AVALIAÇÃO DA IMDb
6,8/10
13 mil
SUA AVALIAÇÃO
1614, o Período Edo. Representações da vida sob o governante e fundador da Japão Edo, o Xogunato Tokugawa. Representações de ninjas operando no Japão do século 17.1614, o Período Edo. Representações da vida sob o governante e fundador da Japão Edo, o Xogunato Tokugawa. Representações de ninjas operando no Japão do século 17.1614, o Período Edo. Representações da vida sob o governante e fundador da Japão Edo, o Xogunato Tokugawa. Representações de ninjas operando no Japão do século 17.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 2 indicações no total
Mickey Koga
- Chikuma Koshirô
- (as Mitsuki Koga)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The comments I've seen for this movie are the sole reason I signed up at IMDb; in order to rebuke some of the harsh criticism given. I haven't seen the Manga cartoon, or read the comic if there was one - so I say unabashedly that I loved this film. I think at least one other comment made was a reflection of bitterness about not having the film remain faithful to the animated series, in whatever form it exists.
That said, for those who are new to it all, I HIGHLY recommend this film to action lovers. I was thoroughly entertained from start to finish... from start to finish, I say. Martial arts movies come in three "fu's" by my classification:
"Regular-Fu": the kind that the incomparable Bruce Lee brought us followed by acts like Chuck Norris, Steven Segal, Jean-Claude Van Damme and the like; clean, physical and grounded.
"Wire-FU": This sub-genre has been best epitomized in films like 'Crouching Tiger, Hidden Dragon' and 'Hero', often used in Jet Li films and even 'The Matrix Trilogy'. It's fast, hyper-acrobatic and aerial.
"Super-FU": This is where SHINOBI comes in. Fighters have very unique abilities that are often much faster and deadlier that Wire-Fu styles. This kind is fantastic, exceptional, and ethereal. If you could not suspend belief enough to watch a film like 'Spiderman', there's little chance you will like SHINOBI.
Now, for the special effects fighting nuts like myself, this film is a really good one. The storyline is most reasonably adequate, I felt . It is terse (stoic) all the way through, and has the action to match... and the acting really compliments that air. And boy, do some of the actors look their parts! There are no wasted sequences of nothingness in this film; the story is coherent, especially when I consider other movies of the same category, like 'The Duel' and 'The Promise'. On this point I disagree with some other comments again.
I don't know if a sequel was planned but I really hope so. I fully enjoyed the film, especially after expecting so little from what I initially read here!
That said, for those who are new to it all, I HIGHLY recommend this film to action lovers. I was thoroughly entertained from start to finish... from start to finish, I say. Martial arts movies come in three "fu's" by my classification:
"Regular-Fu": the kind that the incomparable Bruce Lee brought us followed by acts like Chuck Norris, Steven Segal, Jean-Claude Van Damme and the like; clean, physical and grounded.
"Wire-FU": This sub-genre has been best epitomized in films like 'Crouching Tiger, Hidden Dragon' and 'Hero', often used in Jet Li films and even 'The Matrix Trilogy'. It's fast, hyper-acrobatic and aerial.
"Super-FU": This is where SHINOBI comes in. Fighters have very unique abilities that are often much faster and deadlier that Wire-Fu styles. This kind is fantastic, exceptional, and ethereal. If you could not suspend belief enough to watch a film like 'Spiderman', there's little chance you will like SHINOBI.
Now, for the special effects fighting nuts like myself, this film is a really good one. The storyline is most reasonably adequate, I felt . It is terse (stoic) all the way through, and has the action to match... and the acting really compliments that air. And boy, do some of the actors look their parts! There are no wasted sequences of nothingness in this film; the story is coherent, especially when I consider other movies of the same category, like 'The Duel' and 'The Promise'. On this point I disagree with some other comments again.
I don't know if a sequel was planned but I really hope so. I fully enjoyed the film, especially after expecting so little from what I initially read here!
Shinobi is a story about 2 Shinobi tribal villages that must went on a deadly fight. The Lord of the Lords is a man that runs a neutral faction among the Shogun Kingdom but that everyone is bond and obeys, and when he, under clerical/military advice, promotes and proclaims that the 2 Shinobi villages must choose each 5 of their great warriors to battle until death, things turn awry.
The problem is that one beautiful woman of one of the villages falls in mutual love with a man from the other village. Love and war collide. Is the love between them so strong that can stop the war? Shinobi is a movie packed with astounding nature scenes, (I wonder if still exists such nature landscapes thru Japan...) a surprisingly impressive fight choreography and a fair story.
I really advise everyone to see this movie!
The problem is that one beautiful woman of one of the villages falls in mutual love with a man from the other village. Love and war collide. Is the love between them so strong that can stop the war? Shinobi is a movie packed with astounding nature scenes, (I wonder if still exists such nature landscapes thru Japan...) a surprisingly impressive fight choreography and a fair story.
I really advise everyone to see this movie!
"Shinobi" presents us with an epic tale of love, hate, political manipulation and the plight of the underdog against an overwhelming foe, be it a tangible foe or fate itself. The coolest part about this movie is the background and super power of each character, each one being original, fascinating and deeply layered as we learn in bits and pieces. The worst part about this movie is that it falls back on a few clichés that may annoy you in this otherwise unusual spin on the classic "love in the time of hate" story.
First the cool stuff. The plot centers around a fight to the death between 2 teams with 5 warriors on each team. Here's the thing: each warrior has a unique power which isn't spelled out for us. We need to piece it together what their power is and how they got it. These aren't just a bunch of sword swingers running through the forest; they each have a very specialized skill that they stick to (often not even involving weaponry).
For example, one character is a woman who was raised on poison, and so she has literally the kiss of death. But it goes deeper than that. Having the kiss of death means that she can never know true love because all her lovers would die, and so she leads a tragic life, existing only for the sake of killing though she years to know what love is. How cool is that!
Other characters possess similarly complex powers which lead to deep conflicts in life, and you realize that even the most ruthless ones have an unspoken human side.
The main story focuses on two lovers who, you guessed it, end up on opposite teams. Here is where the Shakespearean question of fate plays heavily. One of them believes that they can somehow beat their tragic fate while the other is resigned to a hopeless ending. What I loved about this movie (at first) is that it doesn't waste time with waffling sensibility: right off the bat, the lovers refuse to fight and they make their peaceful intentions known. But slowly they start getting dragged into the inevitable violence.
But unfortunately the film later falls back on a few clichés which we've seen dozens of times before in other tales of love and war, and that's where I dock Shinobi a few points. With its original setup, I was hoping it was going to stay in that vein and avoid what so many other films have done. It does stay unique, but one or two critical plot elements were pure cookie cutter. Making matters worse, these plot elements were not in line with the characters' personalities. It's like the clichés were thrown in just because the film had to have them.
It's not a fatal flaw, and you may not even notice unless like me you've watched dozens of epic love/war stories like this. Who knows, maybe the whole thing will be fresh and new for you. But I just wanted to temper your expectations a bit. Although Shinobi is a good movie, it's not quite awesome. Still worth your time, though.
Movies in this genre which I *do* consider awesome are the Yimou Zhang films "Hero" (2002) and "House of Flying Daggers" (2004). While "Shinobi" is a great effort, I think you should check out those others first to get a taste of cinematic perfection.
First the cool stuff. The plot centers around a fight to the death between 2 teams with 5 warriors on each team. Here's the thing: each warrior has a unique power which isn't spelled out for us. We need to piece it together what their power is and how they got it. These aren't just a bunch of sword swingers running through the forest; they each have a very specialized skill that they stick to (often not even involving weaponry).
For example, one character is a woman who was raised on poison, and so she has literally the kiss of death. But it goes deeper than that. Having the kiss of death means that she can never know true love because all her lovers would die, and so she leads a tragic life, existing only for the sake of killing though she years to know what love is. How cool is that!
Other characters possess similarly complex powers which lead to deep conflicts in life, and you realize that even the most ruthless ones have an unspoken human side.
The main story focuses on two lovers who, you guessed it, end up on opposite teams. Here is where the Shakespearean question of fate plays heavily. One of them believes that they can somehow beat their tragic fate while the other is resigned to a hopeless ending. What I loved about this movie (at first) is that it doesn't waste time with waffling sensibility: right off the bat, the lovers refuse to fight and they make their peaceful intentions known. But slowly they start getting dragged into the inevitable violence.
But unfortunately the film later falls back on a few clichés which we've seen dozens of times before in other tales of love and war, and that's where I dock Shinobi a few points. With its original setup, I was hoping it was going to stay in that vein and avoid what so many other films have done. It does stay unique, but one or two critical plot elements were pure cookie cutter. Making matters worse, these plot elements were not in line with the characters' personalities. It's like the clichés were thrown in just because the film had to have them.
It's not a fatal flaw, and you may not even notice unless like me you've watched dozens of epic love/war stories like this. Who knows, maybe the whole thing will be fresh and new for you. But I just wanted to temper your expectations a bit. Although Shinobi is a good movie, it's not quite awesome. Still worth your time, though.
Movies in this genre which I *do* consider awesome are the Yimou Zhang films "Hero" (2002) and "House of Flying Daggers" (2004). While "Shinobi" is a great effort, I think you should check out those others first to get a taste of cinematic perfection.
If we are looking for elaborated Japanese story, this movie is not as elaborated as (for example) Kurosawa's Samurai trilogy. If we are looking for the actions, the movie does not offer much too. This movie is a bit of everything: romance, action, etc.
However, what I really like in this movie is the eastern philosophy. Something like "love is not everything, above love there is honor (of the clan) and the obligation (towards the government)". And also about submitting to fate; like the immortal one who choose to die by inhaling the poison, simply because he accepts that "Our time has passed".
Furthermore, this movie help me to empathically see how difficult it is to be a leader; to change the vision of the members, when the members are not ready to leave the old vision. Gennosuke fails to convince his 4 warriors about the importance of avoiding the fight; I can only imagine how hard it is for a leader to convince millions of citizens to do something different.
However, what I really like in this movie is the eastern philosophy. Something like "love is not everything, above love there is honor (of the clan) and the obligation (towards the government)". And also about submitting to fate; like the immortal one who choose to die by inhaling the poison, simply because he accepts that "Our time has passed".
Furthermore, this movie help me to empathically see how difficult it is to be a leader; to change the vision of the members, when the members are not ready to leave the old vision. Gennosuke fails to convince his 4 warriors about the importance of avoiding the fight; I can only imagine how hard it is for a leader to convince millions of citizens to do something different.
After more than four hundred years of war between the Shinobi warriors of the Manjidani Koga and Tsubagakure Iga clans, the Lord Hattori Hanzou decrees that they must live in peace. Both clans live hidden in the woods and mountain without confrontation and without training ninjas in the shadow art of Shinobi. In 1614, the Lord of the Lords is convinced that the clans are dangerous threats for keeping peace in his lands, and his adviser plots a Machiavellian plan to destroy their best warriors in a contest. Meanwhile, the young Iga Oboro (Yukie Nakama) and Koga Gennesuke (Joe Odagiri) fall in love for each other. When Oboro's grandmother and leader of Iga clan Ogen (Riri) and Gennesuke's father and leader of the Koga clan Danjo (Minoru Terada) kill each other, Oboro and Gannesuke must lead their warriors in the ultimate battle of the Shinobi clans.
"Shonobi" is a wonderful and tragic romance, with drama, action and fantasy. The story slightly recalls Romeo and Juliet, with the impossible love of Oboro and Gennesuke that belong to enemy clans, and X-men, with the dark powers of the Shinobi warriors. The cinematography, the choreography of the fights and the state-of-art special effects are awesome, and the story is engaging and shows an adequate pace. The beauties of Yukie Nakama, Tomoka Kurotani and Erika Sawajiri are amazing, but the romance of Oboro and Gannesuke should have been better explored to increase the intensity of their final act. My vote is eight.
Title (Brazil): "Shinobi A Batalha" ("Shinobi The Battle")
"Shonobi" is a wonderful and tragic romance, with drama, action and fantasy. The story slightly recalls Romeo and Juliet, with the impossible love of Oboro and Gennesuke that belong to enemy clans, and X-men, with the dark powers of the Shinobi warriors. The cinematography, the choreography of the fights and the state-of-art special effects are awesome, and the story is engaging and shows an adequate pace. The beauties of Yukie Nakama, Tomoka Kurotani and Erika Sawajiri are amazing, but the romance of Oboro and Gannesuke should have been better explored to increase the intensity of their final act. My vote is eight.
Title (Brazil): "Shinobi A Batalha" ("Shinobi The Battle")
Você sabia?
- CuriosidadesA manga and an anime called Basilisk (2005) are based on the same novel The Kouga Ninja Scrolls and bear the same character names as in the novel and the movie. Although their characters in the film are highly altered from both the original novel and the manga/anime series.
- ConexõesReferenced in Movie Friends - Eine Videothek stellt sich vor (2013)
- Trilhas sonorasHeaven
Lyrics by Ayumi Hamasaki
Composed by Kazuhito Kikuchi
Arranged by Yûta Nakano & KZB
Performed by Ayumi Hamasaki
Principais escolhas
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- How long is Shinobi: Heart Under Blade?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Shinobi: Heart Under Blade
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 11.987.868
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Shinobi: A Batalha (2005) officially released in Canada in English?
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