Bernard e Doris - O Mordomo e a Milionária

This film is about the mysterious relationship between a wealthy woman, Doris Duke, and her butler.

"Bernard and Doris" is a film that is hard to put a finger on. On one hand, it portrays the mysterious relationship between Bernard and Doris beautifully. What they have is more then just employer and servant, but more like a friend, and even more than just friends. On the other hand, I find a lack of emotional engagement between the story and the viewers. The film and the characters do not make me care about them. Fortunately, Susan Sarandon is amazing as she showcases her acting talent. She is stylishly arrogant at first, assertive but approachable in the middle and frail at the end. "Bernard and Doris" is worth watching just for Susan Sarandon's performance alone. The film would have become quite forgettable without her.

"Bernard and Doris" is a quiet story about a billionairess and her butler brought to life by great actors, a good script and a director that let's them be. Doris Duke inherited millions of tobacco money at a very early age and tried to live a life. Bernard Lafferty was Irish-born, barely literate and simply wanted to do his job -- take care of Doris. He was rewarded, upon her death, with controlling interest in her estate. He died three years later of complications of alcoholism, a disease that plagued him throughout his life. This movie, directed by character actor Bob Balaban and starring Susan Sarandon and Ralph Finnes, is steady and clear in its purpose -- to show us who these people were. Duke was shrewd with her money and philanthropic, too. She gave generously to the arts and education. Her personal life was a mess. She paid for sex with a very young piano player, much to Bernard's displeasure. Rarely do I talk about the soundtrack. It's usually a "heard but not noticed" kind of thing. In "Bernard and Doris" the soundtrack is integral. Wonderful jazz. Bernard worked for Peggy Lee at one point. He knew music and Doris even performed as part of a gospel group. Music was important to this pair. There's even sexual tension here, despite the fact that Bernard was gay. Frankly, that makes it all the more interesting. Finally, there isn't much excitement in "Bernard and Doris." It's all about characters. I found it a joy to watch two of the best actors on the planet become them.

I wasn't sold on the idea of watching a film about a rich weirdo and the lawsuits that entail, post-mortem, ala "LIFETIME" nightly movies. I wanted to see Ralph work with Susan, but I still wouldn't have watched unless I researched the production of "Bernard and Doris". I saw Bob Balaban is directing.

I've never seen Bob Balaban's work as director. I've enjoyed all of Bob's acting credits which I've seen, particularly his improvisational skills in recent SCTV/Spinal Tap-quality films. I figure Bob knows the HW weirdness like nobody else due to his insightful improvisations. He gets it.

Therefore, he could do it, and bring it in below budget.

Great direction: Lighting and cinematography were far better than recent films I paid money for. I haven't seen Ralph perform this well since QUIZ SHOW, but he brought his talents to what was clearly a communal table of talent.

Susan Sarandon does very well, and the Susan/Ralph team works. The script works, and sells the story.

Balaban seems to have done much more with far less than this film portends to be, even for an HBO FILM.

Bernard and Doris (2006)

A remarkably well told, subtle and moving movie. At first it might seem to about nothing, and the characters are stereotypes. But this is not at all the truth, as both Susan Sarandon and Ralph Fiennes are compelling and complex in their roles.

What finally happens between this butler who might have a drinking problem in his past and this woman who is a bit loose and unafraid of anyone is something neither of them expected. A kind of true love, though not in a normal, intimate way. Even better, really, respecting their different roles all along. Even at the end, when you know them and love them, the dramatic act that starts and then finishes the movie is tender and profound without a bit of sentiment or cheap heart-tugging. Well done!

The fact that this is based on a true story (loosely, they say) doesn't change the honest intimacy implied throughout. It's a quite movie—even as dramas go, it has lots of space and very quiet conversation. That's a strength, to me, but a warning to people looking for something more intense.

Mostly it's the really sincere, remarkable acting by the two leads, who take up almost every minute of screen time. You lose all sense that they are acting. Wonderful stuff. See it if it sounds like it might be your thing. Underrated.

As a gay man, I must say that I was captivated by Fiennes brilliant, gentle, and sensitive portrayal of an individual who became Doris Duke's confidante. He was not a gold-digger or a hustler but, rather, a man who had a great deal of love and respect for Doris Duke. I truly believe that he died, just a few short years after Doris Duke's death, because he was heartbroken without her. Like myself, he had no love for money. All he consistently set out to do was to make Doris Duke happy and, in her final years and right up to the end of her life on earth, he successfully achieved that goal by always 'being there' for Doris Duke. Sarandon, like Fiennes, is a top-notch actor. Like fine wine, she gets better and better with age. Was Sarandon too young to play the part of Doris Duke? Absolutely not! She captured Doris Duke's energy, youth, and zeal for life. Like "Emotional Arithmetic," I rate this movie a 9 out of 10. It is captivating. It delivers award-winning performances, and it is definitely a movie worth watching. I've done extensive research on Doris Duke, but the movie brings me much closer to her, and Doris Duke is a person I would like to have known in real life. She was a person filled with positive energy, and Sarandon shows that. Fiennes and Sarandon provide a mirror reflection of the vibrant life of Doris Duke. A gay man can deeply love a woman--but he is drawn, like a magnet, to a person of the same sex. If you will permit me to use a cliché, "a (gay) leopard cannot change his (homosexual) spots," but he has the capacity to love--not in spite of, but because of his "spots." The power to love is greater, and more powerful, than hate.