Zinda

It's not something new for bollywood to copy foreign movie's script. I guess they (actors, director and creative staff members...) all gather around and watch the movie to be copied so that there will be no confusion what they are really after. Frame to frame. That's a shameful act for any responsible main stream actors and director. I am glad that Zinda is now under investigation for violation of copyright. Its about time now to stop this shameful piracy. Another thing is, Hindi movie don't have guts to go that extreme like jaw-dropper "Old boy". Pathetic. They make movie according to the public taste, mostly rickshaw pullers. I wonder where they found in between the plot to plant some songs and crazy dance. Somebody really needs to tell bollywood artist that movie is a serious art business. There is a very bold thick red link between copy and adaptation, and Zinda is way far across the line.

Having seen the Korean movie that Zinda is based on, and realizing how difficult a job Sanjay Gupta had on his hands, I went into this screening giving Zinda all the chance I could. What I eventually ended up watching got me thinking: Since Gupta has seen the original, what did he see at all in his version that he let it be released in cinemas? He should have left this movie on the shelves, or let out a quite Home video release and saved himself a lot of face. Or be man enough to announce that he failed. It is impossible that he could have been satisfied with the end-product. For a movie where the director deceives himself, what chance do the audience have? Zinda follows the life of Bala (Sanjay Dutt) who is plucked off his beach-house in Bangkok without notice, shortly after arriving there with his wife. He is imprisoned in a hotel-room, fed & cared for and yet devoid of all human contact. He is not even allowed to kill himself. His only contact with the outside world is a Television set which eventually gives him news that his wife has been killed and all evidence points to him as the murderer. 14 years of solitary confinement followed by sudden release fuels Bala's quest for vengeance against his captor (John Abraham). At his aid are a Female Punjabi Cab Driver (Lara Dutta) and his childhood friend (Mahesh Manjrekar).

Sanjay Gupta and Sanjay Dutt as White Feather Films make a formidable team. Since rediscovering himself as a 'remake' film-maker, Gupta has been Indianising movies quite well. Somehow, they have always managed to entertain the testosterone audience. But here Gupta sets himself too high a target. Oldboy, the Korean film that Zinda is a remake of, is a masterpiece in film-making. The movie cannot and should not be tinkered with in its story and characters. All Gupta wants to do is pick the stylization from Oldboy and fit it into a movie he has imagined he can make. Yes, style has sold film before, but a minimalist interest in the script only works to negate any effect that the sleek-look may have. To give credit where due, Sanjay Gupta does make an attempt towards a movie like nothing we have 'seen' before. But a failed attempt does not a good movie make. Sanjay Gupta has always been a master technician of his movies, but this movie falters at a more basic level - it's writing. The theme of the movie is Revenge. But is Sanjay Dutt's Bala interested in revenge at all? Yes, to begin with: when he tries to discover the place where he was held captive. But thereafter all he is interested in is staring, walking, staring, running. With such a strong motive behind a well established character, where is the pay-off? Dutt himself gives a good performance. But with no backbone. This is not an act where even if the movie collapses all around him, his performance will emerge from the rubble as a saving grace (as it was in Pitaah). We have seen Mr Dutt do a lot better than this before, and in contrast, his Bala is too mediocre. John Abraham also does a good job - but unfortunately, the consistency and fierceness of his character does a 180 at the end, thanks again to the writing. He takes the entire movie to prepare this wonderfully evil character and ends it by adding a teaspoon-full of sugar. Lara Dutta does her best to look babe (she succeeds), but fails to convince us as a Punjabi or a cab-driver. Another White-Feather alumnus Sameera Reddy could have been a better choice. Mahesh Manjrekar is a lost cause.

Sanjay Gupta and his cinematographer Sanjay F. Gupta (Oh, the number of Sanjays!) work well to mood the film right - but while the color-grading worked well in Musafir, and in Sanjay F Gupta's Karam, here the entire movie ends up with a grainy look. That, my dear Guptas, is definitely a not. The lack of dance-numbers and only background tracks is a positive, and Vishal-Shekhar with Strings add to a wonderful soundtrack. Down the years, maybe that's all this movie might be remembered for. And a somewhat decent, but copied, hammer-sequence.

My Rating --> 2/5

Many have said this before, but I'm afraid I have to repeat the opinion on the account that a surprising many have decided that Zinda is worth of anything more than 1 star in IMDb. Zinda is a unscrupulous photocopy of the masterpiece Oldboy, and should be avoided, if not boycotted.

Some will claim that Zinda is a 'tribute' or a 'remake' of the Oldboy. To them I ask one question: "What kind of filmmakers make remakes of a movie when the original came out two years ago and has been selling DVDs very well internationally?" It seems that this particular brand of Indian cinema has decided that it is quite content making money off of other people idea for free. And though it is impossible for the original filmmakers to sue the filmmakers of Zinda (on the account that Indian copyright laws does not allow for such suit), Zinda should be remembered as a true stain on the development of Indian Cinema.

Because it has photocopied a great movie, Zinda avoids being an absolute terror of a movie. However, this does not excuse Sanjay Gupta and the section of 'Bollywood' that has involved itself in Zinda's production. Because of the blatant plagiarism, and the Zinda's makers absolutely refusing to apologize and reimburse the original filmmakers, I must say Zinda deserves 1 star, if not 0.

I've read the user comments on this forum and found a blithe lack of concern in many of the posts for the fact that 'Zinda' is a total ripoff. Here are some telling examples, along with my own not-very-profound responses. I trust I need do no more than that to make my point:

"It is unfortunate that bollywood ripped off OLDBOY, but if that is the only way that the Indian audiences would get a glimpse of what the original was like, so be it" (Huh? Ever hear of buying the rights to do an official remake?)

"I am reading the reviews of OLD Boy too, which i have not seen. But I should say that it is a great experiment by Indian cinema" (Yeah, a repeat experiment -- like where somebody else first came up with the ideas and took the risks before you came along and decided to do the exact same thing)

"The legendary action-scene with the hammer looks as hard as it was in Korean version". (the Korean version? Almost makes it sound like 'Oldboy' ripped off 'Zinda')

"First things first , i haven't seen Old Boy so just cant judge Zinda by it's standard... He did full justice to the role of Balajeet Roy(on par with Choi Min-shik" (So you haven't seen 'Oldboy', but you HAVE seen Choi Min-Shik's performance in it? Do the police come to you for psychic impressions when they run out of clues?)

(And what does this mean): "There is no doubt that 'ZINDA' is a complete rip-off of Korean movie 'OLDBOY' but I must add that it is an excellent adaptation of 'OLDBOY'".

--And I won't spoil the pristine effect of these following remarks by adding my own commentaries:

"Hollywood is also planning a rip of this one, so what's the fuss all about"

"People tell me that this movie is inspired/copied or total remake of a Korean masterpiece "OldBoy"; but I don't mind it"

"Yes agreed that he copies other films scene by scene, but who doesn't? Why is he called a copycat, when i can add a long list of other copycats? Take Ek Ajnabee - which was an exact copy of Man On Fire, or Vivek Agnihotri for Chocolate - which was a ridiculous version of the classic 'The Usual Suspects'. At least Sanjay Gupta makes a good replica of a film"

"Copy of old boy backed up with Sanjay direction makes it truly a ride you will never forget".

"The story may be inspired from a Korean film, or so we are told, but is doesn't matter because no one's really seen it".

It's heavy violence. My major concern is why Bangkok? Bangkok seems to me a beautiful city, however, it's not at all captured like one here. It's ultra dark, highly gloomy and completely violent with mostly everyone in the city seem murderers (gunda log hai re baba). The movie starts well, doesn't feel it's gonna be heavy crime material. It does well to make it feel like horror after the first 10 minutes. John and Sanjay are decent, everyone else have been a disappointment. Although Lara was good, she doesn't justify her character why she's been dragged till the end, maybe just needed a female out there most of the time to make the audience glue the seats. Unnecessary. The locations are the worst part. Very gloomy, dark, and disturbing. Would rather suggest a better movie to watch. The story, too, gets complicated towards the later stages disrespecting the original one. Girls and all the ladies reading me, should have such behaviour by any men stopped right there. The more they let it go, they make them closer to the target who is you. Take the step before it's too late, do not fear. However, you're lucky since I'm sure you don't hace such brutal men around you. Most of the men are good, earthly, and highly respectful, few bad apples do not make the whole lot of men bad. Must respect the men too, because men really do.