Jason Bourne escapa de um funcionário implacável da CIA e de seus agentes de um novo programa de assassinatos enquanto procurava a origem de sua vida como um matador treinado.Jason Bourne escapa de um funcionário implacável da CIA e de seus agentes de um novo programa de assassinatos enquanto procurava a origem de sua vida como um matador treinado.Jason Bourne escapa de um funcionário implacável da CIA e de seus agentes de um novo programa de assassinatos enquanto procurava a origem de sua vida como um matador treinado.
- Direção
- Roteiristas
- Artistas
- Ganhou 3 Oscars
- 29 vitórias e 42 indicações no total
- Paz
- (as Edgar Ramirez)
Avaliações em destaque
This shot effectively captures the mood of the film. As well as portraying Bourne's quest to find out how he became Jason Bourne, Ultimatum is also an examination of the human costs of the measures taken to protect us in the interests of stability and security.
It is also probably the best film you'll see in the cinema this year.
It's just so intense. Bourne says to Simon Ross (Considine) "This isn't some newspaper story, this is real" and in the audience you almost believe him. The camera shakes, but remains steady enough for you to see everything and feel like you're there with Bourne as he tries to elude his pursuers, and the performances are so good that these guys seem as though they are the characters they're portraying, instead of just being actors performing well-written roles. The action scenes are so brutally fast-paced and well choreographed that they seem instinctive instead of planned to the minutest movement; the stunt-work is nothing short of amazing.
The pacing is just incredible. It keeps driving forward towards its conclusion, but not so fast that it leaves you struggling to piece together the plot; the script delivers the information you need as quickly and clearly as possible before moving on to the next tense action set-piece. While they're often simple (the Waterloo sequence is essentially just a man on a phone being watched by a man on a phone) they're charged with such dramatic intensity that you can't take your eyes off them. The film is just so focused on powering forwards that you can't help being swept along by it.
With its intense action set-pieces, brilliantly paced storyline, and intelligent examination of the decisions made in the name of national security, the Bourne series is one that accurately captures the ambiguities of our age. Ultimatum is its peak.
You can tell that Damon has really gotten comfortable with the role of Jason Bourne. Sometimes that can be a bad thing, but in this case its a really good thing. He really becomes Jason Bourne in this installment. Damon also has a great supporting cast in Joan Allen, Ezra Kramer, and Julia Stiles. David Strathairn was a great addition to the cast, as he added more depth to the secret CIA organization.
Even though the movie is filled with great car chases and nonstop action, they managed to stick a fair amount of character development in their with all of that going on. This film stands far above the other two Bourne movies, and is definitely one of the best movies of the 2007 summer season!
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
Você sabia?
- CuriosidadesThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- Erros de gravaçãoWhen Bourne follows Desh on the scooters in Tangier, Desh receives a phone call. He handles the cell phone with his right hand which controls the throttle on the scooter. By taking his right hand off the throttle, the scooter would suddenly have slowed down.
- Citações
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- ConexõesEdited from A Identidade Bourne (2002)
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Bourne: El ultimátum
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 110.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 227.471.070
- Fim de semana de estreia nos EUA e Canadá
- US$ 69.283.690
- 5 de ago. de 2007
- Faturamento bruto mundial
- US$ 442.824.138
- Tempo de duração
- 1 h 55 min(115 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1