A Mulher do Meu Irmão

I have watched so many nice movies from Argentina, Mexico and Peru that I could never expect a so terrible film like this, particularly as the plot could have been worked as an exciting production. With an absolutely ridiculous screenplay, full of awful dialogs, "La mujer de mi hermano" is a harsh failure, quite disappointing. Even though actors are not bad, their performance is not good enough to reverse the disaster caused by a bad story. As the film advances, one becomes more and more irritated by the so obvious events presented in a boring chain of clichés and unacceptably absurd situations. When the dramatic changes happen in the second third part of the movie, it is far from enough to make it a good film. Bárbara Mori is a beautiful actress; that does not make Zoe a good character.

While the cinematography is decent and the actors are top notch, the story is one that could be fit into a 15-20 minute short film. It's not just that it drags, it's also predictable as all get out and devoid of any substance -- it's literally a story that's been done to death on Lifetime. An even bigger let down is the lack of nudity when the subject is sex. Movies are meant to entertain; usually all it takes is a good story, but if I were the producer I would have pushed hard for more nudity to make sure the viewer doesn't turn it off for something more erotic.

LA MUJER DE MI HERMANO seems to have polarized viewers between those who classify it as a television novela and those who see it as a stylish Latin American drama. Written by Peruvian author Jaime Bayly, adapted by María Eugenia Argomedo, and directed by Peruvian director Ricardo de Montreuil, the cast boasts actors from Peru (Christian Meier), Colombia (Manolo Cardona), Uruguay (Bárbara Mori), Venezuela (Gaby Espino), Chile (Beto Cuevas), and Mexico (Angélica Aragón, Bruno Bichir). It is a fine showcase for some of the fine talent from Latin America that is gaining a strong influence on theatrical films released in the USA. It offers a story embracing many current dilemmas in society (relationship to church, infidelity, illegitimate pregnancy, homosexuality, childhood sexual abuse) and blends them into a film acted by a fine cast of beautiful and talented actors and artists behind the camera, and the result is a luminous piece of cinema that deserves a second look.

Ignacio (Meier) is a handsome, wealthy, emotionally cool man who is married to a sensuous, beautiful, sexually frustrated Zoe (Mori), The couple may appear to have it all - splendid house, wealth, expensive tastes - but they have been unable to have children in their ten year marriage. The disparity between their sexual needs results in Zoe finding solace in the arms of Ignacio's bohemian artist brother Gonzalo and they begin an affair that results in a surprise pregnancy. This crisis unveils the truth about the characters: Gonzalo, still reeling from the childhood sexual abuse by his older brother Ignacio, doesn't want fatherhood and marriage, and in the peak of the tremor the pregnancy creates Gonzalo shares Ignacio's homosexuality with Zoe. How the three confront their needs and fears pulls the story to a close, an ending that addresses fully the characteristic traits that have shaped the lives of the three.

In addition to the trio of stars there are excellent cameos by Bruno Bichir as Zoe's gay confidant, Angélica Aragón as the mother of the men whose greatest need is for grandchildren, Gaby Espino as the housekeeper Laura, and Beto Cuevas as the priest who is not only a friend of the family but hears the secrets of each in the confessional. The cinematography is lush and evocative in the competent hands of Andrés Sánchez and the tension of the story is well underscored by the music of Angelo Milli. For this viewer LA MUJER DE MI HERMANO is a classy film that brings attention to the many fine new works coming from Latin American cinema. It is well worth revisiting. Grady Harp

As pared down, stylish and deceptively simple as the stark glass and concrete block inhabited by two of its main characters, "La Mujer de Mi Hermano" (My Brother's Wife) is an adultery drama that skips the big life lessons in favor of observing the mysteries of human interdependency and social behavior.

Peruvian director Ricardo de Montreuil has transposed the characters created by his compatriot, novelist Jaime Bayly, from Lima to Mexico City and has cast Mexican stars in three of the film's four principal roles. The idea behind the relocation was to broaden the film's global appeal, as Mexican films tend to be well received across Latin America and within the United States. Accents and local slang are duly adjusted, but the shift feels academic. "La Mujer de Mi Hermano" blooms inside only the most insular, intimate spaces, its characters untouched by the world around them. If anything, it's a reminder that class — especially the upper echelons — is a country unto itself that doesn't recognize geographical borders.

Disturbingly beautiful and melancholic Zoë (Barbara Mori) lives with her image-obsessed husband, Ignacio (Christian Meier), in an ultra-modern house — half display case, half hothouse — on the outskirts of the city. Ignacio is wealthy and doting but distant, and their marriage is affectionate but passionless. Ignacio's sterility and Zoë's refusal to consider adoption compound the feeling that the marriage has cruised into a cul-de-sac.

Zoë's complaints, which she shares with her gay friend Boris (Bruno Bichir), are legitimate, but it's Ignacio who elicits sympathy at first. Genuinely afraid of losing Zoë, he exudes a tightly wound, reined-in helplessness that's painful to watch. The feeling is cemented when Zoë starts hanging around with Ignacio's estranged younger brother, Gonzalo (Manolo Cardona), a painter who bad-mouths Ignacio at every opportunity but gladly takes his money each month. When Zoë drops by his gallery unexpectedly, Gonzalo sells her a painting from his show. The selling, rather than giving, becomes another point of contention between Gonzalo and Ignacio, but for Zoë it's a chance to get back at her husband.

The principal pleasures of the film lie in the subtle shifts in character that prompt shifts in allegiance, so I won't spoil them. The main thing is that "La Mujer de Mi Hermano" lets its characters' behaviors speak for themselves, which naturally lead the audience into snap judgments that evolve into something more fluid and forgiving.

Tall and broad, Meier has a rigid, hulking quality that serves him well as the high-strung businessman scared stiff of losing his wife. For a guy built like a pylon, he has a remarkable way of making himself small by tucking himself into a neat package.

Mori, a memorable presence, plays an instantly recognizable type nonetheless rarely seen on screen. Zoë's uncommon beauty masks her neediness, insecurity and loneliness. Mexican star Angélica Aragón plays Cristina, the mother of Ignacio and Gonzalo, a woman who sees strictly what she wants to see and nothing more.

A final twist — a bit of a corker — threatens to push what has otherwise been a cool-headed emotional experience into the realm of melodrama. Despite this false note, "La Mujer de Mi Hermano" keeps a cool eye trained on its characters as they struggle to make their lives conform to some strict phantom ideal.

For a movie about an inter-family dalliance, it's far more pragmatic than you might expect, and far more humane. Ultimately, "La Mujer de Mi Hermano" offers the uncommon (in movieland) perspective that it may be the ideal that oppresses life, not the other way around.

Without writing boring redundant reviews and quotes. I would simply say I watch dozens of movies on a monthly basis, and this is the first "Subtitled" movie I've ever watched from beginning to end.

I was simply hypnotized, and before I knew it, the movie was over.

It did have a few predictable scenes but hey what movie doesn't. It could have been a little longer to enlighten or explain a few things like the husbands background, but oh well...

This is a movie very definitely worth your time. I'd recommend watching it with your better half whomever that may be.:)

I'm going to buy this one and watch it again. Another first for me.