The Days Dwindle Down
- Episódio foi ao ar 19 de abr. de 1987
- TV-PG
- 47 min
AVALIAÇÃO DA IMDb
8,3/10
732
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaJessica investigates the possibility that a recent parolee went to jail for a crime he didn't commit.Jessica investigates the possibility that a recent parolee went to jail for a crime he didn't commit.Jessica investigates the possibility that a recent parolee went to jail for a crime he didn't commit.
- Direção
- Roteiristas
- Artistas
Katherine Emery
- Edna Jarvis
- (cenas de arquivo)
- (não creditado)
Walter Smith
- Restaurant Patron
- (não creditado)
Avaliações em destaque
Jess is staying at the fancy Parkside Hotel in Santa Monica, California, courtesy of her publisher. She is having a lunch meeting with a publicist in the hotel dining room, who is trying to convince her that publicizing her "solved cases" would be better than publicizing her upcoming novel. A hotel staff member, Gloria, overhears this and later visits Jessica in her room with a request: to prove that her husband Sam who has just gotten out of jail after serving 30 years for a murder he didn't commit was innocent. Sam seems to have given up on life, so Gloria's hoping Jessica can help figure out what really happened, and thus help them live out the rest of their years in happiness.
An offbeat and a fairly good episode. It's quite ambitious with its flashback - taken from a 1949 film- and adds some substance to the proceedings. It's a serious episode, well-acted, though a little confusing with its twists, but that's more my fault with my brain not keeping up!
An offbeat and a fairly good episode. It's quite ambitious with its flashback - taken from a 1949 film- and adds some substance to the proceedings. It's a serious episode, well-acted, though a little confusing with its twists, but that's more my fault with my brain not keeping up!
When Jessica is out to lunch, her presence is noted by Hotel employee Georgia Wilson, who later approaches Jessica in her suite and asks for her help. Georgia explains that her husband Sam has just been released after thirty years in Prison for a crime he didn't commit. Georgia is desperate for the couple to spend their remaining time together in happiness, and only Jessica can find the truth about the shooting of Richard Jarvis. Jarvis having paid Sam $10,000 to make his suicide look like murder so his family could inherit.
Arguably the show has continued at a particularly high standard, many shows by the time they reach a third series begin to tire, recycling old ideas, but in fairness to Murder she Wrote, it just got better and better, along with episodes The Corpse Flew First Class and Crossed up, I'd place this as one of the best. Shades of the great movie Double Indemnity.
I loved the story here, Jessica finding justice for someone that has suffered for thirty years, not a passing accusation. The black and white shots could have almost been taken from a 1950's film, they look superb. I particularly liked Martha Scott (Georgia) throughout, such a classy performance.
An excellent episode, 9/10
Arguably the show has continued at a particularly high standard, many shows by the time they reach a third series begin to tire, recycling old ideas, but in fairness to Murder she Wrote, it just got better and better, along with episodes The Corpse Flew First Class and Crossed up, I'd place this as one of the best. Shades of the great movie Double Indemnity.
I loved the story here, Jessica finding justice for someone that has suffered for thirty years, not a passing accusation. The black and white shots could have almost been taken from a 1950's film, they look superb. I particularly liked Martha Scott (Georgia) throughout, such a classy performance.
An excellent episode, 9/10
I just saw a rerun of this episode, and do not remember ever seeing it at the time it was originally released. However, I was impressed with the theme of this particular episode. As a long-time fan of 1940's and 1950's actors and actresses, I could tell almost immediately that clips from an old show or movie had been "woven" into the plot of this episode. I have never seen the 1949 movie, for which this "ending" was created -- but after watching this Murder, She Wrote episode, I now want to see the original movie. I bet it was a GREAT thriller of the past! I recommend this particular episode, not only to Angela Lansbury fans, but to movie buffs as well!
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.
Season 3, and 'Murder She Wrote' in general, showS no signs of dwindling in "The Days Dwindle Down", one of the most interesting episodeS of Season 3 and of all 'Murder She Wrote' episodes put together. Not just for the archival footage of 'Strange Bargain' for the flashbacks, but also being one of few episodes with Jessica investigating a case so old in a quest to prove the innocence of a convicted man.
The flashbacks serve a crucial purpose and add hugely to the story in revealing as much about the past as possible. The mystery is hugely intriguing from start to finish with some tense conflict and some well executed surprises, the ending is one that one doesn't see coming at all.
Production values are slick and stylish as ever with 'Murder She Wrote'. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.
Writing is thought-provoking, light-hearted and amiable and one really cares about the case being solved and for the right person to be found out.
Angela Lansbury is spot-on, and the supporting cast is one of Season 3's strongest with standout turns from Harry Morgan and June Havoc.
In conclusion, terrific episode, one of my favourite Season 3 episodes. 10/10 Bethany Cox
Season 3, and 'Murder She Wrote' in general, showS no signs of dwindling in "The Days Dwindle Down", one of the most interesting episodeS of Season 3 and of all 'Murder She Wrote' episodes put together. Not just for the archival footage of 'Strange Bargain' for the flashbacks, but also being one of few episodes with Jessica investigating a case so old in a quest to prove the innocence of a convicted man.
The flashbacks serve a crucial purpose and add hugely to the story in revealing as much about the past as possible. The mystery is hugely intriguing from start to finish with some tense conflict and some well executed surprises, the ending is one that one doesn't see coming at all.
Production values are slick and stylish as ever with 'Murder She Wrote'. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.
Writing is thought-provoking, light-hearted and amiable and one really cares about the case being solved and for the right person to be found out.
Angela Lansbury is spot-on, and the supporting cast is one of Season 3's strongest with standout turns from Harry Morgan and June Havoc.
In conclusion, terrific episode, one of my favourite Season 3 episodes. 10/10 Bethany Cox
Back in 1949, a lower-budgeted crime film came out...one that is pretty obscure today. "Strange Bargain" was a dandy picture...one I strongly recommend you watch.
So why did I mention this? Well, the folks who made "Murder, She Wrote" were able to re-assemble most of the cast of the old movie and used it to make "The Days Dwindle Down". To do this, they used a few scenes from the old movie and used them in a few flashback scenes to explain the 30 year-old crime.
So why would they use an old film? Well, Jessica is approached by a wife (Martha Scott) because her husband (Jeffery Lynn) served 30 years in fail for a murder he didn't commit...and she wants Jessica to investigate.
So is it any good? Well, I give this one a 9...so obviously I liked it. I also liked seeing all the old actors playing their old selves in the show. But what I really appreciated is how well it was all integrated with the old movie.....which was very clever.
So why did I mention this? Well, the folks who made "Murder, She Wrote" were able to re-assemble most of the cast of the old movie and used it to make "The Days Dwindle Down". To do this, they used a few scenes from the old movie and used them in a few flashback scenes to explain the 30 year-old crime.
So why would they use an old film? Well, Jessica is approached by a wife (Martha Scott) because her husband (Jeffery Lynn) served 30 years in fail for a murder he didn't commit...and she wants Jessica to investigate.
So is it any good? Well, I give this one a 9...so obviously I liked it. I also liked seeing all the old actors playing their old selves in the show. But what I really appreciated is how well it was all integrated with the old movie.....which was very clever.
Você sabia?
- CuriosidadesThe flashbacks are taken from the film Compromisso de Honra (1949). Jeffrey Lynn, Martha Scott and Harry Morgan reprise their roles from the movie.
- Citações
Retired Lt. Richard Webb: I figured she was playin' bedsheet bingo with the boss.
- ConexõesEdited from Compromisso de Honra (1949)
- Trilhas sonorasMurder She Wrote Theme
Written by John Addison
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Locações de filme
- Max Busch House - 160 S San Rafael Avenue, Pasadena, Califórnia, EUA(Jarvis Mansion, burned down on October 5, 2005)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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