Promessas

Kusturika made it again. Another masterpiece. A coral comedy full of his own landmarks, with a frenetic rhythm and many glorious moments, we laughed and laughed, what a party! The music is everywhere, and also the shooting, the animals, the crazy bastards, sex and amazing gadgets and inventions, everything colorfully visual to entertain only. Pure cinema in essence. A wonderful experience to watch. And one is specially grateful since good comedies are so rare, and so wonderful. Well, this is one, and if you enjoyed Kusturica's previous films, you'll love this, although, as in all comedies, it is about a chemical reaction, and you have to be in the mood for it.

ZAVET is not for sure Emir Kusturica's masterpiece, as this excellent director has better movies like UNDERGROUND or BLACK CAT WHITE CAT, however it's a nice film and it certainly uses plenty of Kusturica's typical elements/ideas.

It's a tale between fantasy and reality and it's a positive feature. The plot is always around a main topic: "a countryman grandfather asks to his grandson to go to the city sell their cow and get a wife, because he will soon die and leave him alone in the world". But next to this main topic many funny characters will appear, like a persistent pretender to an old teacher, a flying man came out from a circus, gypsy mad thieves and a pair of brothers that knock down everything…And with those funny characters, funny scenes will also appear, of course!

It has the typical characters and scenarios Kusturica likes to use and also the type of humor that makes him a different and special director. The last 10 minutes are really intense, weird and funny at the same time, and are just the proof of that!

Not being a masterpiece it's a nice film of a master… I score it 8/10.

For those of you who are not aware with the theme that Kusturica continues to explore intermittently in his films--the Western assault on traditional Serbian values--it will be impossible for you to understand his narratives. This continuous theme, expressed through fantasy and outrageous comedy as its vehicle, is one that Kusturica has elected to mandate. Since his fantastic work and Magnum Opus 'Underground', Kusturica's films' 'Black Cat White Cat', 'Life is a Miracle', and recently with 'Promise Me This', his slapstick, carnivalistic style underscores the 'westernization' of Balkan culture, its ambivalent arrival and assault on the traditional idiom. In the case of 'Promise Me This', the paradoxical world of city (urban space) and village (traditional idiom) space are contrasted. The world of the city reflects western attributes that have ensconced the spatial and temporal setting; organized crime, sexual exploitation, a ruptured sense of identity and vehement disregard for traditional values--as expressed toward the young kid--villager. The end of the film further exemplifies this notion as we observe a funeral mass and wedding on a one-way dirt road. They are on a collision coarse; appropriately, the wedding, which represents the lifeline and pulse of the village, i.e. traditional values, are about to collide with the funeral mourners, exemplifying the death of tradition within this context. Yet Kusturica brilliantly examines this theme through his own unique, stylistic singularity. With his outrageous and flamboyant style serving as a vehicle in its portrayal.

Before 'Zavet' there was similarity between Tim Burton and Kusturica artistic vision. They find their own, poetic style, and then they cowardly become prisoners of it. Burton has (and still have) Depp, Kusturica has Miki Manojlovic, and somehow they got critical praise for repeating same formula over and over again. However, there are persons like me who find joke funny only when they heard it first time. That's main reason why Kusturica's worst movies are 'Black cat white cat' and 'Life is miracle'. 'Zavet' is something completely different. You may like it, you may hate it, but this is NOT just another Kusturica poetic – Balkanic dreamlike stuff. Of course, if you want to be praised, you have to play safe. It was very easy for Kusturica to make just another flying gypsies movie and get award. Fortunately, as a brave person he chooses to make movie that will be ironic look to his previous works. 'Zavet' can be described as a strong and very harsh parody on previous Kusturica movies directed by Kusturica himself. It is beautiful to see one big movie director to not take himself too seriously. This is quality that Kusturica have and even the biggest, like Bergman or Kubrick, didn't have. This movie is so meaningless that becomes absurd, so absurd that becomes deep, and so unfunny that becomes hilarious. Same stuff that make 'Plan 9 from outer space' cult would made this masterpiece to people who knows how to watch it. Average western viewer would not get few references. Most notable, tire shop owner is Srbljanovic , and this refers to Biljana Srbljanovic, famous Serbian dramatic writer. Politically, she is very active as left oriented liberal, and she despises Kusturica's political views and anarchism. Kusturica's 'everything but not subtle' take to her work was to castrate Miki Manojlovic in Srbljanovic shop. Second reference is made to Goran Bregovic – previous Kusturica's composer. He formed 'Funeral and wedding orchestra' and start performing around Europe. Although he is praised as big composer, Bregovic is just performer and most of his songs (if not all) are poor covers of traditional Serbian songs. Kusturica's take on Bregovic was to confront one wedding and one funeral, with funeral mocking the wedding. Also, music is covering western classics as 'London Bridge is falling down' or French lullabies. You find this unfunny? Now you see how we feel in Serbia when listening Bregovic's horrible covers. I really liked this movie because it is not pretending to be deep, it is so overfilled with symbols that it becomes parody, and it is beautifully directed, as all of his works are. If you like previous Kusturica's movies, there is a big chance that you will hate this. If you don't like couple of his last movies, you may find this as pleasant surprise, because this is like Fellini directing 'Pink Flamingos'. On purpose. I have massive respect for this guy after 'Zavet'. Next Tim Burton movie would surely have main character with pale faces. Next Kusturica movies can easily be about aliens invading Earth. That's the reason why he is most interesting director on Earth, whether you like it or not.

It's very sad to see a director that gave us masterpieces like Time of the Gypsies and Underground and that was once considered a master of Cinema, fall so low, presenting Zavet as a film of his own. To those who know Kusturica's pre new-millennium work, is almost unbelievable that Zavet is directed by the same person. It looks like a Kusturica's fan film. Yes, the themes are similar to those of his earlier film(even if much more reactionary...) but all the genius is gone. The question that comes to mind is: is Kusturica on his right mind or has he (unfortunately...) gone nuts? Zavet has a preposterous script, bad taste humor and all the maniac energy, always present on a Kusturica film, is wasted on bullshit. It seems he tried to incorporate elements from Fellini, Jeunet and Tarkovsky's Andrey Rublyov but the result is null. Nothing makes any sense artistically. It's no wonder that, since 2007, Kusturica didn't direct another feature (his doc Maradona by Kusturica is also bad...). Zavet may be watchable for those less demanding but it's a complete waste of time to the serious film lover.