Reação Colateral

This movie has some problems but overall captures the moment better than any other movie i've seen...better than the over-rated Wall Street or Boiler Room and ten times better than margin call.

The sub-story w the family didn't work at all and shd have been cut. the whole brother thing was stupid.

The final scene (set in the real-life Pussy Cat Lounge. 96 Greenwich St., New York, NY, 10011) is a work of genius...as the movie closes the news coverage of the plane crash of the almost-star Aaliyah comes on the bar's TV, and this sets the time, the few days before the Sept 11, 2001 terrorist attack on the WTC and Pentagon.

The movie doesn't even mention the terrorist attacks, so the audience has to remember themselves the time for this to be effective...but if they remember it just kills.

btw, my old girlfriend workd on Aliyah's make-up the month before her death and dremt about her returning to her for make-up after her crash...this was spooky as hell.

August is a very finite and pointed film. It's a low-flying indie sleeper that has its points to make and it makes them quite effectively. Above all it really manages to nail a small moment in time, that of the dot-com implosion.

I, along with many others I'm sure, was part of a dot com start-up similar in some respects to Landshark. It was very common in those days of over-hyped speculation to bet tons of VC generated start-up capital on IDEAS that looked promising, when in reality much needed to happen before they could be realized. This didn't hold true for all start-ups, but a fair majority.

It's very easy to get caught up in the delusion that you're a "real" company when your stock is shooting up the charts and quite a glass of ice water to the face to realize all that speculated valuation can disappear overnight, which it did slowly over the course of late 2000 and 2001...it was never really there to begin with.

August grabs that bursting bubble in a number of effective ways. As the film progresses, it becomes apparent that for all of Tom's boasting and bluster, he's nothing more than a hyped-up spin doctor. Watching this revelation sink his ego is entertaining if not more than a bit sad. Hartnett does an adequate job with the role.

The most true-to-life scene for me was the mass of staffers flocking around F**kedCompany.com, which was a popular barometer for the sink-age rate of companies about to go belly-up, instead of lounging at their Ikea desks playing solitaire...they're not lazy, they just have nothing to do...no customers, no product.

As a film, this is a tough one to sell to an audience who doesn't have first-hand experience in the story's premise. There is a lot of business/financial terminology/slang thrown around that to those not knowledgeable or interested in it will seem very boring.

It does what Indies do best...present a slice of life, with no pat clichés or feel-good endings. And for that, I liked it.

Anyone who thinks that Josh Hartnett isn't a true movie star should see his riveting, high-wire performance in 'August', a shrewdly dramatized look back at the bursting of the dot-com bubble. As Tom, the hipster CEO of a start-up that's about to crash and burn, Hartnett has a scruffy glamour worthy of Brad Pitt, as well as a whiplash gift-of-gab intensity all his own. Tom knows he's running on fumes, and director, Austin Chick, and screenwriter, Howard A. Rodman, use the summer of 2001 to comment on a culture that is still lethally leveraged. This is an indie 'Wall Street' for the Internet era of virtual-profit hucksterism.

Josh Harnett's portrayal of Tom, a super confident ballsy CEO of an internet start-up who sees it all go wonky is much better than expected.

The film scores even more points for avoiding simple messages and instead turns a captivating tale of an internet start-up bankrolled to the hilt who finds its IPO is going south fast into something richer, a true character study.

The relationships, family, work, ex-girlfriend are all handled with a nice touch of real human values, the conversations (mostly) ring true.

And yes, Bowie is great, if rather brief.

All in all, a real surprise, beautifully shot, and well-crafted, and who knew, Josh Harnett can deliver complex characters...

Recommended

the detractors of this movie kept looking for a beginning - middle - and end to this story (in my opinion). that's not what it's about! the story continues today.

after watching this story i was most taken by the mystery of it all. it starts then ends and the in-between comes across as vacuous and self indulgent - and isn't that what the dot com bubble was all about? no where in the entire film is "Landshark" actually explained as to what it does. the developers do not really explain it and above all the employees seem lost as to exactly what their duties are!! and in that is the clue to this movie.

it's about the grasp for fortune & fame built on a foundation that no one really understood - the internet! a quick road to cash as long as you presented yourself as if you knew what you are talking about easy cash came your way. even the elderly David bowie character fell for it but didn't care for the hartnett characters lifestyle. appearance is everything substance doesn't count.

i liked this flick and will watch it again! beautifully photographed and acted - it's a thinking persons movie so don't expect the story to be handed to you.