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I have just seen this movie. It just opened today (November 9th 2007) in Spain. Let me say that I understand the bad word of mouth the movie is having, it deals with a difficult subject (sexual abusers) and its tone is as dark as say "9 MM", if not darker.

But all things considered it's a pretty good film. The investigation angle makes for a very tense thriller, but where the film really shines is in the depiction of Richard Gere's characters, as well as the villain's, which I won't reveal.

Gere is really all stops go here, it's easily his most intense role since "Internal Affairs". Even if you are not Gere fans, you're gonna love him in this.

On the minus side, I didn't like the way the film is edited. It's full of flashes, freeze frames and all those "arty" stuff they cram into your TV series and direct-to-DVD movies. I understand they wanted to give the movie a hard edge, but it's often too distracting. The film is already dark and gritty enough as it is, and this bells and whistles don't add a damn thing.

And then there's Claire Danes. look, she's an OK actress, but she was like a fish out of water here. They give her character some interesting background, but she's constantly out off key. She looks like a raving lunatic when she tries to act quirky or vulnerable, and not very convincing when the script calls for her character to toughen up a little.

So, it's an interesting movie if you can go beyond the surface of its visual trickery, but not as good as it could be. I would say it earns a 6'5 - 7 in my scale.

First of all i have seen 8 mm and i am normally quite resistant to some 'heavy' images. But this movie did disturb me.

Most of the viewers complain the movie had a very bad pace, to few twist turns. I both agreed and disagreed here, yes when watching the movie you know who's 'dunnit' way to early but I loved the pace. In my eyes they really made time to make you loath the bad guys and feel repulsed by the idea what they did to those poor girls.

Richard gere was holding back like always, but I often find he's perfect for these roles. Maybe he did not put of a good performance, but he was just made for these roles. Claire Danes didn't impress me in this movie, quite a shame cause i normally really love claire danes ;). You kind of get the idea they used her for eye candy above everything else.

The first 80 minutes of the movie were quite decent in my eyes but the last 20 minutes were a bit of a disappointment. They seemed to be a bit over the top.

All in all a decent movie. 6 out of 10

It does not seem that this movie managed to please a lot of people. First off, not many seem to have seen it in the first place (I just bumped into it by accident), and then judging by the reviews and the rating, of those that did many did not enjoy it very much.

Well, I did. I usually tolerate Gere for his looks and his charm, and even though I did not consider him a great actor, I know he can do crazy pretty well (I liked his Mr Jones). But this performance is all different. He is not pretty in this one, and he is not charming. His character is completely different from anything I had seen from him up to that point---old, ugly, broken, determined. And Gere, in what to me is so far his best performance ever, pulls it off beautifully. I guess it is a sign of how well an actor does his job if you cannot imagine anyone else doing it instead---think Hopkins as Hannibal Lecter, or Washington as Alonzo in Training Day. That is how good Gere was here.

The rest of the cast were fine by me, too. I guess I would not have cast Danes in this role, mostly because I think she is too good-looking for it. But she actually does an excellent job, holding her own with a Gere in top form, which is no small feat. Strickland easily delivers the best supporting act, in a part that requires a considerable range from her. I actually think she owns the key scene with Gere and Danes, and that is quite an achievement.

So what about the rest of the movie, apart from some excellent acting? The story is perhaps not hugely surprising, some 8mm-ish aspects to it, but adding the "veteran breaks in rookie" storyline to the who-dunnit, and also (like Silence of the Lambs) adding a sense of urgency through trying to save the girl and the impending retirement of Gere's character. All that is a backdrop to the development of the two main characters, as they help each other settle into their respective new stations in life. That's a lot to accomplish in a 100 minutes, but it is done well, and we end up caring for the characters and what happens to them.

Direction and photography were adequate. I could have done without the modern music-video camera movements and cutting, but then I am an old curmudgeon, and it really wasn't all that bad, in fact I think it did help with the atmosphere of the movie, which as you might have guessed, by and large isn't a happy one.

Worth seeing.

I finally caught "The Flock" on HBO. A taping at 4:20 am while I was asleep, true, but it's better watched at that hour, methinks. It was apparently only released to theaters in Japan and Turkey, from all reports, but North Americans really didn't miss much.

It's professionally produced, pairs Claire Danes memorably with Richard Gere, and makes their interplay (standard retiring-burnout-and-protégé) entirely believable in most ways.

The gore and corpses aren't beyond those in many modern horror movies, though the camera often lingers more than it should. The fetishes (and worse) of Gere's monitored ex-cons shouldn't shock anyone who's ever been in a triple-X shop.

Danes's acting is superb, especially in pursuing an abductor's trail (standard police-procedural, though by non-cops) with Gere's brooding and effective Errol. What blew a hole in this, though, is that she was miscast in the first place.

Even though one of Gere's well-worn "flock" is female, nearly all are intimidating men, and the role her character Allison is training to take up calls for more heft. Both physically and professionally.

I didn't believe for one minute that Allison chose such a grueling job out of anything more than economic need, certainly not from any more personal calling. No hints are made as to her motivation, nor is anything mentioned of her personal life, beyond nosy behavior and a clumsy allusion by compulsive background-checker Errol.

It's a miscasting on a par with what was done with Danes in "The Mod Squad," but unlike that idiocy of a plot-mangled remake, this gives Danes a quite strong setup — and much gore and many sad fetishes — to play against. If you accept that someone of her perception and refinement would ever take that job in the first place, that is.

Turn to it on cable, but I wouldn't take the effort to even go to the video store or put it in a Netflix queue. It's worth one viewing.

(Most of this review originally appeared on the IMDb board for Claire Danes, followed by considerable discussion.)

Gere and Danes star as 2 workers for the department of public safety who keep track of released sex offenders. Gere, who plays Babbage, refers to them as his flock. Gere is an over obsessed vigilante whom is on his way out. He is training, new comer Allison, to take over his job. Gere sees his flock as very sick, disturbed puppies. He asks them questions that are not on the list, and tries to act like the police and solve crimes. He keeps getting warned for this behavior, hence the reason he is being replaced. During his final few days on the job, a young girl goes missing, and Babbage is sure it is one of his flock whom has gone astray. Him and Allison narrow a list down and discover some of the offenders have gone AWOL. So, he decides that he needs to track the missing girl down rather than help the police. That part is a little far fetched.

There is some sick, twisted stuff shown in this film. Like when Babbage and Allison go to this building where a bunch of sick people do disturbing things to each other. Also, there are the people who kidnapped the girl. At the end of the film, we see what sick freaks they are. However, I wouldn't call this movie excessive because not really much is shown on film.

FINAL VERDICT: If you like thrillers and films about serial killers and cops chasing killers, then you will like this.