Cracker

It's been a decade since the last Cracker (the below par White Ghost) and 11 years since the last decent Cracker so expectations were high, but unfortunately Nine Eleven just did not deliver.

The two hour special was certainly controversial, raising issues about the US's financing of terrorism in the Middle East and in Northern Ireland that most TV dramas, certainly ITV dramas, would usually steer well clear of.

The problem was it just didn't feel like a Cracker episode, McGovern had things he wanted to say and just tacked Fitz onto an idea to make it more accessible to a wide audience. As always, McGovern's ideas were interesting but they just didn't work in this context, it felt rushed and would have benefited from being developed further, into a more rounded Cracker episode or maybe a separate project altogether.

The police were completely 2 dimensional, embarrassingly underwritten when compared to the likes of Beck, Wise, Penhaligan and Billborough, while Fitz really had very little to do - it seemed obvious that McGovern had grown tired of writing for this character, in contrast, he seemed to relish writing for Kenny, the killer, the only new character in this film who seemed at all believable.

Stylistically the production was also a failure. Flashing boxes flickered at the beginning of the programme and in and out of the breaks for no apparent reason - they looked horrible and distracted from the story! I can't believe anybody thought it was a good idea to sacrifice the classic white on black text of the original shows for these new graphics and text - if it isn't broke don't fix it! Cracker shouldn't be trying to emulate the style of Spooks and CSI - it was 10 times better than these shows in it's heyday!

And what was with all the flashbacks?? What worked so well in the original series is that Fitz would get into the head of the killer and we'd understand their motives through ACTING!

Did we have flashbacks to Hillsborough in To Be A Somebody? NO!

Did we have flashbacks to Floyd sitting in a bath of bleach in Men Should Weep? NO!

WHY? Because we didn't need them because the performances alone were strong enough for us to understand the motives of the killers. Flashbacks are usually a cheap devise used to reinforce a story when the writing isn't strong enough - and weren't necessary here. Anthony Flanagan's performance as Kenny was the stand out of the episode and the constant flashbacks to Ireland and the completely unnecessary 9-11 and Iraq news footage only distracted from the story.

Nine Eleven was something of a wasted opportunity, it had good elements - Fitz trying to fit into a very changed Manchester, a classic Cracker killer, and a controversial storyline - but this could have been so much better if supporting characters had been better written and the style and feel of the original series had been retained. On this evidence, I wouldn't want any more Cracker films in the future.

There are 3 great English series: Cracker, Prime Suspect and The Prisoner (with The Lakes a 4th). This latest movie is probably the best - the ending was one great piece of writing and simply devastating. Cracker was made to be Fitz and vice versa. Jimmy McGovern is just fantastic as usual - I wonder if they appreciate him in England. Likewise Prime Suspect is Helen Mirim's best work and Pat McGoohan will always be The Prisoner to me. I just caught a few episodes of The Lakes (can't find it anywhere) but it is worth a watch if you ever get a chance to see it. I have the older Cracker series and they are all fantastic - easy to watch more than once.

It doesn't give me any pleasure reviewing this hugely disappointing 'Cracker' special "Nine Eleven". As somebody who considers 'Cracker' to be one of the best shows not just of its genre but ever, this reviewer was honestly expecting much more than this.

"Nine Eleven" is not a complete abomination. The best thing about it is the characterisation of the killer, a sinister but never one-dimensional and very much compellingly character worthy of being a classic 'Cracker' killer. He is brilliantly portrayed by Anthony Flannagan. Robbie Coltrane also does a great job as Fitz, he deserved much more to do but what there is of Fitz is enjoyable.

In fact, generally it is the acting that salvages "Nine Eleven" from being a complete waste. There is also some atmospheric scenery, and with a weighty and controversial idea this had real potential to be a classic 'Cracker' special.

So what stopped it from being so? The main problem is that it doesn't feel like 'Cracker'. The characters are nowhere near as intriguing, with Fitz being too much of a criminally underused supporting character in his own show and the police being shallow and underwritten with almost non-existent chemistry. The balance of writing and mastery of storytelling apparent in 'Cracker' at its best is not apparent here, apart from the odd bit of spark (but considering the calibre of the show it is far more deserving of having just the odd bit of sparkle).

One really misses the poignant emotion and dark, acerbic humour, which is replaced with too much of a heavy-handed and overused anti-American tone that comes over as far too preachy. Even the violence is not as unflinching. With a story-line as controversial potentially as it was on paper, what could have been weighty, harrowing and emotional stuff is spoilt by a lot of tedium, an overload of heavy-handedness and constant flashbacks and the whole Iraq stuff that only confused and padded out the story, not necessary really. The direction also lacks spark, and unusually mawkish, and there is nowhere near enough of the "whydunnit" psychology that made 'Cracker' so unique among other mystery/detective shows.

Visually, "Nine Eleven" is not much better, apart from some decent scenery, style, atmosphere and class is severely lacking with sometimes distractingly amateurish camera work and too dark lighting. The music can be intrusive and doesn't really add to the action or drama, instead taking away from it.

All in all, while a comeback of Fitz is always welcome he deserved better than this, which is not a good representation of why 'Cracker' is so brilliant. 4/10 Bethany Cox

For fans of the original Cracker nothing will ever measure up - how do you follow class acts like series 1 and 2? Answer - you can't really, times have moved on, no follow up can ever hope to have the same impact as the original and so it must be taken for what it is - a follow up which does its best to keep the feel of the original but which has to accept that, over a decade on, the country in which it is set has been through a lot of changes too.

Nevertheless this latest Cracker special isn't quite the abomination it's been made out to be, and I feel a lot of the criticisms aimed at it have missed the point.

It's true that the police are pretty characterless compared to old favourites like Bilborough, Penhaligon and Beck, but as opposed to being a criticism I see this as a clever comment on how PC has turned people in this country into cardboard cut outs scared of having a personality, especially in jobs where they have to deal with the public. Neutral, bland and nondescript, the attitude of our age is sharply observed as nobody wants to put their head on the block and be personally accountable for anything - passing the buck is the order of the day as they refuse to commit themselves to saying or doing anything that might come back on them later, accurately reflecting the paranoia of the modern workplace.

The anti-American sentiment is not as extreme as it could have been, but a few uncomfortable truths come out which I can see people being upset about. Too bad. To me this is not the writer projecting his political views onto the audience, as has been suggested, but that Cracker remains tough, topical and not scared to tell people the truth about themselves.

The plot could have been tighter in places and the coincidences it relied on are a little more obvious than in previous episodes, but not anything new in themselves. They've always been there in murder dramas, which by their nature are event driven.

Fitz is not as effective here which is a bit disappointing but is also more realistic than having the police bend the rules for him, which would have been out of the little character they have. He still manages to show his healthy disrespect for authority in small ways, like smoking in the police station, which I find just as entertaining as his more outspoken rants in earlier episodes. Times have changed and he's older. Robbie's performance has been called sleepwalking through the part but it could also be seen as Fitz being a lot more world weary since he is now in his 50s. As always, he is a joy to watch, and I can forgive a lot of the shortcomings of this episode to have him back.

To sum up, it's not Cracker at its best but it's not a disaster either. You could waste two hours on worse than this. In the modern day TV arena of the bland leading the bland, it still shines.

That its a welcome return is a given because Cracker was one of most accomplished, socially aware dramas of the last twenty years. ITVs decision to revive it also makes sense as the channel is in terminal decline. It hasn't just been ten years since we saw Fitz, its been almost as long since there was anything approaching intelligent, well written drama in ITV's prime time schedule.

The new episode is therefore gratefully received but with more than a little trepidation - after all later Cracker episodes not written by McGovern struggled to maintain the standard and Paul Abbot's White Ghost, the last special broadcast in 1995 suffered from taking Ftiz from his native Manchester stomping grounds and a dearth of fully rounded supporting characters. The good news is that Nine Eleven is better than White Ghost - the bad news is that it suffers from multiple creative lapses - entirely avoidable and somewhat ridiculous given the talent behind the camera.

In the first instance McGovern' script is really just a channel for his political views on post-911 American hypocrisy, particularly their reconstructed views on Terrorism. The points he makes via Kenny, the ex-Northern Ireland solider who snaps and kills an American stand up making flippant jokes about the War on Terror, are valid and come from an intellectually well-sourced left wing position. Just don't say Mcgovern's an apologist for Islamic Fascism. The problem is that the subtley that characterised the best of the series, by which we mean McGovern's other polemics, Albie in 'to be a somebody' the most memorable example, is absent from this new episode. Watching it is like being hit over the head for two hours. News footage from the wars in Afganistan and Iraq open the story, a misstep that seems out of touch with the more grounded tone of the original series. Then there's Fitz's uncharacteristic obsession with September 11th and this is before a single murder has taken place. When McGovern sticks to his characters he always succeeds but here most are mere cyphers channelling his political views. Those who aren't part of this agitprop are relegated to bit parts and two dimensions - the new Manchester police lacking the definition of the old supporting cast who lent so much weight to the proceedings and provide Fitz with much needed foils and contrasting intellects.

That isn't to say that the new episode is poor - its weighty, provocative stuff - at times uncomfortable and challenging like the best of the series. Whats lacking is the balance that existed in previous McGovern scripts, here replaced by a bombast that makes characterisation secondary. Ill-advised production touches like the new graphics and the new order score tend to detract from rather than enhance the action and the conclusion leaves you happy you've seen Fitz again but cheated that there was so little of him, if you'll pardon the expression - so dominated is the episode by the vengeful soldier with the murderous bent.

I hope this isn't the last Cracker, though its a more fitting epitaph than White Ghost - clearly McGovern needs isshoooes to compel him to write the bloody thing but if he can be motivated and surely there's plenty of cultural angst left to probe, and a crack team of writers can be drafted in to help out, then a new series could yet hit the heights of those classic stories. All in all Nine Eleven was a slight disappointment. If there are future episodes lets hope they retain the distance of previous stories and give us something more than a political lecture masquerading as a piece of a finely crafted police drama.