Um alcoólatra em recuperação precisa lutar contra os demônios internos e externos quando ele e sua família se mudam para um hotel assombrado como zeladores.Um alcoólatra em recuperação precisa lutar contra os demônios internos e externos quando ele e sua família se mudam para um hotel assombrado como zeladores.Um alcoólatra em recuperação precisa lutar contra os demônios internos e externos quando ele e sua família se mudam para um hotel assombrado como zeladores.
- Ganhou 2 Primetime Emmys
- 15 vitórias e 10 indicações no total
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Avaliações em destaque
I have loved Kubrik's interpretation of The Shining since the first time it scared me. But that's what it really is, an interpretation. It's well known how Kubrik did his work and the limited amount of input that King had in the original movie. This new interpretation stays closer to the book and you genuinely get the idea that it's the hotel that is evil, while I've always felt that Kubrik's design made it feel more like the Jack went mad. The final scene of Kubrik's version, where he pans over the photos and you see Jack in all of them, has always felt like an homage to what the true meaning was supposed to be. This new version filled me with chills and goosebumps the whole way through. In one scene, when all the chairs in the dining area slide from their tables to the floor, not only was I shivering but I actually jumped. I've read the book; I knew it was coming but it was so perfectly executed that the creepiness was sustained throughout the entire show. That kind of horror/suspense is so rare nowadays, especially for a television mini-series! I truly feel that both versions stand on their own and applaud King for showing the chutzpah to go back and show us another view of The Overlook.
The problem with this movie like all other Stephen King television movie adaptations is that it is a watered down and neutered version of the book. You have the basic plot intact, however all the best bloody scenes, all the cussing, the nudity, and all the other stuff present in the novel is taken from the movie and you are left yawning because somehow the edge is gone and so are all the scares. I will be the first to say Kubrick's version was almost an entirely different entity than the novel, but he probably knew some of the stuff in the book just would not fly or look very good. The hedge animals for instance, they look terrible here and you know they would have looked even worse then. These things could work in say a 100 million dollar movie made for the summer, but not a television movie. Jack Nicholson is another thing. Sure he was a bit to crazy early in the movie in the original, but he was perfect near the end. The overlook was much more sinister and you really had the feeling it was isolated, this one not so much. The plot is just like the original version though as a family moves into a house to take care of it in the winter. The cast just does not measure up to the first though, I will say Rebecca De Morney looks more like the gal described in the book then Shelly what's here last name. However, Shelly was much better at showing fear. True in the book Jack did swing around a type of croquette mallet, but I think an ax is far more scary and threatening. Then there is the ending, way to happy and sentimental for my tastes. In the end this movie is just a weak version of the book as far as being sinister and creepy, but it does get more of the basics down as far as the plot and the Kubrick does not even try to follow the book all that often, but it does offer scares so my pick is the Kubrick.
Not great in the production department because it was made for tv and the acting is ok. But it follows the book way more than the popular Kubrick version and I appreciate that. King had a huge part in making this version and it shows. It was a little slow at times but overall I enjoyed it.
This television series was so dreadful, so dull and cheesy, how could any intelligent person possibly endorse it? Sure it was a much more faithful adaptation of King, but, for Christ's sake, it was shot like an after-school special, suffered the WORST miscasting, had some of the most godawful CGI effects (the moving shrubs made our entire roomful of viewers crack up), and lacked any mild attempts at atmosphere or terror. How could anyone EVER be scared by Steven Weber? It's like watching Barney descend into madness. What Kubrick lacked in direct interpretation he so greatly compensated for with a beautiful, disturbing and personal film. Remember people...BASED on the book by Stephen King. There was a reason many things never made it into the original film...they would look absolutely stupid (ie the shrubs) in direct translation and would most certainly detract from the film. Earlier quote - "Kubrick was a bit of a bad director(have i made any one cry just then)" No, you just made me laugh at you!
I liked the fact that the film was more faithful to the book - one of my all-time favorite books, incidentally.
However, that's about the only thing that was better. This version was long, boring and the acting was absolutely horrid. I've never seen a movie where EVERYONE overacted. Elliot Gould as Stuart Ullman was terrifying- Gould tried way too hard, and his performance was wooden.
In fact, it seemed as if all the actors were reading from cue cards the entire time. If someone without any cinematic skills like me can notice this, couldn't the people involved with the film have noticed too? There's no way they wanted people to act like this.
OH well. I didn't think anything could make me think the original Shining was a great movie once I read the book, but I have to say, I'll take the "unfaithful" version anytime.
However, that's about the only thing that was better. This version was long, boring and the acting was absolutely horrid. I've never seen a movie where EVERYONE overacted. Elliot Gould as Stuart Ullman was terrifying- Gould tried way too hard, and his performance was wooden.
In fact, it seemed as if all the actors were reading from cue cards the entire time. If someone without any cinematic skills like me can notice this, couldn't the people involved with the film have noticed too? There's no way they wanted people to act like this.
OH well. I didn't think anything could make me think the original Shining was a great movie once I read the book, but I have to say, I'll take the "unfaithful" version anytime.
Você sabia?
- CuriosidadesStephen King: Author plays Gage Creed, the band conductor. Gage Creed is also the name of the 2-year-old boy played by Miko Hughes in Cemitério Maldito (1989), also based on a book written by King. King also had a cameo in Pet Sematary.
- Erros de gravaçãoReflected in the Overlook's main doors, behind Watson.
- Citações
[Addressing the Overlook Hotel]
Dick Hallorann: Hello, you old bitch. You're just as ugly in wintertime as you are in summertime.
- Versões alternativasDVD contains 11 deleted scenes:
- Danny at the doctor's office; they briefly discuss Tony.
- Brief scene with Danny and Jack conversing.
- A brief scene where the Torrences step outside the hotel and observe that they are snowed in.
- A scene which originally occurred after the "217 lady" scene. Jack says that Wendy and Danny can leave the hotel ASAP and that he will stay. He also shows Wendy the lipstick he found, and describes how he believes Danny's strangle wounds were self-inflicted.
- A fireside chat between Wendy and Danny, in which he tells her that he hears the ghosts in the hotel, talking, laughing, and screaming.
- Two scenes which originally occurred after Jack is locked inside the vault. Wendy leaves Danny to get some food, and Danny tells her that he called to Dick. Then a scene in which Wendy returns and Danny says that Dick may not have heard him.
- A brief scene showing Grady releasing Jack from the vault, and Jack exiting and grabbing the mallet.
- A brief scene in which Danny encounters a female ghost, and he tells her he isn't afraid of her, that only his father can hurt him now. The ghost vanishes, and Jack then appears to "punish" him.
- A climatic ballroom scene in which the "party guests" and the orchestra all melt in gruesome fashion.
- An outtake featuring orchestra conductor Gage Creed (played by Stephen King) melting in gruesome fashion.
- ConexõesFeatured in The 49th Annual Primetime Emmy Awards (1997)
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- The Shining
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- Tempo de duração1 hora 31 minutos
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- Proporção
- 1.33 : 1
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