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49 Up

  • Filme para televisão
  • 2005
  • Not Rated
  • 3 h
AVALIAÇÃO DA IMDb
8,1/10
3,1 mil
SUA AVALIAÇÃO
Neil Hughes in 49 Up (2005)
Home Video Trailer from First Run
Reproduzir trailer2:27
1 vídeo
6 fotos
BiographyDocumentary

Adicionar um enredo no seu idiomaDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the las... Ler tudoDirector Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.Director Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

  • Direção
    • Michael Apted
    • Paul Almond
  • Artistas
    • Bruce Balden
    • Jacqueline Bassett
    • Symon Basterfield
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    3,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Apted
      • Paul Almond
    • Artistas
      • Bruce Balden
      • Jacqueline Bassett
      • Symon Basterfield
    • 28Avaliações de usuários
    • 24Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 2 prêmios BAFTA
      • 6 indicações no total

    Vídeos1

    49 Up
    Trailer 2:27
    49 Up

    Fotos5

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal15

    Editar
    Bruce Balden
    Bruce Balden
    • Self
    • (as Bruce)
    Jacqueline Bassett
    Jacqueline Bassett
    • Self
    • (as Jackie)
    Symon Basterfield
    Symon Basterfield
    • Self
    • (as Simon)
    Andrew Brackfield
    Andrew Brackfield
    • Self
    • (as Andrew)
    John Brisby
    John Brisby
    • Self
    • (as John)
    Suzanne Dewey
    Suzanne Dewey
    • Self
    • (as Suzy)
    Charles Furneaux
    Charles Furneaux
    • Self
    • (cenas de arquivo)
    • (as Charles)
    Nicholas Hitchon
    Nicholas Hitchon
    • Self
    • (as Nick)
    Neil Hughes
    Neil Hughes
    • Self
    • (as Neil)
    Lynn Johnson
    Lynn Johnson
    • Self
    • (as Lynn)
    Paul Kligerman
    Paul Kligerman
    • Self
    • (as Paul)
    Susan Sullivan
    Susan Sullivan
    • Self
    • (as Sue)
    Tony Walker
    Tony Walker
    • Self
    • (as Tony)
    Michael Apted
    Michael Apted
    • Narrator
    • (narração)
    • (não creditado)
    • …
    Peter Davies
    Peter Davies
    • Self
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Michael Apted
      • Paul Almond
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários28

    8,13.1K
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    Avaliações em destaque

    8SnoopyStyle

    Feels like people have reached a milestone

    Michael Apted returns again with his kids. This time is a 3 hour extravaganza. It seems this one is more about the kids. While it's wonderful to see everybody happy with their kids, the drama isn't always there. The problems are very much everyday problems that happens to everybody all the time.

    I'm watching this after the events of the financial meltdown and the part with Tony is haunting.

    Jackie comes after Michael Apted and he really comes off as one of the characters for the first time. It's a bit of behind the scenes moment which makes it absolutely riveting. She's breaking down the 4th wall a bit here.

    For whatever reason, the participants are more forthcoming now. It seems that they're more open about the past. It's as if the facade don't need to stay up anymore. Nicholas can finally admit that his research has come to nothing, and gave some great insights into divorce.

    It's as if most of them have past some kind of milestone. They are mostly content and looking forward to their children and grandchildren. Most of them are settled and trying to make sense of their past.
    10preppy-3

    Absolutely amazing

    In 1963 14 British children, all age 7 but of varying classes, were interviewed about a variety of subjects. Thereafter they were interviewed every seven years. This is the seventh installment. By now only 12 are left (2 dropped out).

    This may be deadly boring to some but I found it fascinating--you see the most recent interviews along with clips from all the previous shows. You literally see these people grow up before your eyes--you share their struggles, dreams and triumphs. This was originally done to trace something about social classes--but that seems to have been dropped. There's nothing extraordinary about these people--they're mostly plain, average men and women just doing their best to get through life. Sounds dull but I was spellbound throughout. I saw 28, 35 and 42 Up also and, in a strange way, seeing this was like having a class reunion! You get in touch with people you haven't seen in a number of years and catch up on them. I remember all of these people from the previous episodes and I loved seeing them again and how most have happy content lives. Not for everybody but I couldn't stop watching.

    This should really be the last one. One woman makes it clear that she won't do another one and all of the participants comment on how the show negatively affected their lives. So maybe it's time to let them go.

    Not for everybody but I give it a 10.
    10lorrock2002

    I have watched the whole series, and I am hooked!

    I grew up in England, and saw the first documentary there. I emigrated to Canada at 18, and have seen the rest of the series here. It has been both an opportunity to see how England and the English have changed, as well as seeing "old friends" every seven years. I grew up in a Navy family,we were not wealthy, but because my father was a Naval Officer, we were considered upper middle class, so I rode horses, went to the Continent on Holiday and and attended boarding school from age 10. I also attended a 1 room schoolhouse and changed primary schools with alarming rapidity, so I met many kids just like all the ones on 7-UP, I could even understand Nick's Yorkshire accent! My favorite is also Bruce, but I love Tony, Neil and Symon, and can totally empathise with Suzy! Funny how so many of the kids had broken childhoods, but became wonderful parents themselves. I am looking forward to catching up with them at 56!
    9mikhaeladelahunty

    In 49 Up we revist the participants of the original series to discuss their last 7 years.

    It is not quite a 50th Birthday invitation, but as most of the original cast of the landmark documentary 7 Up, approach the big 5-0, we are invited back into their lives to celebrate their most recent trials and tribulations in Michael Apted's 49 Up.

    It was the Up series that launched Apted's career, and he now has some thirty titles under his belt, including James Bond: The World Is Not Enough and Gorilla's in the Midst.

    The Up series began in 1964 as a sociological experiment. Apted, armed with a video camera, set out see if life was pre ordained for children by the class they were born into. To test this concept, 14 children of the same age, but born into varying social strata's were filmed interacting together at a zoo. The Up series is credited with paving the way for other historically important screen documentaries.

    It is remarkable in itself that Apted has managed to keep track of the original, and willing Up participants. As her revisits them every 7 years, the footage from these lengthy interviews is what makes up the series. By 49 Up, the 'class outcomes' are put to bed.

    Apted should be credited for moving beyond the class wars, and choosing to focus on journey and personal growth of his participants as the greatest mark of achievement. This was summed up beautifully by a UK movie buff: "in a real sense, all are successful, when we define success as finding fulfillment in where you are and in what you do."

    The greatest success story and Apted's own personal favourite is the story of Neil. After learning of Neil's stints of homelessness, and battle with mental illness, fellow Up participant Bruce, threw him a life line 7 years ago by offering Neil a place to stay and then went about helping him get on his feet. Now, Neil lives independently with a fixed address and is running for town mayor.

    Most participants have something inspiring and surprising in their stories. Even John Brisby, who features in 49 Up as a prominent lawyer, has lived his life very much like her predicted when he was a child. When we meet John at age 7, he was apparently reading the Financial Times, was most concerned about schools becoming free, fearing they would become 'terribly crowded.' He had aspirations of attending Cambridge and becoming a lawyer.

    So in 49 Up it was a touch ironic that he had committed a large portion of his life to building free schools in Bulgaria and working to improve the medical system. His reasoning to appear in 49 Up was to 'raise awareness on a greater platform'.

    The tearful admission of tough but lovable Lyn Johnson about her loosing fight to stabilize funding for her work she does with disabled children will touch all, and hopefully mobilize the relevant agencies to do something about it. What is also surprising is how media savvy both Lyn and John have become to use the series to further their own causes.

    On a lighter note, little Tony, the knockabout kid from the east end who wanted to be a jockey, is now Tony the owner driver of a cab, grandfather and , has a villa in Spain as well as his home in London. He has done some acting work thanks to the Up series, and his honest and welcoming account of his last 7 years is a highlight. However, my favorite is still Bruce, for no prolific reason. You'll have a favourite by the end too.

    49 Up intended to be a fly on the wall documentary, but you can't help to wonder if their lives are a product of the experiences presented to them, because of the Up documentaries. It is a phenomenal series, and its format has been copied in other countries and it is used as an education aid in VCE psychology classes, yet, after 42 years, they participants are still bewildered by our interest in their 'ordinary' lives. John offers us his insight about our fascination: " It's like watching Big brother except the viewer gets the added bonus of watching us all grow old and get fat."

    For all the differences in their back grounds, the participants are seem to have a similar trait- optimism and resilience, and it is satisfying to watch. Yes the once wide eyed 7 year old are now plumper, greyer, and more precocious then ever, yet there is a little bit of all of them in us, and that is why we will eagerly await 56 Up in 2013.
    8Red-125

    Well into middle age

    "49 Up" (2005), co-produced and directed by Michael Apted, is the seventh episode of a unique venture in film-making. Apted began filming a group of children at age seven, and has followed and filmed their lives every seven years since then.

    For us, as spectators, following the progress of the lives of these children has been fascinating. However, the children themselves, who are now well into middle age, don't appear to be very happy with themselves or with the project.

    I have two questions about this. In the first place, why are these people so angry at Michael Apted? (We never see Apted, but the individuals confront him, and we hear his answers to their comments.) Naturally, it's hard to know what Apted puts into his films, and what he leaves out. However, as far as I can tell, he's fair and objective in what he shows us. The characters in the movies certainly don't like the films, and most of them don't like Apted. One person, while conceding that being in the film helped him raise money for his favorite charity, refers to the process as the poison pill that he swallows every seven years. The United Kingdom has a population of about 60 million people. That means that these people had roughly a two in a million chance to be chosen for the project. No one else in England--even the Queen--is scrutinized in quite this way. Why aren't they happy to leave a record of their lives?

    The second question is, If they hate the project so much, why do they continue to participate? (I don't know if they are paid--that's never been made clear.) In any event, they certainly don't have any legal, moral, or ethical obligation to allow Apted to film them. They could just tell him that they're finished with the project. Why don't they? (Some have, but most return every seven years.)

    I had a thought about this after seeing 49 Up. This time, I found the film pretty depressing. Naturally, some people were happier than others, but no one appeared to be really satisfied with his or her life. Could it be that something about being filmed every seven years has altered the trajectory of the lives of these people? Maybe they think they would have been happier if they had never heard about Apted's project. Maybe they're wrong, but maybe they're right.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Charles Furneaux, who last appeared in 21 Up (1977), attempted to sue Michael Apted for using his earlier likeness in the film.
    • Citações

      Neil Hughes: I see that life comes once, and it's quite short. You have to appreciate what's good in it. And if I could just tell a short story: I was just sunbathing and a butterfly landed quite close to me. It had beautiful wings, with deep red colors, and white sort-of circles on them... these creatures don't last very long. But it landed very close to me, it didn't seem frightened. It just seemed delighted opening and closing its wings, and just actually being beautiful for that period of time, enjoying the sunshine. Perhaps there isn't actually any more to life than that, and just being what you are. You must realize that life goes all around, and there are millions of other creatures who must find their parts as well.

    • Conexões
      Edited into P.O.V.: 49 Up (2007)
    • Trilhas sonoras
      Shout to the Lord
      by Darlene Zschech

      Sung by Neil's church group

    Principais escolhas

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    Perguntas frequentes1

    • What do the participants think of "life" and of the project?

    Detalhes

    Editar
    • Data de lançamento
      • 15 de setembro de 2005 (Reino Unido)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • PBS (United States)
    • Idioma
      • Inglês
    • Também conhecido como
      • Forty Nine Up
    • Empresa de produção
      • Granada Television
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 241.772
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 53.277
      • 8 de out. de 2006
    • Faturamento bruto mundial
      • US$ 696.975
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      3 horas
    • Cor
      • Color
    • Proporção
      • 1.33 : 1

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