Pesadelos e Paisagens Noturnas

Just to avoid any possible confusion, the above summary of Nightmares and Dreamscapes is a compliment. I cannot tell you how many times I've seen Hollywood completely decimate and almost sacrilegiously destroy King's brilliant writing. Needful Things and The Runningman are the worst of these atrocities, although they are far from the only ones. The remake of Carrie... the sequel that has nothing to do with King's novel... The Lawnmower Man (Which King sued to be disassociated from)... Christine... among others.

This mini-series, however, does justice to King's works, and treats them with the respect that they deserve. The acting is incredible. I can hardly believe that they were able to get William H. Macy, William Hurt and the majority of the other actors and actresses that they did manage to get for the project. Each is casted perfectly for their role, from the well-known stars to the little known gems. The direction is smart and clean; the set designs stunning; the animation (Battleground) superb, and the adaptations flawless. Each episode perfectly embodies the story from which it was based off of, and I cannot find any flaws in their translation into this mini-series.

I find it ironic that some of the upcoming episodes don't feature stories from the actual collection Nightmares and Dreamscapes, although I suppose that they mean the title as a general one, as opposed to a specific one. At any rate, they were all well chosen, and I hope that more adaptations of King's work fall under this level of care and craftsmanship. I don't even mean novels specifically. I hope that ALL of his stories are likewise adapted as such, although I would indeed love seeing more adaptations of his short stories done this way (Especially "All That You Love Will Be Carried Away" and "In the Death Room").

Warner do Brasil released on DVD the following episodes:

1) "Campo de Batalha" ("Battleground"): In Dallas, the hit man Jason Renshaw (William Hurt) breaks in the headquarter of a toys company and kills Hans Morris, the manufacturer and owner of the company. He returns to his fancy apartment in San Francisco, and later he receives a package of toys with soldiers, helicopters and heavy weapon. Suddenly he is attacked by the commando, and he tries to survive.

"Battleground" is a very silly and naive episode, without dialogs and with the character performed by William Hurt being attacked by toys. The explosions and shootout on the fortieth floor of the elegant building do not bother any neighbor. My vote is six.

2) "Crouch End": The career devoted Lonnie Freeman (Eion Bailey) and his wife Doris Freeman (Claire Forlani) are in London in honeymoon. Loonie receives a message from the important client Squales inviting the young couple to have dinner with him in his house at Crouch End. While going to the dinner party, Doris is advised by the cab driver to return from Crouch End, which would be a thin spot in another dimension. Lonnie does not accept the non-sense explanation and have a weird experience with Doris.

"Crouch End" seems to be a bad homage to "Twilight Zone". The mysterious story has a great atmosphere, but an absolutely disappointing conclusion. My vote is six.

3) "O Último Caso de Umney" ("Umney's Last Case"): In 1938 in Los Angeles, Clyde Umney (William H. Macy) is a divorce private eye successful with women. On the weirdest day of his life, he sees his world turning upside-down when he discovers that he is a character of a series of novels made-up by the writer Sam Landry. Sam is grieving the loss of his son and wants to swap position with Clyde.

"Umney's Last Case" has a stylish noir production and an original story (I believe this show was produced before "Stranger than Fiction"). I liked the whole story, but the conclusion is abrupt and seems that the original intention could be to be continued. My vote is seven.

Title (Brazil): "Nightmares & Dreamscapes Vol.1 – Pesadelos e Paisagens Noturnas" ("Nightmares & Dreamscapes Vol.1 – Nightmares and Nocturne Landscapes")

There are honestly no words that can adequately describe how awful that episode was. First of all that episode was not set in London at all, in no way. I've been to London many times and it does not look like it did in that episode, it was so SO obviously some back lot somewhere in America. and maybe if you've never been to England you'd have thought it was fine but contrary to popular belief we are not all called " Archie " and say "bloody" every 5 words.

That was set in the modern day i'm assuming, to be honest there are no red phone boxes anymore. And just because they randomly placed some doesn't make it anymore like England.

And what was with that old mans accent??! seriously one minute it was cockney then the next it was some kind of Yorkshire! There was no purpose for basically anything that happened, the giant cat i think it was, offering the women a cigarette or a "fag" was so pointless and stupid and what the hell was with the ending really? A giant tentacle monster thing came out of the ground and took her husband away ( and turned him into a cat i think?). it made no sense what so ever! AND then the old man said something like " Oh no its happened again"? if something like that had happened before people would know.

I am a huge Stephen King fan but if I were him, I would not have put my name to that at all, i'm going to give him the benefit of the doubt and say maybe it makes a better book than it does programme and I can only hope that next weeks one is better.

This fares better than much of Stephen King made-for-TV adaptations, though the episodes are hit or miss:

BATTLEGROUND 8/10 - easily the best episode AND an homage to the greatest made-for-TV horror ever, "Trilogy of Terror." There's even a cameo by our friend the Zuni Doll! It goes the "no dialogue" route, and William Hurt pulls it off well. The FX are ace. Loved this one. Unfortunately, it's mostly downhill from here.

CROUCH'S END 5/10 - this is pretty awful and Claire Forlani has got to be the worst working "name" actress, but there's something eerie in it's Lovecraft-ness that I appreciated for a bit.

THE ROAD VIRUS HEADS NORTH 4/10 - Meh. It's good to see Tom Berenger and Marsha Mason working again. I guess.

UMNEY'S LAST CASE 7/10 - It has a neat noir-ish feel, mostly created by the inimitable character acting of William H. Macy.

THE END OF THE WHOLE MESS 6/10 - eh, this didn't translate too well, but it's watchable.

THE FIFTH QUARTER 7/10 - This one's sort of a heist story with great performances (Sisto, Samantha Mathis) and a surprising homoerotic subplot. Good stuff here.

AUTOPSY ROOM FOUR 4/10 - another King adaptation ruined by Richard Thomas! YOU KNOW THEY GOT A HELL OF A BAND 4/10 - I remember reading this as a youngster and finding it REALLY eerie. What's not to be scared of by evil dead rocknroll icons? Well, how about really lame evil dead rocknroll icon impersonators? This does not translate well to film.

/1/ Battleground had great production values and excellent cast in William Hurt. The first half was slow but it made up for when the doo-doo hit the fan later in the movie.

/2/ Crouch End is one of the few attempts at interpreting King's Lovecraftian inspired tales into a movie, and it mostly excelled at that. Great cinematography, good cast, imaginative directing and creepy special effects make this episode a perfect compliment to Battleground during the first week.

/3/ Umney's Last Case is unfortunately a victim of an over zealous writer intent on changing a lot of Stephen King's work in the original short story. Macy does a good job of trying to salvage this movie, but I would skip this story when renting the DVD.

/4/ End Of the Whole Mess will come across as slow, talky and a bit conventional to many, the writing is probably the deepest of the four aired so far, but that can't help the slow pace and melodramatic performances.