the great white shark swimming together. Narrator Pierce Brosnan makes an eloquent speech about the importance of man and animals co existing together. I consider Oceans to be the best film I have seen this year and hopefully they will remember it at Oscar time!
I like nature documentaries just as much as the next person, likewise with my sister, and I found Oceans to be visually stunning and fascinating to watch. Oceans contains the best underwater photography I have seen in a long time and the colours are so sharp and vivid. The animals are a joy, ranging to cute to menacing it was fascinating learning about them. The narration while occasionally having the odd overly-sentimental pang, is intelligently written, with a strong emotional impact with me either biting my nails or being moved by some of the events, and Pierce Brosnan's delivery of it is both inspired and understated.
Overall, fascinating and a feast visually. 9/10 Bethany Cox
Overall, fascinating and a feast visually. 9/10 Bethany Cox
10PWNYCNY
First, if you want to watch a movie featuring incredible cinematography, this is the movie to watch. This is the movie that will cause you to ask: "How DID they get that shot?" The ocean is a big place and there's lots to photograph. The denizens of the deep are portrayed in a respectful and almost reverential manner. One scene in which one of the divers is swimming WITH a great white shark was both spectacular and emotional. This is the first movie this reviewer can recall where a great white shark is portrayed as something other than a wanton killer. The majesty of the sea creatures is awe inspiring. They deserve our protection; they must be preserved and they warrant our undivided admiration and respect. Objects for our amusement in captivity and considered a source of food, this movie shows the audience a different side of these sea creatures, a side that we rarely if ever notice or care about, but nevertheless is there. This movie is a definite must-see for children of all ages.
Você sabia?
- CuriosidadesThe English version is narrated by Pierce Brosnan, who played James Bond in 007 Contra GoldenEye (1995), 007 - O Amanhã Nunca Morre (1997), 007 - O Mundo Não é o Bastante (1999), and 007 - Um Novo Dia para Morrer (2002). The Spanish version is narrated by Pedro Armendáriz Jr. who played a "Bond ally" alongside Timothy Dalton in 007 - Permissão para Matar (1989).
- Erros de gravaçãoWhen the moon 'rises' horizontally, the narrator says it is "Near the North Pole". However the moon is moving right to left which is what it would look like from the South Pole.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #18.37 (2010)
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- How long is Oceans?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Oceans
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.422.319
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.058.958
- 25 de abr. de 2010
- Faturamento bruto mundial
- US$ 83.090.556
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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