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IMDbPro

49 Up

  • Filme para televisão
  • 2005
  • Not Rated
  • 3 h
AVALIAÇÃO DA IMDb
8,1/10
3,1 mil
SUA AVALIAÇÃO
Neil Hughes in 49 Up (2005)
Home Video Trailer from First Run
Reproduzir trailer2:27
1 vídeo
6 fotos
BiographyDocumentary

Adicionar um enredo no seu idiomaDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the las... Ler tudoDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.Director Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

  • Direção
    • Michael Apted
    • Paul Almond
  • Artistas
    • Bruce Balden
    • Jacqueline Bassett
    • Symon Basterfield
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    3,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Apted
      • Paul Almond
    • Artistas
      • Bruce Balden
      • Jacqueline Bassett
      • Symon Basterfield
    • 28Avaliações de usuários
    • 24Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 2 prêmios BAFTA
      • 6 indicações no total

    Vídeos1

    49 Up
    Trailer 2:27
    49 Up

    Fotos5

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal15

    Editar
    Bruce Balden
    Bruce Balden
    • Self
    • (as Bruce)
    Jacqueline Bassett
    Jacqueline Bassett
    • Self
    • (as Jackie)
    Symon Basterfield
    Symon Basterfield
    • Self
    • (as Simon)
    Andrew Brackfield
    Andrew Brackfield
    • Self
    • (as Andrew)
    John Brisby
    John Brisby
    • Self
    • (as John)
    Suzanne Dewey
    Suzanne Dewey
    • Self
    • (as Suzy)
    Charles Furneaux
    Charles Furneaux
    • Self
    • (cenas de arquivo)
    • (as Charles)
    Nicholas Hitchon
    Nicholas Hitchon
    • Self
    • (as Nick)
    Neil Hughes
    Neil Hughes
    • Self
    • (as Neil)
    Lynn Johnson
    Lynn Johnson
    • Self
    • (as Lynn)
    Paul Kligerman
    Paul Kligerman
    • Self
    • (as Paul)
    Susan Sullivan
    Susan Sullivan
    • Self
    • (as Sue)
    Tony Walker
    Tony Walker
    • Self
    • (as Tony)
    Michael Apted
    Michael Apted
    • Narrator
    • (narração)
    • (não creditado)
    • …
    Peter Davies
    Peter Davies
    • Self
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Michael Apted
      • Paul Almond
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários28

    8,13.1K
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    Avaliações em destaque

    8SnoopyStyle

    Feels like people have reached a milestone

    Michael Apted returns again with his kids. This time is a 3 hour extravaganza. It seems this one is more about the kids. While it's wonderful to see everybody happy with their kids, the drama isn't always there. The problems are very much everyday problems that happens to everybody all the time.

    I'm watching this after the events of the financial meltdown and the part with Tony is haunting.

    Jackie comes after Michael Apted and he really comes off as one of the characters for the first time. It's a bit of behind the scenes moment which makes it absolutely riveting. She's breaking down the 4th wall a bit here.

    For whatever reason, the participants are more forthcoming now. It seems that they're more open about the past. It's as if the facade don't need to stay up anymore. Nicholas can finally admit that his research has come to nothing, and gave some great insights into divorce.

    It's as if most of them have past some kind of milestone. They are mostly content and looking forward to their children and grandchildren. Most of them are settled and trying to make sense of their past.
    9kangamommy

    Thoughts about value

    I have recently watched all of the Up series, finishing with 49 Up this evening. While I have enjoyed the series and been fascinated by the people involved, I did agree with John somewhat that it's a bit like Big Brother or some other reality series.

    Upon talking it over with my husband, however, I find that I have misjudged it. The series does have a lasting value that is not present in entertainment based reality TV shows. What does the series teach us? Tolerance and acceptance of our own fallible judgments. We see these people at 7 and we decide what they will be doing at 21 or 35. Inevitably we're wrong on some important level. What this shows us is that we can never truly know someone, especially someone we don't have an intimate family relationship with, because we never get more than a glimpse into their inner life.

    At 7 I didn't like Tony. At 21 I didn't like Suzie. The only person I have admired from the beginning is Bruce. Now, at 49, I find them all interesting, individual people and I have a great deal of respect for each of them. They have made their lives something to be proud of. They bring value into the lives of their families and communities, but also to those of us who only see a tiny portion of their lives every 7 years.

    This isn't reality TV. This is reality- this is life being lived by real people. I hope they will continue to do the program, despite the intrusion. I hope they will understand that they do bring something more into our lives than a couple hours entertainment.
    10lorrock2002

    I have watched the whole series, and I am hooked!

    I grew up in England, and saw the first documentary there. I emigrated to Canada at 18, and have seen the rest of the series here. It has been both an opportunity to see how England and the English have changed, as well as seeing "old friends" every seven years. I grew up in a Navy family,we were not wealthy, but because my father was a Naval Officer, we were considered upper middle class, so I rode horses, went to the Continent on Holiday and and attended boarding school from age 10. I also attended a 1 room schoolhouse and changed primary schools with alarming rapidity, so I met many kids just like all the ones on 7-UP, I could even understand Nick's Yorkshire accent! My favorite is also Bruce, but I love Tony, Neil and Symon, and can totally empathise with Suzy! Funny how so many of the kids had broken childhoods, but became wonderful parents themselves. I am looking forward to catching up with them at 56!
    10preppy-3

    Absolutely amazing

    In 1963 14 British children, all age 7 but of varying classes, were interviewed about a variety of subjects. Thereafter they were interviewed every seven years. This is the seventh installment. By now only 12 are left (2 dropped out).

    This may be deadly boring to some but I found it fascinating--you see the most recent interviews along with clips from all the previous shows. You literally see these people grow up before your eyes--you share their struggles, dreams and triumphs. This was originally done to trace something about social classes--but that seems to have been dropped. There's nothing extraordinary about these people--they're mostly plain, average men and women just doing their best to get through life. Sounds dull but I was spellbound throughout. I saw 28, 35 and 42 Up also and, in a strange way, seeing this was like having a class reunion! You get in touch with people you haven't seen in a number of years and catch up on them. I remember all of these people from the previous episodes and I loved seeing them again and how most have happy content lives. Not for everybody but I couldn't stop watching.

    This should really be the last one. One woman makes it clear that she won't do another one and all of the participants comment on how the show negatively affected their lives. So maybe it's time to let them go.

    Not for everybody but I give it a 10.
    jamesdamnbrown

    The most profound reality series ever

    In 1964, English filmmakers including director Michael Apted assembled a group of fourteen British children from various economic and social backgrounds, all age 7, and made a documentary about them called 7 Up. Every seven years afterward, Apted revisited the same children and made another documentary about them, chronicling their lives at the ages of 7, 14, 21, 28, 35, 42 and now 49. The first installment that I watched, 28 Up, made me fall in love with these films. Much has been said about the series depicting the rigidity of the English class system, but as decades go by, the human element, the nature and personalities of the individuals being profiled, seems to be almost as important in affecting how their lives turned out. After seeing 28 Up and 35 Up, I remember feeling very bad for one kid who grew up coping with mental health problems and eventually wound up homeless, and thought leaving the theater that he wouldn't be alive for 42 Up. But by then he had moved to London and involved himself in local politics, a rewarding turn of events for him, and for the audience as well. The kids from the upper crust backgrounds have predictably had more affluent lives, and turned out to be the least forthcoming and most guarded on camera as adults, and less easy to warm up to. Some kids had deep seated feelings of shyness and insecurity that stayed with them as adults, and very publicly evaluating their failures and achievements every several years has been very difficult and uncomfortable for them. But even though some seem to resent the filmmakers' intrusion in their lives, they generally seem to understand the larger value of the series and twelve of the original fourteen kids continue to participate, even though they have misgivings or regrets about it. It's interesting to watch marriages and relationships suddenly begin and end, and usually people quickly remarry or find another relationship, often to someone more compatible and attractive. I identified most with the children who grew up to be teachers and academics, highly likable, intelligent people who realize that they aren't the most socially or economically successful but in many ways seem to be the most happy and fulfilled ones of the bunch. Despite their ambivalence, the participants deserve a big round of applause for letting us grow up and old along with them.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Charles Furneaux, who last appeared in 21 Up (1977), attempted to sue Michael Apted for using his earlier likeness in the film.
    • Citações

      Neil Hughes: I see that life comes once, and it's quite short. You have to appreciate what's good in it. And if I could just tell a short story: I was just sunbathing and a butterfly landed quite close to me. It had beautiful wings, with deep red colors, and white sort-of circles on them... these creatures don't last very long. But it landed very close to me, it didn't seem frightened. It just seemed delighted opening and closing its wings, and just actually being beautiful for that period of time, enjoying the sunshine. Perhaps there isn't actually any more to life than that, and just being what you are. You must realize that life goes all around, and there are millions of other creatures who must find their parts as well.

    • Conexões
      Edited into P.O.V.: 49 Up (2007)
    • Trilhas sonoras
      Shout to the Lord
      by Darlene Zschech

      Sung by Neil's church group

    Principais escolhas

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    Perguntas frequentes1

    • What do the participants think of "life" and of the project?

    Detalhes

    Editar
    • Data de lançamento
      • 15 de setembro de 2005 (Reino Unido)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • PBS (United States)
    • Idioma
      • Inglês
    • Também conhecido como
      • Forty Nine Up
    • Empresa de produção
      • Granada Television
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 241.772
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 53.277
      • 8 de out. de 2006
    • Faturamento bruto mundial
      • US$ 696.975
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      3 horas
    • Cor
      • Color
    • Proporção
      • 1.33 : 1

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