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7,5/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.A portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.A portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.
- Direção
- Roteirista
- Artistas
- Indicado para 5 Primetime Emmys
- 16 vitórias e 32 indicações no total
Charlotte West-Oram
- Downing Street Secretary
- (as Charlotte West Oram)
Avaliações em destaque
Plans to finally sit down and watch the Rules of the Game by Jean Renoir went by the wayside when I fell into the HBO movie Longford. This is the story of Lord Longford working to try to get Myra Hindley out of prison for child murder. I was vaguely aware of the story prior to seeing the film, but I wasn't really prepared for the twists and turns. Clearly its not about what it seems to be about at first, namely getting an abused woman out of prison. It is ultimately about something else entirely, namely a story about dealing with the mistakes one makes, the ability to change and the ability to forgive. The cast is first rate with Jim Broadbent outstanding as Longford the odd Lord who champions Hindley's case when everyone tells him otherwise. Andy Serkis as Ian Brady, Hindley's lover and co-conspirator is particularly slimy and evil. I really liked this movie a great deal. Forgive me this is one of those movies thats better if you just see it since its just so damn interesting I don't want to spoil it.
We should, it is said, forgive but not forget. But some deeds are so monstrous that we can only forgive by forgetting. In some senses, no murderer deserves to ever be let out of jail. But we, as civilised humans, achieve nothing but our own degradation by keeping old people who offer no further threat to society imprisoned; and forgetting may be the only we way can square this circle. But Myra Hindley's crimes were never forgotten, partly because they were peculiarly horrible, but also because she became a hate figure for the popular press. Logically, Hindely has the same rights to be at least considered for parole as any other prisoner; but no politician was ever going to end their careers by demanding it. None, except for Lord Longford, an elderly, egotistical do-gooder with a spectacular capacity for making bad calls. The common belief, supported at least in part by this film, is that manipulative Hindley played Longford for all he was worth. And yet the principles that hard cases make bad law and that justice is not vengeance are surely important and right. But a more pragmatic (or less messianic) figure might have chosen an easier terrain on which to fight this battle.
In this biopic of Longford, Jim Broadbent captures the man's physical characteristics perfectly, although the voice is still his own. Samantha Morton, always a brave actress, keeps her cards close to her chest as Hindley. Though generally following received wisdom, it's overall effect is cautiously sympathetic to Longford, and encourages one to think again about the meaning of justice, maybe more effectively than Longford himself did.
In this biopic of Longford, Jim Broadbent captures the man's physical characteristics perfectly, although the voice is still his own. Samantha Morton, always a brave actress, keeps her cards close to her chest as Hindley. Though generally following received wisdom, it's overall effect is cautiously sympathetic to Longford, and encourages one to think again about the meaning of justice, maybe more effectively than Longford himself did.
I was only a boy at the time of the Moors Murders, so remember very little about them. However, this film has made me want to find out more, especially about Myra Hindley, who was portrayed in this film almost like a brunette Marylin Monroe. She captivated everybody and made them fall in love with her, possibly even Lord Longford.
The performances by all the main characters were first class, especially Jim Broadbent as Lord Longford, and Samantha Morton as Myra. Compared to Charlize Theron who, almost literally, turned herself into a monster for "Monster", Samantha Morton played Myra as a very attractive woman, but equally evil. The way the film was made, even at the end I didn't know who was "really guilty" Brady or Myra. Andy Serkis as Brady made a compelling psychopath, whereas Myra's part was far more ambiguous. Linsday Duncan was brilliant, as ever, as Lady Longford
The performances by all the main characters were first class, especially Jim Broadbent as Lord Longford, and Samantha Morton as Myra. Compared to Charlize Theron who, almost literally, turned herself into a monster for "Monster", Samantha Morton played Myra as a very attractive woman, but equally evil. The way the film was made, even at the end I didn't know who was "really guilty" Brady or Myra. Andy Serkis as Brady made a compelling psychopath, whereas Myra's part was far more ambiguous. Linsday Duncan was brilliant, as ever, as Lady Longford
The Myra Hindley/Ian Brady Moors murders of 1963, one of the most heinous crimes in England since Jack the Ripper, has been beautifully transcribed to the screen by writer Peter Morgan and Director Tom Hooper. And though the story is basically about Longford's relationship with the incarcerated Myra Hindley, the film paints a rather complete portrait of a strange man who vacillated during his lifetime among religious beliefs and spoke out strongly for the rights of prisoners and 'unfortunates' who fall out of line with the law all the while riling against pornography and other vices.
Jim Broadbent creates a wholly credible Lord Longford in this amazing performance. Transformed physically to resemble Longford's bizarre appearance, Broadbent manages to convey the spectrum of trust, self-doubt, pity, outrage, compassion and blind religious belief in a manner few actors could match. The remainder of the cast is equally excellent: Samantha Morton finds every nook and cranny of the enigmatic murderess Myra while Andy Serkis gives a chilling depiction of Ian Brady, her accomplice who knew how to manipulate the government and people as well as the infamously wily Myra.
The story is in many ways grounded by the strong forces of Lady Longford (beautifully realized by Lindsay Duncan) and the Lady Tree of Sarah Crowden and Harold Wilson of Robert Pugh. Hooper knows how to magnify the class differences between the gentry and the working class and his choices of locations and pacing of confrontations both in the prison and in the home and in the court are spot on.
This is one of those films for television that teaches us what really fine films can still be. It is a tremendously moving piece of work and Jim Broadbent will long be remember for this classic role. Highly recommended for repeated viewing. Grady Harp
Jim Broadbent creates a wholly credible Lord Longford in this amazing performance. Transformed physically to resemble Longford's bizarre appearance, Broadbent manages to convey the spectrum of trust, self-doubt, pity, outrage, compassion and blind religious belief in a manner few actors could match. The remainder of the cast is equally excellent: Samantha Morton finds every nook and cranny of the enigmatic murderess Myra while Andy Serkis gives a chilling depiction of Ian Brady, her accomplice who knew how to manipulate the government and people as well as the infamously wily Myra.
The story is in many ways grounded by the strong forces of Lady Longford (beautifully realized by Lindsay Duncan) and the Lady Tree of Sarah Crowden and Harold Wilson of Robert Pugh. Hooper knows how to magnify the class differences between the gentry and the working class and his choices of locations and pacing of confrontations both in the prison and in the home and in the court are spot on.
This is one of those films for television that teaches us what really fine films can still be. It is a tremendously moving piece of work and Jim Broadbent will long be remember for this classic role. Highly recommended for repeated viewing. Grady Harp
This surely is one of the best made for TV dramas you are likely to see, superbly written and featuring a stunning performance from Jim Broadbent as Lord Longford. I had only ever regarded Longford as an eccentric old fool until watching this film which reveals what great humanity and compassion the man had. He finds Myra Hindley does not appear to be the monster the media built her up to be and Longford believes there may be some good in her but she is eventually shown to be as devious and manipulative as Ian Brady said she was. Brady is portrayed by Andy Serkis in a performance of incredibly raw and shocking power and you are left in no doubt that the only place for this dangerous man is behind bars, away from the public at large. It is only when Longford finds out he has been deceived that he finally listens to a copy of the infamous tape of the murders that has been sent to him anonymously through the post and thereafter he begins to question his own faith. Towards the end of both their lives Longford meets Hindley once more and in a truly shocking scene Hindley reveals her own spirituality and repentance, although not in the manner that he or anyone else could have expected. The film mixes documentary film with staged scenes to great effect and feels thoroughly authentic, capturing the era to perfection. I came away from this film feeling great admiration for this man, who may have been misled, but who only had good in his heart and did not know the meaning of hate.
Você sabia?
- CuriosidadesTo look as much as possible like the real Lord Longford, Jim Broadbent wore a prosthetic nose and chin that took two hours to apply each day. A prison guard who had known the real Lord Longford was once very startled when Broadbent entered the prison door in costume. To make himself walk very slowly and lamely when Longford sees Myra Hindley for the last time in the movie (when the character is 92 years old), Broadbent put small, painful stones inside his shoes.
- Erros de gravaçãoOpening scene: clock in radio studio reads 2:17; radio host announces time check as 2:15. Same scene at end of movie: clock is the same, radio host's time check is 2:20.
- Citações
Myra Hindley: I'm trying Frank, to know the God that you know. But if you had been there, on the moors, in the moonlight, when we did the first one, you'd know, that evil can be a spiritual experience too.
- ConexõesFeatured in The 59th Annual Primetime Emmy Awards (2007)
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