LovecraCked! The Movie

If you love independent cinema, or H. P. Lovecraft, definitely check this movie out. It shows that you don't need to be associated to with a huge studio to make a witty, well made film.

Elias as the hapless journalist leads us through a compilation of shorts which embody the spirit of Lovecraft, but at the same to are quite humorous. And what other movie can boast having aliens, zombies, and snowmen?

The only thing I would say is if you haven't read Lovecraft, I think some of the references and jokes which I enjoyed may be lost on you, but nonetheless I would still say to check it out!

Some years ago I heard about this movie and thought it sounded kind of interesting. I could not find it anywhere else, so I had to order it from the production companies website. For some reason, I don't really remember, I could only get the full package (the DVD, a poster, a T-shirt and a card signed by someone involved), which was of course more expensive than just the DVD. I was still going to school back then and for me it was a lot of money for a movie I didn't know much about. I eventually ordered it anyway and I have not regretted it.

It's certainly not for everyone. It's an independent movie and it shows. The movie consists of different short films, loosely based on H.P. Lovecrafts work, connected by a story about a journalist, who is researching Lovecraft. Some of the segments were a little...experimental. They are all quite different and I did not like all of them equally as much, but the good thing about films like this is that if you don't like one part you might like the next. I ended up liking most of them in one way or the other

I think it is not necessarily a horror movie in the traditional sense, some moments were rather funny or just plain weird.

Although I gave the movie 8 stars, I would not recommend it to everyone, but if you like Lovecraft, independent cinema or weird short films (or better yet, all of those things), give it a chance.

A very creative spin on H.P. Lovecraft. The combination of horror plus comedy is something that I enjoyed very much! The DVD extras were very cool to view. The Easter Egg and Music Videos were exceptional! Keep 'em coming Elias and T.O.T.S., you guys together exude explosive vibes! I am looking forward to seeing whatever future projects that springs forth from such talented individuals.

Kudos also to each and every film-maker presented in LovecraCked the movie. It was nice to see the many different styles that everyone presented. It is definitely an honor for me to have this particular DVD, as a part of my growing DVD collection.

The concept of an anthology film project comprised of humorous adaptations of H.P. Lovecraft material never would have occurred to me but obviously someone at BiFF JUGGERNAUT Productions was "cracked" enough to give birth to such a bizarre concept. Given that this film is a collection of other filmmaker's material with varying degrees of quality, shooting formats and aspect ratios, the whole thing meshes together surprisingly well and the wrap-around segments featuring Director Elias as a kind of eccentric roving reporter delving into...something...related to Lovecraft somehow manage to tie up a few loose ends while unraveling several dozen in the process. There's something very charming about films where your roving reporter and his subjects are all completely dubbed; I guess it satisfies that Mondo movie jones that I have.

This is cutting edge, avant-garde, underground, horror film-making. Scream XI this is not. Neither is this the next installment from Hollywood's digest of McHorror films. These are original pieces of art—like raw sugar cane. Like all things new and original there will be resistance to fully appreciate the films on this anthology. However, this is a compliment. Many of the short films in the anthology could easily be expanded into feature length films. There is no doubt many of the films will generate controversy and criticism. It's apparent the executive producers enjoyed successfully (unlike Cloverfield's gimmick) the act of unprocessed cinema. It is true that a 100 million dollar fat-cat budget would smooth out the edges—but then again look at Kevin Costner's Waterworld. One can even surmise that the producer's were satirizing the over-inflated, unnecessary budgets of Hollywood. There are hilarious flying fake bats on strings and an obviously unplugged microphone that the host absurdly pretends to talk into throughout. Alas, my only fear is that after the success of this anthology the producers may regress into another (lost soul) John Carpenter.