Nihon chinbotsu

This film has some nice special effects, tearing apart the Japanese archipelago to a degree that would humble Godzilla. The two leads also put in above-par performances. Apart from that, it is all a bit ropey in this understated disaster flick. The incongruities in the pacing are bizarre. At one point we have Hokkaido sinking into the sea and pyroclastic snow falling on the rest of Japan, while Osaka is buried under an immense tsunami. Yet elsewhere in the country, people are still strolling around sightseeing and licking ice-cream when another tsunami rolls in... Kusanagi also manages to travel great distances without any hindrance, or even a crease in his cream shirt. Other people turn up with burns, ripped clothes and mud-streaks on their faces.

The Japaneseness of the film is both touching and repugnant. Kusanagi's sacrifice in his final evening with Shibasaki is a touch of chivalry seldom seen in this genre these days. However, the ill-fated PMs musings on the Japanese psyche and the seduction of death, and the fact that Japan is abandoned by everyone and has no friends in the last instance, hint at a darker paranoia that infects Japanese concerns regarding their status in the world.

Sadly, the final sequence is a rip-off of Armaggedon, edited with a cookie-cutter.

Finally, my own particular bug-bear - the heavy handed product placement for cigarettes. This time around, it is mad(-or-is-he?) scientist Toyokawa who gets to be the poster boy for Japan Tobacco. At one point, he manages to light up 5000 meters below the ocean surface, in a miniature sub the size of a phone box. Gimme a break.

Another "end of the world" film that begs comparison to the abysmal "Day After Tomorrow". Following the same sort of structure as DAT but with a distinctly Japanese style. How does it fare? That depends on your taste for Japanese melodrama.

I found that the small human touches to be what makes this film compelling for most of it's 2 + hours. Also the frequent title cards explaining some of the science. The effects are probably the best I've seen in a Japanese film and they compare very well to anything out of Hollywood. Many of the disaster scenes are truly horrifying even though the human carnage is usually off screen. And that is one of the drawbacks. While the terror of thousands of on- screen deaths like in the recent "War of the Worlds might have too overwhelming, we also don't really get a sense of the chaos of an entire nation crumbling into the ocean. A few scenes touch on the chaos but for the most part this part of the story is barely touched on. Regardless, this film works on a lot of levels and is way more realistic then DAT, that is until the end.

Unfortunately the story hinges itself on one clichéd plot device and another plot device that would be at home in the 1960's Japanese Earth in peril film "Gorath". After the reasonably good science and mostly realistic take on the disaster, this makes for a bit of disappointment. The sudden stopping of the film for a pop love song doesn't help either (unless you like the song). This made the "exciting" ending a bit of a drag for me.

The overall direction is good and the art design is excellent. Acting is all good as well. Recommended.

As spectacle, it's hard to fault Nihon chinbotsu. The Japanese people have benefited from their intimate relationship with the sea, and the concept of the film implies that an entire world and way of life at risk - thanks to its volcanic heritage. From the standpoint of reality it's rather silly to have a drama wherein the entirety of Japan vanishes under the waves; why just Japan?

So, presume instead that we have movie reality, fueled by spectacle (and popcorn), and some may find this quite affecting. Compared to adventures with Japanese radioactive monsters, this comes off as more mature and better paced. The emotional element is underplayed, and it really works. (It loses a bit with the overblown theme song at the climax, however.)

Is Nihon chinbotsu credible? Probably not, but the thrilling eruptions, and the relaxed pacing make for a more pleasing entertainment that one night expect.

Earlier this year (March 2011), Japan was hit by one of the biggest and most deadly earthquakes in living memory; this eerily prophetic film from 2006 portrays a similar event in its opening scenes, but takes things several stages further as it progresses, eventually depicting what might happen if the entire country were to be gradually dragged under the ocean as the result of shifting tectonic plates.

A big budget remake of the 1973 disaster movie Tidal Wave (based on the novel 'Japan Sinks' by Sakyo Komatsu), Sinking Of Japan unsurprisingly features catastrophic mayhem on a grand scale, all impressively rendered in state-of-the-art CGI. The devastation on display is quite simply jaw-dropping, with entire cities shaken to the ground, massive ships flipped around on turbulent seas like toys in a tub, and volcanoes spewing tons of lava and ash.

Sadly, the spectacular destruction of an entire civilisation only makes up a small percentage of the movie's massive 135 minute running time; the rest of the film consists of less than scintillating drama as a selection of characters go through predictable emotional turmoil as they face a very uncertain future (or no future at all!). All of this is pretty uninspired stuff, and matters don't get much better even as a few brave scientists devise a desperate plan to prevent their nation from completely disappearing off the face of the Earth.

Nihon Chinbotsu is a science fiction story set in the near future. In this story, geologists discover that all of Japan is being sucked under the ocean by plate tectonics. It covers the ongoing disaster from the perspective of several people directly affected by the events, from ordinary people to scientists, rescue workers, and political leaders.

This movie is a remake of a 1973 film of the same title and, in many ways, is a major rewrite. While an excellent premise based loosely upon actual plate tectonics, the elements of social shock which were central to the original film are totally absent from this try, replacing the original message-laden content with Godzilla-style entertainment.

If there's any single impression one can get from a side-by-side comparison of the two films, it's just how far special effects have come over the last 30-odd years. Nonetheless, special effects alone cannot make a great film. I gave this a five out of ten rating.