Danny Ocean reúne os rapazes para um terceiro assalto após o dono do cassino Willy Bank trair um dos onze originais, Reuben Tishkoff.Danny Ocean reúne os rapazes para um terceiro assalto após o dono do cassino Willy Bank trair um dos onze originais, Reuben Tishkoff.Danny Ocean reúne os rapazes para um terceiro assalto após o dono do cassino Willy Bank trair um dos onze originais, Reuben Tishkoff.
- Direção
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- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
Avaliações em destaque
Again the Danny Ocean bunch with the biggest heist of all . Reuben (Elliot Gould) suffers a heart attack for a treason and as revenge Danny Ocean pull off a plan introducing the schemes for a new robbery venture and gathering the eclectic group for a new caper . This time , Benedict (Andy Garcia) agrees with Ocean backed by his motley gang to execute it , the group is the same people (Brad Pitt, Matt Damon, Don Cheadle, Scott Cahan, Bernie Mac, Casey Affleck , Carl Reiner, Qin) . Their objective is the ambitious Willie Bank (Al Pacino), owner of a luxurious Las Vegas hotel . He turns out their victim along with the hot woman manager (Ellen Barkin) . The crew back in action , in the inauguration day . They blew all the light , shutting off the electrify and provoke an earthquake on the hotel . The thirteen men team headed by mastermind George Clooney attempting to rob the game-table , jackpots from hotel casino proprietary of mogul Pacino , executing simultaneously . We never met a band like Ocean's thirteen . This rendition gets one of the greatest entertainment of the trilogy .
This thrilling as well as hilarious heist film displays from the beginning to the ending , comedy , suspense , plot twists along with limited action of varied manner . There appears special cameo by Oprah Winfrey , Julian Sands and Jerry Weintraub , he's trilogy's producer . The film contains an intelligent screenplay and ,of course, outstanding final surprise . The comic relief being developed during the amusing relationship between the several and motley characters and their jokes among them . Atmospheric musical score by habitual saga , David Holmes . Colorful cinematography though sometimes some dark about interior scenarios photographed by the same , as usual, Soderbergh . This is a funny and stylish following ,being well directed by Steven Soderbergh .
This thrilling as well as hilarious heist film displays from the beginning to the ending , comedy , suspense , plot twists along with limited action of varied manner . There appears special cameo by Oprah Winfrey , Julian Sands and Jerry Weintraub , he's trilogy's producer . The film contains an intelligent screenplay and ,of course, outstanding final surprise . The comic relief being developed during the amusing relationship between the several and motley characters and their jokes among them . Atmospheric musical score by habitual saga , David Holmes . Colorful cinematography though sometimes some dark about interior scenarios photographed by the same , as usual, Soderbergh . This is a funny and stylish following ,being well directed by Steven Soderbergh .
"The robb'd that smiles, steals something from the thief." Shakespeare's Othello
Andy Garcia's wealthy Terry Benedict is financing Danny Ocean's Vegas heist from casino owner Willie Bank (Al Pacino) in order to get the last smile of vengeance, thief to thief, while Danny and Rusty Ryan (Brad Pitt) exact their own revenge. No honor among these slick reprobates, and good time is had by all the men and, this time, not Julia Roberts, but Clooney's real-life squeeze, Ellen Barkin, as Abigail Sponder, tough right hand to Bank.
I go to most movies as a film critic with my sensibility well-guarded against the fluffy confection of just another heist. But the Ocean's franchise, like the Bond's, has a cachet all its own with eye-pleasing duds, high-tech high jinx, and self-referential dialogue. Thus I am free to enjoy without feeling as if I'd sold out to crass commercialismI have, but willfully and pleasurably.
I guess I'm sucked in like everyone else at the movies, even with as many as I've seen and written about, because I want to go where the director, in this case the estimable Steven Soderbergh, wants to take me. In Ocean's 12, it was all over Europe; in Thirteen it's the entertainment Mecca of the Western world.
No deep thoughts come to mind, just summer mindlessness dressed up for partying (Pitt and Clooney very nicely decked out, understatedly). Clooney's musings about the changes in Vegas since guys like him had shaken Sinatra's hand serves as "change" leitmotif lighter than air. Twenty years from now we'll be talking about the iconic Pitt and Clooney in the same nostalgic way. Ocean's Thirteen reinforces its place in popular culture as a repository for our transitory adulation of movie stars and the escapes they gave us long ago.
At the end, Matt Damon exits with "See you when I see you," a fitting piece of noncommittal that may promise another Ocean's installment or just more star sightings. Clooney says goodbye to Pitt with an in-joke the world is in on: "Hey! Next time! Keep the weight off. Pitt retorts, "Have a couple of kids." This is typical of the low-key, sweetly narcissistic third installment.
Ocean's hits a lucky thirteen this time around without a big jackpot but a great deal of good will.
Andy Garcia's wealthy Terry Benedict is financing Danny Ocean's Vegas heist from casino owner Willie Bank (Al Pacino) in order to get the last smile of vengeance, thief to thief, while Danny and Rusty Ryan (Brad Pitt) exact their own revenge. No honor among these slick reprobates, and good time is had by all the men and, this time, not Julia Roberts, but Clooney's real-life squeeze, Ellen Barkin, as Abigail Sponder, tough right hand to Bank.
I go to most movies as a film critic with my sensibility well-guarded against the fluffy confection of just another heist. But the Ocean's franchise, like the Bond's, has a cachet all its own with eye-pleasing duds, high-tech high jinx, and self-referential dialogue. Thus I am free to enjoy without feeling as if I'd sold out to crass commercialismI have, but willfully and pleasurably.
I guess I'm sucked in like everyone else at the movies, even with as many as I've seen and written about, because I want to go where the director, in this case the estimable Steven Soderbergh, wants to take me. In Ocean's 12, it was all over Europe; in Thirteen it's the entertainment Mecca of the Western world.
No deep thoughts come to mind, just summer mindlessness dressed up for partying (Pitt and Clooney very nicely decked out, understatedly). Clooney's musings about the changes in Vegas since guys like him had shaken Sinatra's hand serves as "change" leitmotif lighter than air. Twenty years from now we'll be talking about the iconic Pitt and Clooney in the same nostalgic way. Ocean's Thirteen reinforces its place in popular culture as a repository for our transitory adulation of movie stars and the escapes they gave us long ago.
At the end, Matt Damon exits with "See you when I see you," a fitting piece of noncommittal that may promise another Ocean's installment or just more star sightings. Clooney says goodbye to Pitt with an in-joke the world is in on: "Hey! Next time! Keep the weight off. Pitt retorts, "Have a couple of kids." This is typical of the low-key, sweetly narcissistic third installment.
Ocean's hits a lucky thirteen this time around without a big jackpot but a great deal of good will.
Slightly better than Ocean's Twelve but still not close to Ocean's Eleven, the third & final entry in The Ocean's Trilogy finds the original gang returning to Las Vegas for one last heist as things get a bit personal in this concluding chapter. Retaining the cool style & lighthearted vibe of its predecessors, the film does many things right but is still forgettable in the end.
The story of Ocean's Thirteen is set in motion when one of the original eleven is double crossed by his former business partner who now owns his new hotel-casino. When the gang finds out about it, they decide to avenge him by concocting a plan to spoil the new hotel's opening night but to pull it off, they turn to a foe who shares their contempt for the common enemy and offers his assistance.
Directed by Steven Soderbergh, Ocean's Thirteen marks a little improvement over its predecessor and, by taking a persona route, brings something new to the table. The light, playful tone remains in tact but the premise is more involving than it was the last time. Also, unlike the previous entry, the new addition to the ensemble plays a key role in the plot and has an interesting arc of his own.
While the story has an interesting outline, the writers still end up making the plot complex and not easy to follow. Not every twist n turn makes sense, some moments are as ludicrous as the second film's museum robbing sequence, and it expects the viewer to just go along with everything that's unfolding without questioning the logic of it all. Sometimes, it does work. Other times, it doesn't.
Coming to the performances, the original eleven return to reprise their respective roles once again. Vincent Cassel also makes an appearance while the most notable amongst the new additions is Al Pacino who plays the antagonist and utilises his infectious persona to great effect. Clooney & Pitt once again lead from the front but Damon gets a promotion as well while the rest play their part as expected.
On an overall scale, Ocean's Thirteen is a satisfactory conclusion to the saga of Danny Ocean & his associates, if not a memorable one, and offers a good, lighthearted dose of fun & amusement just like its predecessors. It corrects a few mistakes that were made in the second instalment but also ends up creating some new ones which stop it from reaching the heights & delights of the original. Nevertheless, it's worth a shot.
The story of Ocean's Thirteen is set in motion when one of the original eleven is double crossed by his former business partner who now owns his new hotel-casino. When the gang finds out about it, they decide to avenge him by concocting a plan to spoil the new hotel's opening night but to pull it off, they turn to a foe who shares their contempt for the common enemy and offers his assistance.
Directed by Steven Soderbergh, Ocean's Thirteen marks a little improvement over its predecessor and, by taking a persona route, brings something new to the table. The light, playful tone remains in tact but the premise is more involving than it was the last time. Also, unlike the previous entry, the new addition to the ensemble plays a key role in the plot and has an interesting arc of his own.
While the story has an interesting outline, the writers still end up making the plot complex and not easy to follow. Not every twist n turn makes sense, some moments are as ludicrous as the second film's museum robbing sequence, and it expects the viewer to just go along with everything that's unfolding without questioning the logic of it all. Sometimes, it does work. Other times, it doesn't.
Coming to the performances, the original eleven return to reprise their respective roles once again. Vincent Cassel also makes an appearance while the most notable amongst the new additions is Al Pacino who plays the antagonist and utilises his infectious persona to great effect. Clooney & Pitt once again lead from the front but Damon gets a promotion as well while the rest play their part as expected.
On an overall scale, Ocean's Thirteen is a satisfactory conclusion to the saga of Danny Ocean & his associates, if not a memorable one, and offers a good, lighthearted dose of fun & amusement just like its predecessors. It corrects a few mistakes that were made in the second instalment but also ends up creating some new ones which stop it from reaching the heights & delights of the original. Nevertheless, it's worth a shot.
This movie is at the level of the first.
With an exciting story that captivates the viewer, the film manages to give us a good robbery story, with well-executed plot twists, good story development, good production design and funny moments. There are a few holes in the script that don't explain what happened to characters that came out in previous movies, as well as some conveniences for the story to follow.
But the movie is entertaining and is a good closing for this trilogy.
With an exciting story that captivates the viewer, the film manages to give us a good robbery story, with well-executed plot twists, good story development, good production design and funny moments. There are a few holes in the script that don't explain what happened to characters that came out in previous movies, as well as some conveniences for the story to follow.
But the movie is entertaining and is a good closing for this trilogy.
Since I am a fan of the first two movies I expected a funny and thrilling film. What carried the viewer through its predecessors (great retro design, music etc.) now isn't enough for a really good movie. The story itself could be summed up too quickly. The preparation for the big thievery starts almost from the beginning of the film and it's justification is really poor. What can be really enjoyed are the colorful visuals and a bunch of stars that seem to enjoy themselves. All this prevents a worse vote. To me it seems that Hollywood is running out on ideas at the moment. Sequels are obviously attractive from a financial point of view but bear the risk that they are produced and conceived not careful enough.
Você sabia?
- CuriosidadesMatt Damon's London street scene--showing Linus walking through London speaking on the phone--was shot while Matt Damon was in London filming "The Bourne Ultimatum". The Ocean's Thirteen production took advantage of this happy coincidence as they wanted the character Greco to be a British classmate of Roman Nagel. Thus Linus's being in London played well to the story.
- Erros de gravaçãoWhen Yen places a bet on the roulette wheel, he covers numbers 11,12 and 13, to fit in with the previous statement that the 'fixed' ball could be assumed to land on one of three numbers. 11,12 and 13 do not appear consecutively on a roulette wheel. If you wanted to cover a bet on '12', for example, you'd need to place chips on 12, 8 and 29 on an American table.
- Citações
Terry Benedict: [referring to Danny donating Terry's share of the money to charity] You think this is funny?
Danny Ocean: Well, Terry, it sure as shit ain't sad.
- Cenas durante ou pós-créditosEach of the logos from the studios involved in the opening sequence is colored a dull blue color, a throwback to the original studio cards from "Ocean's 11"
- Versões alternativasTwo versions are available, depending on your location, the original theatrical release and an edited cut in Croata. Runtimes are "2h 2m (122 min)" and "1h 54m (114 min) (Croatia)", respectively.
- Trilhas sonorasDon't You Want Me
(1981)
Written by Jo Callis (as John Callis), Phil Oakey (as Philip Oakey), and Philip Adrian Wright (as Adrian Wright)
Performed by Martin Blasick
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Ahora son 13
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 85.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 117.154.724
- Fim de semana de estreia nos EUA e Canadá
- US$ 36.133.403
- 10 de jun. de 2007
- Faturamento bruto mundial
- US$ 311.312.624
- Tempo de duração
- 2 h 2 min(122 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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