Pesadelos e Paisagens Noturnas
Título original: Nightmares & Dreamscapes: From the Stories of Stephen King
Adicionar um enredo no seu idiomaA television mini-series adaptation of Nightmares and Dreamscapes, Stephen King's collection of short horror stories.A television mini-series adaptation of Nightmares and Dreamscapes, Stephen King's collection of short horror stories.A television mini-series adaptation of Nightmares and Dreamscapes, Stephen King's collection of short horror stories.
- Ganhou 2 Primetime Emmys
- 12 vitórias e 14 indicações no total
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Avaliações em destaque
This fares better than much of Stephen King made-for-TV adaptations, though the episodes are hit or miss:
BATTLEGROUND 8/10 - easily the best episode AND an homage to the greatest made-for-TV horror ever, "Trilogy of Terror." There's even a cameo by our friend the Zuni Doll! It goes the "no dialogue" route, and William Hurt pulls it off well. The FX are ace. Loved this one. Unfortunately, it's mostly downhill from here.
CROUCH'S END 5/10 - this is pretty awful and Claire Forlani has got to be the worst working "name" actress, but there's something eerie in it's Lovecraft-ness that I appreciated for a bit.
THE ROAD VIRUS HEADS NORTH 4/10 - Meh. It's good to see Tom Berenger and Marsha Mason working again. I guess.
UMNEY'S LAST CASE 7/10 - It has a neat noir-ish feel, mostly created by the inimitable character acting of William H. Macy.
THE END OF THE WHOLE MESS 6/10 - eh, this didn't translate too well, but it's watchable.
THE FIFTH QUARTER 7/10 - This one's sort of a heist story with great performances (Sisto, Samantha Mathis) and a surprising homoerotic subplot. Good stuff here.
AUTOPSY ROOM FOUR 4/10 - another King adaptation ruined by Richard Thomas! YOU KNOW THEY GOT A HELL OF A BAND 4/10 - I remember reading this as a youngster and finding it REALLY eerie. What's not to be scared of by evil dead rocknroll icons? Well, how about really lame evil dead rocknroll icon impersonators? This does not translate well to film.
BATTLEGROUND 8/10 - easily the best episode AND an homage to the greatest made-for-TV horror ever, "Trilogy of Terror." There's even a cameo by our friend the Zuni Doll! It goes the "no dialogue" route, and William Hurt pulls it off well. The FX are ace. Loved this one. Unfortunately, it's mostly downhill from here.
CROUCH'S END 5/10 - this is pretty awful and Claire Forlani has got to be the worst working "name" actress, but there's something eerie in it's Lovecraft-ness that I appreciated for a bit.
THE ROAD VIRUS HEADS NORTH 4/10 - Meh. It's good to see Tom Berenger and Marsha Mason working again. I guess.
UMNEY'S LAST CASE 7/10 - It has a neat noir-ish feel, mostly created by the inimitable character acting of William H. Macy.
THE END OF THE WHOLE MESS 6/10 - eh, this didn't translate too well, but it's watchable.
THE FIFTH QUARTER 7/10 - This one's sort of a heist story with great performances (Sisto, Samantha Mathis) and a surprising homoerotic subplot. Good stuff here.
AUTOPSY ROOM FOUR 4/10 - another King adaptation ruined by Richard Thomas! YOU KNOW THEY GOT A HELL OF A BAND 4/10 - I remember reading this as a youngster and finding it REALLY eerie. What's not to be scared of by evil dead rocknroll icons? Well, how about really lame evil dead rocknroll icon impersonators? This does not translate well to film.
Overall, Battleground was very good . When I heard they were doing this story, I was very skeptical and thought it would be very cheesy. Props to William Hurt for conveying so much emotion in this facial features/expressions without using any words. No words and just music actually made the episode more suspenseful and dramatic. I give it a 9/10. Crouch End was just OK. The short story written in Nightmares and Dreamscapes was much better. It allowed the reader to visualize Crouch End and the other dimension and frankly, my visualizations of this foreign place were much better than what was portrayed in the episode. Also, the policemen interviewing Doris were main characters in the original written story but not here. I don't think it was adapted to screen very well. That actress that played Doris was hot though, wasn't she? I give it a 7/10.
Warner do Brasil released on DVD the following episodes:
1) "Campo de Batalha" ("Battleground"): In Dallas, the hit man Jason Renshaw (William Hurt) breaks in the headquarter of a toys company and kills Hans Morris, the manufacturer and owner of the company. He returns to his fancy apartment in San Francisco, and later he receives a package of toys with soldiers, helicopters and heavy weapon. Suddenly he is attacked by the commando, and he tries to survive.
"Battleground" is a very silly and naive episode, without dialogs and with the character performed by William Hurt being attacked by toys. The explosions and shootout on the fortieth floor of the elegant building do not bother any neighbor. My vote is six.
2) "Crouch End": The career devoted Lonnie Freeman (Eion Bailey) and his wife Doris Freeman (Claire Forlani) are in London in honeymoon. Loonie receives a message from the important client Squales inviting the young couple to have dinner with him in his house at Crouch End. While going to the dinner party, Doris is advised by the cab driver to return from Crouch End, which would be a thin spot in another dimension. Lonnie does not accept the non-sense explanation and have a weird experience with Doris.
"Crouch End" seems to be a bad homage to "Twilight Zone". The mysterious story has a great atmosphere, but an absolutely disappointing conclusion. My vote is six.
3) "O Último Caso de Umney" ("Umney's Last Case"): In 1938 in Los Angeles, Clyde Umney (William H. Macy) is a divorce private eye successful with women. On the weirdest day of his life, he sees his world turning upside-down when he discovers that he is a character of a series of novels made-up by the writer Sam Landry. Sam is grieving the loss of his son and wants to swap position with Clyde.
"Umney's Last Case" has a stylish noir production and an original story (I believe this show was produced before "Stranger than Fiction"). I liked the whole story, but the conclusion is abrupt and seems that the original intention could be to be continued. My vote is seven.
Title (Brazil): "Nightmares & Dreamscapes Vol.1 Pesadelos e Paisagens Noturnas" ("Nightmares & Dreamscapes Vol.1 Nightmares and Nocturne Landscapes")
1) "Campo de Batalha" ("Battleground"): In Dallas, the hit man Jason Renshaw (William Hurt) breaks in the headquarter of a toys company and kills Hans Morris, the manufacturer and owner of the company. He returns to his fancy apartment in San Francisco, and later he receives a package of toys with soldiers, helicopters and heavy weapon. Suddenly he is attacked by the commando, and he tries to survive.
"Battleground" is a very silly and naive episode, without dialogs and with the character performed by William Hurt being attacked by toys. The explosions and shootout on the fortieth floor of the elegant building do not bother any neighbor. My vote is six.
2) "Crouch End": The career devoted Lonnie Freeman (Eion Bailey) and his wife Doris Freeman (Claire Forlani) are in London in honeymoon. Loonie receives a message from the important client Squales inviting the young couple to have dinner with him in his house at Crouch End. While going to the dinner party, Doris is advised by the cab driver to return from Crouch End, which would be a thin spot in another dimension. Lonnie does not accept the non-sense explanation and have a weird experience with Doris.
"Crouch End" seems to be a bad homage to "Twilight Zone". The mysterious story has a great atmosphere, but an absolutely disappointing conclusion. My vote is six.
3) "O Último Caso de Umney" ("Umney's Last Case"): In 1938 in Los Angeles, Clyde Umney (William H. Macy) is a divorce private eye successful with women. On the weirdest day of his life, he sees his world turning upside-down when he discovers that he is a character of a series of novels made-up by the writer Sam Landry. Sam is grieving the loss of his son and wants to swap position with Clyde.
"Umney's Last Case" has a stylish noir production and an original story (I believe this show was produced before "Stranger than Fiction"). I liked the whole story, but the conclusion is abrupt and seems that the original intention could be to be continued. My vote is seven.
Title (Brazil): "Nightmares & Dreamscapes Vol.1 Pesadelos e Paisagens Noturnas" ("Nightmares & Dreamscapes Vol.1 Nightmares and Nocturne Landscapes")
/1/ Battleground had great production values and excellent cast in William Hurt. The first half was slow but it made up for when the doo-doo hit the fan later in the movie.
/2/ Crouch End is one of the few attempts at interpreting King's Lovecraftian inspired tales into a movie, and it mostly excelled at that. Great cinematography, good cast, imaginative directing and creepy special effects make this episode a perfect compliment to Battleground during the first week.
/3/ Umney's Last Case is unfortunately a victim of an over zealous writer intent on changing a lot of Stephen King's work in the original short story. Macy does a good job of trying to salvage this movie, but I would skip this story when renting the DVD.
/4/ End Of the Whole Mess will come across as slow, talky and a bit conventional to many, the writing is probably the deepest of the four aired so far, but that can't help the slow pace and melodramatic performances.
/2/ Crouch End is one of the few attempts at interpreting King's Lovecraftian inspired tales into a movie, and it mostly excelled at that. Great cinematography, good cast, imaginative directing and creepy special effects make this episode a perfect compliment to Battleground during the first week.
/3/ Umney's Last Case is unfortunately a victim of an over zealous writer intent on changing a lot of Stephen King's work in the original short story. Macy does a good job of trying to salvage this movie, but I would skip this story when renting the DVD.
/4/ End Of the Whole Mess will come across as slow, talky and a bit conventional to many, the writing is probably the deepest of the four aired so far, but that can't help the slow pace and melodramatic performances.
10whpratt1
The beginning of this film held my interest because William Hurt,(John Renshaw),"Body Heat", makes a bad mistake with a CEO of a large Toy Manufacturing Company. Apparently, John Renshaw is a sort of high class hit man and paid very well for his services, because his apartment suite is out of this world with a large indoor pool and more than the comforts of the average person. As John sits back and has a nice cocktail and enjoys having accomplished one of his tasks, he is taken by surprise and his entire life is completely changed. John becomes trapped in his own world and almost feels like he has been in an actual battlefield. Great story by Stephen King and I look forward to more of this Mini-Series.
Você sabia?
- CuriosidadesDuring the entire episode of "Battleground," not a single word is spoken.
- Erros de gravaçãoIn the "Crouch End" segment the Freemans are at an outdoor café in London the afternoon before heading to Crouch End. There is a clear shot of a passing Melbourne (Australia) tram in the background.
- Citações
Willie Evans: Where's the gun you shot him with?
Keenan: It was self defense.
Willie Evans: Alright, where's the self defense weapon you shot him with?
- ConexõesFeatured in The 59th Annual Primetime Emmy Awards (2007)
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- Pesadelos & Paisagens Noturnas
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 48 min
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- Mixagem de som
- Proporção
- 16:9
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