Hyeongsa

I walked into this movie knowing almost nothing about it except for a very basic synopsis that is nothing special and the knowledge that people either love it or hate it. I walked out of it, totally in love.

Duelist is a prime example of art film that doesn't try hard at pushing an elaborate story into its viewer. There is very little dialogue, barely enough to let us know what's going on, and most of the story is told via movements, lightings and music. Honestly I was kinda puzzled during the first half, not knowing where it was going, but the curiosity and Gang Dong-won being a feast to the eye made me stay. And I didn't regret any minute of it. The two leads have ridiculous chemistry and they totally compliment each other. My only issue with the processing is the excessive use of slow motion that time seems to flow differently in Duelist, but it also makes everything so pretty I'm not complaining.

Featuring one of the best soundtracks I have ever heard, being that the music is an essential part in leading the viewers, Duelist tells a love story through sword fights that look so passionate and intimate it's almost dancing. A brilliant visual feast, like a poem, it's peculiar and sometimes over-the-top theatrical, so it might not be everyone's cup of tea. I personally absolutely love it and have been raving about it to anyone who would listen. Try it yourself to find out which side you are on.

I don't know how many of the reviewers of this movie realize just how difficult some of the visual effects the director managed to pull off really are. I'm currently an art student and I've helped in the filming of more than a few movies in my life and I've seen more movies than most people have even heard of and yet this movie has stood near the top of the list of my favorite films since I saw it. Now maybe I'm biased because this movie has more emotion depicted in one scene of swordplay than movies like the Notebook. If you missed it the first time through you were obviously reading a book by its cover because its story is told through expressions and movements of the characters not through the traditional blunt, in your face talking which can sometimes neglect the need for visuals in a movie. Half the movies that have come out in the past five years wouldn't be worth a damn except for their dialog. They would be better as books on tape. This movie is all about the visuals and how they blend with an amazing score. Very few directors can pull off emotions through pure visual splendor and music. How this has a barely above a five rating is disgusting. I recommend this movie to anyone. They say the plot is thin but if your just basing that off the dialog you've missed three quarters of the story. Watch the actors body language and how the music builds upon it.

While perusing IMDb comments lately I've noticed a rather interesting perspective that glorifies cinematography as if it's the only meaningful aspect of film-making. I always thought that things like directing, acting, scriptwriting, action choreography, and post-production (only to name a few) are all important parts of making an entertaining film. Realistically, almost every film is lacking in some of these elements, but the good movies make up for it by excelling in others. Unfortunately, lots of people apparently think that cinematography alone can carry a film. I disagree, and Duelist provides a case in point.

This movie is essentially an action/comedy, which to me automatically signals an emphasis on action choreography and humor. The most entertaining films of this genre take the fight scenes to exceptional levels while sprinkling in some good laughs along the way – e.g., The Legend of Drunken Master (1994). Duelist, on the other hand, provides subpar humor and downright atrocious sword duels. I actually liked the lead actress and actor in other Korean films I've seen, but they were not utilized well at all here. Quite frankly, this film is a disaster. If I had known it was directed by Myung-se Lee (Nowhere to Hide), I probably would have never watched it to begin with. Shame on me for not doing my homework.

For the record, there is a lot of action here, but it is utterly destroyed by inept directing because the camera-work used during the sword duels sucks to high heaven. It's almost as if the director's sole purpose was to sabotage his own movie. Here are a few examples:

1. The opening scene was nonsensical, schizophrenic, and overly sloppy in its execution. A wagon full of money crashes and sprays on a road. The officials try to stop people from stealing it. The scene is nothing more than amateurs scuffling and falling over each other. Not good. There is a very brief duel at the end, but it only entails one or two sword swings.

2. One particular night duel had this viewer's blood boiling as the only discernible "action" was a series of special effects sparks on a pitch black screen. Two of the lead characters are in a dark alleyway, but instead of having them fight where we can see them, the director cuts to total blackness and adds some sparks. This kind of copout really grates on my nerves, because the director knows that he can take the easy way out and not even bother to map out carefully choreographed sword motions or character movements. This sequence, in and of itself, solidifies Myung-se Lee as one of the laziest directors in the industry today. Hey jackass, do us all a favor and don't even bother shooting an action scene if you're too lazy to do it right.

3. Another brief duel takes place in a courtyard and would have been pretty good had the director not placed the camera directly behind an obstruction, thereby showing only portions of the characters as they fought. Seriously, he could have placed the camera just about ANYWHERE else and it would have been acceptable. Instead, he tracks behind a thick fence. What an idiot.

4. Yet another scene has a character in a room with dozens of baddies, but every time he swings his weapon the director moves the camera behind a pillar to obscure the action. The scene itself lasts a matter of seconds and ends prematurely with a freeze frame of the protagonist screaming. At this point, I wanted to break something.

The aforementioned points convincingly argue against other IMDb comments that assert that the action scenes are entertaining. On the contrary, they are not the slightest bit entertaining for viewers who actually want to SEE the characters fight in well-choreographed sword duels. I'm perplexed that so many reviewers enjoy having so many events occur off-screen. You people need to raise your standards a bit.

Someone should seriously tell Myung-se Lee that the Andrew Lau/Wong Kar Wai Wuxia method of "slideshow" photography is the single worst way to film a fight scene, primarily because the viewer cannot see what the hell is going on (ala Storm Riders and Ashes of Time). Someone should also tell him to stop aiming the camera at walls and start aiming the camera at the actors. After suffering through Lee's Nowhere to Hide and this feat of idiocy, I pray to God this imbecile never makes another action film. And if he does, I pray that I'm not stupid enough to watch it.

Which brings me to the cinematography. Lots of reviewers here have claimed that the cinematography of Duelist carries the film. I see this reasoning often, and quite frequently the most overrated movies are those with good cinematography, because the people who love them conveniently forget that everything else sucks badly – e.g., Akira Kurosawa's Dreams. Hey, I love great cinematography too, but the movie has to have SOMETHING else, lest it be a very pretty but hollow shell. For example, Kiyoshi Kurosawa's films have excellent atmosphere, but without innovative philosophical concepts they would be practically worthless, like this film.

Everyone mocks me because I consider The Twins Effect (2003) to be one of the most entertaining in this genre, yet I'm vindicated every time a crappy action/comedy like Duelist comes out. Go figure.

I saw this film at the opening night of the Hawaii International Film Festival, as an unannounced special screening. Outrageously colorful and stylized, it's a tale of a girl trained as a sword-fighter who works as a cop, and a mysterious masked swordsman who may or may not be in league with a gang who is flooding the country with counterfeit money. The plot is confusing enough, but it really doesn't matter: it's just an excuse for some amazing set- pieces involving crowds of sword-fighters, fighters chasing through markets and dye factories, barroom brawls, and over the top humor. And swordplay as foreplay. Not likely to get a US release, but a lot of fun. Modern Korean cinema, in my opinion, is leading the world in terms of set and scenic design, and innovative cinematography. Catch this film to see what I mean.

This movie is disguised as historical action,romance and detective film. It has every element of any Asian action genre film.

Underneath it, this movie is very self-conscious and experimental film. Of course, there is a compromise between mainstream movie and director's personal movie. That is "having narrative" in this movie.

Director expresses his visual vision which is loosely based on detective story.However if you try to follow story in this movie,you will be utterly disappointed.

This is almost another form of alienation effect. There is narrative but narrative can not handle its grandized style. It is not style for narrative but narrative for style. Director almost challenges you what movie is and means to you. In this grossly capitalized movie making world, can movie be presented as an art form or a painting. is it even possibility of discussion?

If you like this kind of geeky challenge(almost Brecht like) or exploration, this is movie for you. If not, I say still give a shot and focus on style and rhythm and visualization and do not waste to spend too much time to follow the "story". If you are interested in this director, you can google it and will be able to find interviews. I think this movie Lee expressed more his personal vision and visual challenge than previous one and he is definitely pushing it.

Movie is based on comic book characters and stories written by Bang Hak-gi.Korean soap opera "Damo (female detective)" also is based on this comic book story.

Female leading lady(Ha ji won) played similar role in drama "Damo". Damo was great hit series drama in Korea.

This movie did not do well in korean box office but there is a cult following for this movie. When you try to buy DVD, make sure that it is quality you want because director did several digital enhancement on this movie after release.That is what I heard anyway and you do not want to miss gorgeous visual in this movie.