Anos depois que praga matou a maioria da humanidade, o unico sobrevivente da cidade de Nova Iorque debera encontrar uma cura.Anos depois que praga matou a maioria da humanidade, o unico sobrevivente da cidade de Nova Iorque debera encontrar uma cura.Anos depois que praga matou a maioria da humanidade, o unico sobrevivente da cidade de Nova Iorque debera encontrar uma cura.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 9 vitórias e 23 indicações no total
- Zoe Neville
- (as Salli Richardson)
- Sergeant
- (as Pedro Mojica)
- Evacuation Cop
- (as Anthony Mazza)
Avaliações em destaque
I've got to start with the scenes of a deserted New York City post-apocalypse. These were so very, very moving; and very, very convincing. The clips in the trailers for the movie were good, but you really have to see the full panoply of close-up shots, distance shots, etc to really appreciate the sheer scale of what this movie is depicting. There's something of On the Beach and Resident Evil and of any number of disaster movies and zombie movies here. But none of them do justice to the New York depicted here. This is a New York City we see large-scale and micro-scale in order to show us the environment in which the main character is acting.
And Will Smith is simply brilliant as the sole survivor, Robert Neville. Will delivers movingly and convincingly on a script that really focuses on giving us a picture of "what it would be like" ... to be the last man on earth, living off the land in NYC. This is the real strength of this movie: there's really not a lot of blood or gore or zombie scenes at all. Yet I was riveted as Robert goes through his "typical days" in NYC. Every moment was full of pathos and full of menace, too. And occasionally we got some relief from Smith's trademark humor that blended seamlessly with the rest of his performance to give us "what it would be like" with a powerful delivery that just leaves me almost breathless.
There's an effective use of flashbacks that partly tell us the story of how we got to where we're at in this grim New York City; and the flashbacks also serve to give us an overwhelming contrast between Life Before and Life After the apocalyptic disaster wiped out the city. Yet use of flashback was sparing, which I found all the more effective.
Cinematography was excellent throughout, the storyline and script are brilliant, the use of a dog, Samantha, as a key actor was perfect to show us both Robert as companion and Robert as lonely, isolated survivor.
I won't give away the ending, but think it was satisfying as far as it goes, but not nearly as appealing, from my angle, as the foregoing material. That brings up my one complaint: the title. By the end of the movie, we have some sense of the meaning of the title. Yet it still seems to me to feel cheesy and really unworthy of the movie.
But that's a minor plaint. If you haven't seen this movie, and would enjoy seeing a really powerful story about a survivor in post-apocalypse New York City, hey, go check out this flick. It's really worth it.
After a genetic engineered cancer curing virus wipes out practically all of mankind, Robert Neville {Will Smith} appears to be the sole surviving human on earth, the only company he has is the family dog and an army of virus infected mutants that can only come out in the dark. That Neville is a former scientist who is immune to the deadly strain is a bonus as it means he can work on a potential cure.
Yes it's daft, and yes it's contrived, but there sure is a lot of good stuff to enjoy before the films major failing surfaces. Firstly is Will Smith's performance, there is no doubting he is a major star these days, but here he also cements his standing as a bona fide A lister of note. He layers the performance so well, his character not only has to deal with the heavy threat of being killed by the mutants at night, he also has to fight his own isolation, mans inherent need for companionship is a tortured thing when you appear to be the sole beneficiary of gods green earth.
Secondly the setting of a barren desolate New York is eerily staggering, overgrown with foliage and stalked by lions searching for food, it really is a big screen must to embrace the scope of it. Thirdly the mutants themselves are scary enough, but they honestly would have been better served being played by human actors rather than the CGI used that brings very mixed results, and fourthly the tension building is pitch perfect, the makers manage to have you on the edge of your seat gasping for a solution to this cracking story unfolding, but then...
They throw it all away by a rushed ending that had me positively seething, a quick turn of events should be a prelude to a fully fleshed out finale but instead we get a quick wham bam, oh The End. It leaves a bitter taste in the mouth on leaving the cinema and frankly the audience deserves better, and in fact so does Will Smith, did they run out of money? Well that I don't know, but what I do know is that we so nearly had a genre classic to look fondly on for years to come, shame that. 6.5/10
Footnote: Having just watched the alternate version that is readily available on disc formats, I have to say that as weak and as frustrating as the theatrical ending is, the alternate ending is far worse, trite and totally misplaced, they chose the better ending of the two for sure.
8/10
In 2012, three years after a genetically modified virus which was supposed to cure cancer ended up wiping out most of the world's population, a scientist named Robert Neville, immune to this virus, appears to be the only uninfected human left in New York City, maybe even the world, and his only companion is his dog, Sam! Neville does research in his basement laboratory to try and find a cure for the virus, and regularly sends out radio messages, calling for other survivors to come and meet him, if there are any out there, but so far, this has not worked. Eventually, the scientist discovers people in New York who have not been killed by the virus, but have been mutated by it, and as a result, they have become dangerous monsters! Worse still, there are many of them in the city, and Neville is still waiting to see another uninfected human, so he is grossly outnumbered!
This film is slow-paced around the beginning, but this works well, starting with the introduction to the virus which was yet to fail, and going from there to views of a deserted New York, which are reasonably intriguing. Some scenes may be a bit tedious, such as Robert Neville looking through the dark building before finding the mutants, and the camera is sometimes a bit unsteady, but to make up for the flaws, there's quite a bit of tension (which includes scenes with the mutated, zombie-like humans and they're chases and attacks, even though I'm sure we've seen scenes like that before in movies), as well as some poignant moments, with Neville and his loneliness. Also, for Bob Marley fans, the main character is a big fan of his, and at one point, he talks about Marley and his philosophies. As someone who listens to his music and has read a lot about his short life, this part definitely touched me, and it obviously isn't featured in the previous two adaptations, as they were both made before Marley became an international superstar.
Yes, this film has its flaws, and seems to have gotten a lot of positive feedback as well as negative, but personally, I have to give it a positive review. While not quite a masterpiece, I still found it to be a memorable sci-fi/horror film, with a fair amount of suspense, action, and poignancy. Once again, I don't know how it compares to the book or the previous two adaptations of it, and clearly, it seems to be widely considered inferior to those, but while that may be true, I cannot join the naysayers on this one. If you see this version of "I Am Legend", I guess you could easily end up on either side, but if you want to see a combination of sci-fi, horror, and drama, and you're a Will Smith fan, I think it's worth a try, and yes, it just MIGHT help a BIT if you're a Bob Marley fan.
Você sabia?
- CuriosidadesWill Smith grew so enamored of his canine co-star, Abbey, that he tried to adopt her when filming was finished, but the dog's trainer could not be persuaded to give her up.
- Erros de gravaçãoNeville states the lab doors are made of Plexiglas (acrylic), but when Alpha Male smashes them, the sound is that of breaking glass.
- Citações
Neville: [talking to Anna about Bob Marley] He had this idea. It was kind of a virologist idea. He believed that you could cure racism and hate... literally cure it, by injecting music and love into people's lives. When he was scheduled to perform at a peace rally, a gunman came to his house and shot him down. Two days later he walked out on that stage and sang. When they asked him why - He said, "The people, who were trying to make this world worse... are not taking a day off. How can I? Light up the darkness."
- Cenas durante ou pós-créditosThe title doesn't appear on screen until several minutes into the film.
- Versões alternativasThe ending to the Alternate Theatrical Version varies from the original ending. Instead of blowing himself and the hemocytes up with a grenade, Neville discovers that the hemocytes actually came for the female he captured earlier in the movie. He relieves her of the cure and returns her to the hemocytes. Afterwards, the hemocytes leave and let Neville, Anna, and Ethan be. The three then are seen leaving New York heading to Vermont's safe zone with Anna broadcasting a message telling all other survivors that she is with Neville and is heading to the safe zone.
- ConexõesEdited into The Arrivals (2008)
- Trilhas sonorasThree Little Birds
Written by Bob Marley
Performed by Bob Marley & The Wailers
Courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Soy leyenda
- Locações de filme
- USS Intrepid, Nova Iorque, Nova Iorque, EUA(golf practice)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 256.393.010
- Fim de semana de estreia nos EUA e Canadá
- US$ 77.211.321
- 16 de dez. de 2007
- Faturamento bruto mundial
- US$ 585.410.052
- Tempo de duração1 hora 41 minutos
- Mixagem de som
- Proporção
- 2.35 : 1