Sarkar Raj

To be honest after Ram Gopal Verma's "Aag," I was a bit hesitant to watch this movie even though it had the top actors and also because, normally, I am not very fond of sequels as I believe that they ruin the original.

An overseas based company wants to build a power plant in Maharashtra but the owners, Mike Rajsn and his daughter, Anita Rajan face a lot of opposition and the only man who can help them is Subash Nagre and his son, Shankar. Shankar and his father believe that the plant should be built in Maharashtra and persuade people of the villages where the plant is to be built to accept the plans. But events turn ugly, when one day Avantika, Subash's daughter – in – law is killed when her car is detonated by a bomb.

The movie stars Amitabh Bachchan, Aishwarya Rai Bachchan, Abhishek Bachchan, Supriya Pathak, Victor Bannerjee and Tanisha.

Not as good as the original, Ram Gopal Verma, still has managed to put in some ghosts of Mario Puzo's "The Godfather" more so with reference to bombing of the vehicle and to some extent, he has put in some ghosts of "Sarkar" as well. What was a bit disappointing was that sound track, "Govinda" has not lived to the expectations as it did in the previous one and this is where, perhaps, the music director, Amar Mohile, could have done more to revive the original version.

Be warned there is violence but never the less a good movie to watch with elder children and adult family members.

Sarkar Raj is disappointing. More so because it is the sequel of Sarkar, which though copied largely from Godfather, was a good film.

Three things let down the film - slow pace, unimaginative cinematography and jarring background score.

Ram Gopal Varma has a story in his hands but it is not long enough to stretch to the duration that he wants it to. As a result, he compromises on the pace. The film is slow and at times just drags on. In this endeavor, the camera comes to his support. Each shot just keeps on moving at snails pace. The camera lingers and moves slowly at acute angles. There is an overkill of the use of lighting, shadows and silhouettes. Add to this the background score which seems to be taken from a temple fair. The energy of the music and the dead slow pace of camera and story are divergent contrasts.

The dialogs are unrealistic, philosophical and indirect most of the times. There was not need to complicate the film with such devices. Do a father and son never talk in straight language? Saving grace of the film is the performances. Inspite of the lighting and camera angles which try every bit to take away the quality from the natural performances of the Bachchans, they manage to survive.

Ram Gopal Varma needs a break. He probably needs to go on a long vacation and then come back to do something completely out of his style - cast Shah Rukh Khan and Kajol in a romantic comedy set in Europe or Manhattan. I hope, he will then rediscover his lost touch. I so much want him to, like many of his other fans.

I've just got back from watching the movie and I must say I was thrilled with the way the director, Ram Gopal Verma has laid out the film in pure brilliance.

I wasn't expecting much as sequels never do great. I thought the first installment was excellent but this sequel really out-did the first movie.

The three Bachchan's really put in outstanding performances. I must applaud Amitabh Bachchan for just being so natural in the movie, and have never seen a better performance by him in this kind of a role.

So you guys, if you've seen the first film and liked the plot then, I'm sure you'll love the second one. And for you guys who have not watched the first movie (Sarkar) and are planning to just get to this one (Sarkar Raj), get through the first one first, then hit the screens for this one as the film runs in a flow!! My rating ; 8.5/10 Seriously, it was that good!!

I am not a fan of RGV's films but this movie is a great make. amazing suspense,correct hold on the direction. as the name suggest( rule of Almighty), it rocks as how mastermind thinks. Good thing about the movie is that it leaves a good message to be true,straight and to think about good of community. movie has low pace but all the characters are strong enough to hold you. some time movie goes in predictable manner and you can guess what would be the next dialog. but after all the movie is good(full of violence,without showing much blood). dialog delivery is superb,and ya .... i didn't see Ash's goggles worth 50 Lacs in the movie :(. i liked the movie for it's best direction, thrilling story, good delivery and best length.

This movie brings RGV back on track after quite a few miserable movies. This is a sequel to a 2005 hit Sarkar and it fulfills all the requirement of a great sequel.Besides its strong content, SARKAR RAJ has been filmed exceptionally well too. In fact, SARKAR RAJ has the trademark RGV stamp in every sequence. The review would be incomplete without giving the due credit to writer Prashant Pandey's incredible and almost flawless script. Amar Mohile's background score is topnotch. The by-now-famous 'Govinda' chant in the background only enhances the impact. Amit Roy's cinematography is exceptional. The DoP succeeds in giving the film the raw-n-rustic look, which works very well. Action Allan Amin, in minimal doses, is perfect. SARKAR RAJ is embellished with superb performances! Amitabh Bachchan, expectedly, comes up with a terrific performance. He's as ferocious as a wounded tiger in the finale and takes the film to great heights.

First YUVA, then GURU, now SARKAR RAJ. Abhishek Bachchan is cast opposite the finest actor of this country, yet he sparkles in every sequence. This time, the father and son go neck to neck as far as acting honors go. Aishwarya Rai Bachchan is fabulous and delivers her career-best performance in SARKAR RAJ. Enough has been written about her looks, but not much space has been devoted to her performances. HUM DIL DE CHUKE SANAM, DEVDAS, PROVOKED, GURU, JODHAA AKBAR and now SARKAR RAJ - she's only got better with every film.

Every supporting actor in SARKAR RAJ stands out - Dilip Prabhawalkar was superb, Govind Namdev was first-rate, Sayaji Shinde was perfect, Ravi Kale and Supriya Pathak were OK.Tanisha is alright. The actor enacting the role of Dilip Prabhawalkar's grandson makes a strong impact.