AVALIAÇÃO DA IMDb
5,6/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some... Ler tudoSebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
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I agree, the storyline is slender. This is a portrait of a very young man in his first year of moving to the city, being out, juxtaposed with his recollections of the beautifuland straightbest friend he left behind.
Maybe it's the locale, the language difference, the glimpses of French gay life, but I found this movie very watchable. I think I would be less forgiving (as an American) seeing the same story in an American film. The American version would be more of a straightforward story, I think, and almost certainly heavy-handed. This film is serious, but it's done with a light, gentle touch, and that makes it easier to take.
The movie flips between past and present without much concern for our keeping up with the story. In fact, the jumping around is a reflection of the boy's state of mind. I can't imagine an American film doing the same thing without a lot of dumbing down.
So, despite the familiar plot, if you can even call it that, I still think this is worthwhile. It's very filmic, and relatively uncompromising.
And, the main character's straight best friend is a f**king raving beauty.
Maybe it's the locale, the language difference, the glimpses of French gay life, but I found this movie very watchable. I think I would be less forgiving (as an American) seeing the same story in an American film. The American version would be more of a straightforward story, I think, and almost certainly heavy-handed. This film is serious, but it's done with a light, gentle touch, and that makes it easier to take.
The movie flips between past and present without much concern for our keeping up with the story. In fact, the jumping around is a reflection of the boy's state of mind. I can't imagine an American film doing the same thing without a lot of dumbing down.
So, despite the familiar plot, if you can even call it that, I still think this is worthwhile. It's very filmic, and relatively uncompromising.
And, the main character's straight best friend is a f**king raving beauty.
far to be a bad film, its sin is the less courage to give a specific voice. the courage to be more than a sketch. because it propose suggestions. the relation between Sebastian and Romain. the relation between Sebastian and Bruno. the relation with Marine. or with his father. the result is a kind of "Pointilism". and the theme of young man looking for better life in Paris. nothing wrong and the tone is reasonable. but the film seems be a dance without music. and exercise to say the same well known story of the same selfish young man.
I saw the movie first and then read the reviews posted here. It's a charming movie and I felt really good after watching it. It's one I might buy. The flashbacks were a bit disorienting at first but not so difficult to keep track of things. I found the color differences to really set the atmosphere. Unlike one reviewer I didn't try to lighten the image in order to see more of the sex - I assumed the intimate scenes were filmed that way for a reason, and I think I was right.
The acting is really good, and the actors believable. I've seen some low budget films that were amateur by comparison. This one felt like a real movie. The leads are incredibly good looking. The actor playing Romain (the straight best friend) is almost too pretty - but once I realized that then he was less of a distraction. The lead, Seb/Zack did a fantastic job with the character. I will see if he's done other movies.
What also appealed to me is the use of good drama - no violence, no deaths, no gay bashing. It's an unrequited love story that happens to have a gay lead, and as such was really enjoyable. oh yeah, and the eye candy wasn't bad either. I've never seen so many hot ass shots (outside of Cadinot, which another reviewer references). If you enjoy a good story then check this one out.
The acting is really good, and the actors believable. I've seen some low budget films that were amateur by comparison. This one felt like a real movie. The leads are incredibly good looking. The actor playing Romain (the straight best friend) is almost too pretty - but once I realized that then he was less of a distraction. The lead, Seb/Zack did a fantastic job with the character. I will see if he's done other movies.
What also appealed to me is the use of good drama - no violence, no deaths, no gay bashing. It's an unrequited love story that happens to have a gay lead, and as such was really enjoyable. oh yeah, and the eye candy wasn't bad either. I've never seen so many hot ass shots (outside of Cadinot, which another reviewer references). If you enjoy a good story then check this one out.
The directors and star of Comme un frere were in town for a screening at the London Lesbian & Gay Film Festival yesterday. The screening I attended looked to be a sell-out, but I can only think that the audience was primarily attracted by the cunning use of a "boys on the beach" promotional photograph rather than any Fesitival buzz surrounding the film itself.
One of the directors spoke rather charmingly (in French) about how he was inspired by British cinema, particularly by the gritty realism of Mike Leigh and Stephen Frears. He found their films, however, too "noir" and hoped to make something more optimistic in Comme un frere. Well, all I can say is that the French idea of optimism is like the Luftwaffe's idea of town planning, so hopes were not particularly high.
Comme un frere (Like a Brother) is the tale of Zack (Benoit Deliere), a pretty blond lad who has come to Paris to explore his sexuality. He clubs, he hooks up on chat lines, he has a beauty routine that would put Elizabeth Arden to shame. But, as seems to be obligatory in all French cinema, he is pining for something.
That something is Romain (the extraordinarily beautiful Thibault Boucaux), his best friend, left behind in the Styx when Zack moved to the big city. Scenes of Zack and Romain on the beach, hanging about in cafés and even (platonically) sharing a bed have a tendresse that is deeply touching - but their scenes are filmed in a washed out grey that removes any sense of what made this time special for young Zack.
By contrast, the Paris scenes have a colourful vibrancy that makes one wonder why on earth Zack would be pining for his dreary seaside town, with or without the lovely Romain.
If you're thinking "It seems to me I've heard that song before" then you've nailed the problem with Comme un frere. Young men with unrequited crushes on their best friends have been a staple of gay cinema since the year dot, and Comme un frere has nothing new or fresh to add. The performances are generally good, with some real star potential from Boucaux, and the sex scenes are filmed with urgency and passion, but the inconclusive ending (which really does seem as if the producers just ran out of money and had to stop filming) and the absence of anything to make this stand out from the crowd make it a fairly lacklustre affair.
One of the directors spoke rather charmingly (in French) about how he was inspired by British cinema, particularly by the gritty realism of Mike Leigh and Stephen Frears. He found their films, however, too "noir" and hoped to make something more optimistic in Comme un frere. Well, all I can say is that the French idea of optimism is like the Luftwaffe's idea of town planning, so hopes were not particularly high.
Comme un frere (Like a Brother) is the tale of Zack (Benoit Deliere), a pretty blond lad who has come to Paris to explore his sexuality. He clubs, he hooks up on chat lines, he has a beauty routine that would put Elizabeth Arden to shame. But, as seems to be obligatory in all French cinema, he is pining for something.
That something is Romain (the extraordinarily beautiful Thibault Boucaux), his best friend, left behind in the Styx when Zack moved to the big city. Scenes of Zack and Romain on the beach, hanging about in cafés and even (platonically) sharing a bed have a tendresse that is deeply touching - but their scenes are filmed in a washed out grey that removes any sense of what made this time special for young Zack.
By contrast, the Paris scenes have a colourful vibrancy that makes one wonder why on earth Zack would be pining for his dreary seaside town, with or without the lovely Romain.
If you're thinking "It seems to me I've heard that song before" then you've nailed the problem with Comme un frere. Young men with unrequited crushes on their best friends have been a staple of gay cinema since the year dot, and Comme un frere has nothing new or fresh to add. The performances are generally good, with some real star potential from Boucaux, and the sex scenes are filmed with urgency and passion, but the inconclusive ending (which really does seem as if the producers just ran out of money and had to stop filming) and the absence of anything to make this stand out from the crowd make it a fairly lacklustre affair.
It was a good movie. I don't really like when a movie flips between past and present and this movie is no different. I would have like it more as a straightforward story, but nonetheless, it was fun and entertaining. I liked the actors and their relationships, especially Sebastian and Romain's. A lot of the time it seemed like Romain was gay, or at least bi, even though he never admitted so.
What I didn't quite understand, though, was the ending. It didn't imply anything so Romain and Sebastian could have gotten together, but I seriously doubt it. Besides, I liked Bruno a lot more. It could have been a longer movie, and I would have liked it if the movie had been longer, not necessarily continuing the story, but merely adding parts in the middle. I would have liked to know more about Bruno and Sebastian's relationship and I like to imagine that when the movie is over they will continue dating.
What I didn't quite understand, though, was the ending. It didn't imply anything so Romain and Sebastian could have gotten together, but I seriously doubt it. Besides, I liked Bruno a lot more. It could have been a longer movie, and I would have liked it if the movie had been longer, not necessarily continuing the story, but merely adding parts in the middle. I would have liked to know more about Bruno and Sebastian's relationship and I like to imagine that when the movie is over they will continue dating.
Você sabia?
- CuriosidadesFilm debut of Benoît Delière, who portrays Sébastien / Zack.
- Cenas durante ou pós-créditosA big thank you to all the extras
- ConexõesReferences O Esquadrão da Justiça (1983)
- Trilhas sonorasEn Rouge et Noir
(uncredited)
Written by Romano Musumarra
Performed by Jeanne Mas
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- How long is Like a Brother?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Like a Brother
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração54 minutos
- Cor
- Proporção
- 1.78 : 1
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By what name was Como Um Irmão (2005) officially released in Canada in English?
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