Encurralados

The producers of BUTTERFLY ON A WHEEL (a/k/a SHATTERED in U.S.), didn't have enough faith in their project to seek widespread theatrical distribution of the finished film--even though it had GERARD BUTLER fresh from his box-office triumph in "300". Instead, they went a more direct route--directly to TV on TNT, which seems more like a last resort. Once again, a Gerard Butler film with limited distribution even though co-starred with PIERCE BROSNAN and MARIA BELLO.

Seeing it on TNT, it's understandable that the film had some problems in connecting with a larger audience. Brosnan's villain is below par for the actor and Butler has done better work elsewhere although he gives all his energy to the role of a distraught husband.

The plot is an elaborate cat-and-mouse game that Brosnan plays with the unlucky couple, Butler and Bello. While it does generate a certain amount of suspense, Brosnan's character remains an enigma for almost the whole story. Never once do we get a hint of why he's going to such extremes to torture the couple by demanding that they perform tasks at his bidding. A grungy looking Brosnan makes the villain a very unappetizing psychotic and we're never quite sure about Butler either, an ad agency man who gradually loses his swaggering overconfident manner.

Without giving away more of the plot (except to say that there is a mildly interesting twist toward the end followed by a double twist), the whole thing plays more like a made-for-TV movie than an actual film because none of the characters are more than one-dimensional despite the good acting. And the final scene between Butler and Bello is totally unbelievable as to motivation.

Summing up: Basically tricky and shallow at the core.

Butterfly on a Wheel (AKA: Shattered) is directed by Mike Barker and written by William Morrissey. It stars Pierce Brosnan, Maria Bello and Gerard Butler. Music is by Robert Duncan and cinematography by Ashley Rowe.

Butler and Bello play a seemingly happily married couple who have an adorable young daughter into the fold. Enter a rather sinister Brosnan who announces he has kidnapped the daughter and requires the couple to do everything he asks. Pressure is on then!?

Basically this is just real solid kidnap thriller film making, the kind that we were well served with back in the 1980s, and with that in mind this comes off like a throw back to that decade. Brosnan (how nice to see him doing a natural Irish brogue) grows ever more spiteful, while of course our handsome couple get more frantic.

But naturally there's a mystery going on here, we are left in no doubt about that there is something lurking beyond the edges of the frames. To which the inevitable twist, on which the whole pic's very being depends upon, will either make or break how you ultimately feel about the piece as a whole.

I liked it. 7/10

I had heard about this movie from a friend who knows that I love Thrillers so I decided to rent it and check it out. Butterfly on a Wheel (also known as Shattered) was a pretty decent thriller with a twist that puts the pieces together as far as motive goes followed by another twist which one may or may not see as superfluous and unnecessary. I personally, liked both and this movie satisfied my Thriller needs..

Abby (Bello) and Neil (Butler) Randall are a happily married couple with a young daughter, Sophie. She is a stay at home Mother who wants to recapture her love of photography and he is a successful businessman who seems to be the go to Boss's man when it comes to sealing deals and landing accounts. The boss has invited Randall on a personal trip and Abby is hopeful that he may offer him partner. Meanwhile, Abby is going out with a friend for the evening and gets a babysitter for Sophie since she and Neil will be gone (him on the trip and she with a friend) - they leave together in the family car.

Everything is fine until out of no where Tom (Brosnan) pops up from the backseat of the car where he had been hiding with a gun and immediately makes it known that Abby and Neil better do what he says and what he wants or else Sophie is dead - implying that the sitter that arrived to care for her is in on the scheme with Tom.

From here on out it's a mind game with Tom making Abby and Neil do countless different things including doing to the bank, withdrawing all their savings and then once Tom gets the money, he sets it all on fire making the audience and the two main characters question his motive even more than before. Who is Tom? What does he want? What's the motive behind his madness? Who is really in on this plot? Does it have to do with Neil's business? Is someone jealous of his success?

All the answers are revealed in the last 30 minutes with an initial twist that puts the pieces together nicely... there IS motive which is always nice to see in a Thriller. However, there is another twist afterwards that was fine but I think the movie could have done without.

My one gripe was that, despite the 2 main characters having access to phones and often being allowed to roam free through the streets, initially neither contacted the police about their kidnapped daughter. However, the movie implies that Neil and Abby feel that she has been moved to an unknown location (rather than be at the house) which helps since if they contact the police, they may never find her.

7/10 Good Thriller - I'd recommend seeing it.

I'd never heard of this movie until it showed up on DVD sites a couple of weeks ago. Then I read the comments here and thought, "Pass." But there was not much to choose from the other night, and the suspense/mystery/thriller genre is my favotire these days, so ... I picked it up. Glad I did because my wife and I enjoyed the movie. Certainly not a GREAT film, but very good. I liked the story, the film was nice and short, good characters. And we loved the ending and the twists. They were very clever. Overall, a solid suspense drama. Too bad this film didn't get released. Saw 4, on the other hand, goes wide and makes a ton.

This movie is the equivalent of shattering an already broken mirror. We are introduced to the happy, functioning family: Father's successful and climbing the corporate ladder in the advertising industry, while mom stays at home and takes care of cute-as-a-cupcake daughter. All is well...

(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)

...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.

If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.